Taming Of The Shrew And 10 Things I Hate About You Analysis

In the play Taming of the Shrew by William Shakespeare, Shakespeare includes several appeals of pathos, ethos and logos. In the last passage of the book, Katharina speaks out to all of the characters with a speech. Katharina describes how she has changed into a person who looks to her husband as her lord, her care taker. The characters who listened to her speech seemed impressed on how she has finally changed her rude attitude and how she obeys her husband Pertruchio’s every word.

The Power of Love in 10 Things I Hate About You and Taming of the Shrew 'The Power of Love' is portrayed in various themes throughout both.

Love is such an abstract and intangible thing, yet it is something that everyone longs for. In Shakespeare’s play A Midsummer Night’s Dream, the difficulty of love is explored through the obstacles that characters have to face while pursuing their loved ones. Those characters that are in love in the play were conflicted with troubles; however, the obstacles of love do not seem to stop them from being infatuated with each other. The concept of true love is examined throughout this play. By creating obstacles using authority and a higher power, Shakespeare examines the power of love. Through Hermia and Lysander’s loving words, it is reasonable to conclude that love conquers all if you believe in it.

Teacher and classmates, A few weeks ago, I questioned Shakespeare’s Romeo and Juliet wondering why, why is this literature still prominent in today's society? The foreign tongue it is written in, the seemingly basic and boring plot and the lack of action all combined being regarded as one of man’s greatest achievements didn't quite equate. However through my studies of the question, How effectively does Shakespeare’s Romeo and Juliet shape our notion of love, I realised. Throughout the text lