Taming Of The Shrew Analysis

In the play The Taming of the Shrew, men do quite absurd things to get what they desire. Petruchio, Lucentio, Hortensio, and Gremio all derive schemes to win the heart of the woman they choose. Throughout the play many characters create alternate personas to woo the one they love. However, one man, Petruchio, prefers to pursue his soon to be wife ingenuously. All of the ideas the men concoct are in hopes that Bianca or Kate might fall in love with them, whether or not they do fall in love is due to how well their suitors perform their acts of love.

This article delves into the different aspects of Shakespeare’s play “the taming of the shrew”. It summarizes how Petruchio, a gentleman of Verona, “tames” Katherina, the shrew. Petruchio uses reverse psychology until Katherina becomes an obedient and compliant wife. While that is going on, there is also a competition between the suitors of Katherina’s more desirable sister, Bianca. Also, the article details the many adaptations of the play such as film, opera, ballet, and radio. One of the many themes it mentions, a major one is that money has an amazing amount of power as well as gender politics. The amount of information in this article is astonishing however the source is not very trustworthy. Anyone using this article must be careful

The Taming of the Shrew remains a very controversial and debated work of literature. The play reflects views of marriage and gender relations that were commonplace at the time it was written, but are often seen as insensitive and sexist in modern society. The play focuses on the eponymous shrew, the outspoken and sharp-tongued Katharina, her husband Petruchio’s attempts at forcing her to conform to be submissive and obedient to him, and his eventual success. Petruchio’s success at converting Katharina is often read as an expression of the misogynistic attitudes commonly held at the time. However, upon closer reading, and examining the text with a better understanding of the time period it was written in, The Taming of the Shrew can be read

Also, Katherine herself apprehended the error of her ways, making the women feel sheltered and making the men feel self-assured about their dominant position in society. The audience presumably went home contented, because such a shrew was tamed, and could be tamed so well. Katherine’s soliloquy reinforced the moral values of the Elizabethan era, making the conclusion of the play more enjoyable and entertaining. The final scene of The Taming of the Shrew shows ”the triumph of the unconventional over the conventional”, it shows that Katherina and Petruchio’s marriage, which has started rather unconventionally, seems to have better chances of being a happy. Shakespeare speaks out in clearly favors of the unconventional concept of love present in the relationship between Petruchio and

Taming of the Shrew is a play by William Shakespeare written in the 1500’s. The main plot of the play involved Petruchio and Kate an outspoken, and obdurate shrew. Kate at first was unwilling to be tamed by Petruchio. Petruchio started taming Kate by depriving her of sleep and food. Before Kate surrendered to Petruchio she showed her unwillingness to be submissive. Gender roles were a vital theme in Taming of the Shrew. Men were the dominated gender in the 1600s and considered the superior gender. Women were the weaker gender and had to be submissive in the 1600s.

On the The Taming of the Shrew’s very surface, it is seen as a misogynistic attempt to enforce gender roles and stereotypes by showcasing the transformation of a fiery, free-spirited woman to a silenced, subjugated wife. The play revolves around the two protagonists, Katharina and Petruchio, as the pair battle over psychological domination. The residents of Padua perceive Kate as a devious and hateful woman towards the beginning of the play, earning her the seemingly well appropriate title of a “shrew”. Evidence of her unkindly disposition is seen in 1.1.69-71 by Tranio and Lucentio, two men new to the area, as they observe a scene unfold from afar. Tranio refers to Kate as “stark mad, or wonderful froward,”

The Taming of the Shrew by William Shakespeare was written in the latter years of the Elizabethan Era. In this play, Shakespeare looks at the themes of womanhood, patriarchy, courtship, and marriage, which are topics prevalent in Elizabethan Era. Amongst citizens, the topics hold strict beliefs in the public space. This play that illustrates a woman with such self-control and individualism, get forced into the life of a weak woman beholden to her husband. A once strong and domination female character is broken by the methods of taming. On the other hand, a very silent woman, Bianca, Katherine’s sister, is placed in marriage based on a romantic interest, which contrasts the very likes of the narrative of arranging marriages during this time period. Being very political in his writing Shakespeare never shies away from presenting ideas very much embedded into the everyday life of England’s citizen at the time through the mockery of characters or by having readers question these practices or ideas based on his deliberate word play; with the marriages of Katherine and Petruchio, and Bianca and Lucentio, he is able to criticize the practices and contrast the different styles of marriage, one being very widespread at the time and one beginning to emerge.

Gilbertson 1 Alex Gilbertson Professor Mello English 42 March 2, 2015 Feature Article 2: The Power Couples in The Taming of the Shrew In Shakespeare’s lifetime, there were certain roles and principles that men and women were expected to follow faithfully. Men were supposed to hold the highest power and were the superior gender, while women were condemned as being physically and emotionally weak. Shakespeare’s plays were noted for rebelling against the stereotypical gender roles of the time period— The Taming of the Shrew was no exception to this. In the play, the relationships are portrayed as being dysfunctional and defiant to the social norms of the time; Kate and Petruchio are the prime example of this, while Lucentio and Bianca are, in some ways, the much more traditional couple.

William Shakespeare’s The Taming of the Shrew has been the subject of many debates discussing whether the play is pro-feminist or anti-feminist. The final speech given by Katherine allows speculation as to whether she was coerced into an unwanted marriage and speaks with irony or has, in fact, been ‘tamed’. Several scholars such as Coppélia Kahn and Natasha Korda have also questioned whether the ‘taming’ references to Katherine solely, or to a number of characters or as Korda discusses, whether the play demonstrates the progression of women’s role within the household. However, the play could also be read as silently acknowledging the circumstances which lead to Katherine’s ‘shrewish’ behaviours. William Gouge, in his Of Domesticall Duties, played out rules for managing a household.

Katherine Minola is a character who is pivotal to the progression of the exposition in Shakespeare’s The Taming of the Shrew. The dynamic Kate faces everything from being unsolicited and undesirable by men, being forced into marriage, and falling in love with someone who undoubtedly mistreats her from the beginning. Being tossed and thrown from one end of the spectrum to the other allows room for drastic change in attitude, values, and behavior. There is much evidence of a revolution of character in Baptista’s daughter and Petruchio’s wife, Katherine. Reader’s can follow the transformation of an untamable shrew of society to a well loved and respectable woman figure of the upper class.

The Taming of the Shrew, Shakespeare was telling the reader that man’s dominance and need for control is too extreme. Shakespeare’s constant repetition and exaggeration of men treating women as possessions, and not humans, displays his view that man’s dominance and need for control is too extreme. Man’s need for control and dominance is excessive. Towards the beginning of The Taming of the Shrew, Baptista, a father, informs suitors of Bianca, his youngest daughter, that they are

One of the most notorious topics of interest in the works of Shakespeare is the role women receive in his plays. The way Shakespeare wrote his plays, women were very submissive to men and had no will and choice of their own. Women were extremely reliant upon the men in their lives, believing that they were inferior and thus following their desire for the women’s lives. This included that marriages were usually arranged by a powerful male, instead of giving the woman the opportunity of choosing marriage for love. It is not surprising that Shakespeare portrayed women in a way that was familiar to him and the time era in which he lived. In A Midsummer Night’s Dream and The Taming of the Shrew, both focus on the development of love and not, with

Firstly, The Shakespearean play “Taming of the shrew” is about Baptiata and his daughters Bianca and Katherine . Bianca has many suitors like, Hortensi, Lucentio, and Germio. Katherine has not had any suitors because of her cruel and ill-mannered behaviour . Baptista set a rule that no one will marry Bianca until katherine get married .Hortenso ’s friend comes from Verona to Padua searching for a wealthy wife .Hortensio

The Taming of the Shrew is one of Shakespeare's earlier plays, written around 1592. During the time the play was written, the Renaissance was very much a patriarchal society. Men exercised strong control over the women of this time, and if these women resisted or complained, they were labeled as shrews. Shakespeare does not support this treatment of women and uses satire, a useful tool for pointing out flaws in society, to the audience into reconsidering its ideas and treatment of women.

Performing Marriage with a Difference: Wooing, Wedding, and Bedding in The Taming of the Shrew by Amy L. Smith deeply investigates the connections between patriarchy and gender role. The Taming of the Shrew is often seen as males dominating women however if the relationships of power are looked at more closely a different story emerges. For example, according to the author, there are two types of reader: revisionist and antirevisionist. The first type of readers see Kate's performance as reflection of patriarchal hierarchies where woman is a subject to her husband. The second type of readers see Katherine's performance as an actor game where she shapes and controls both her husband and their marriage. In his writing Smith also emphasizes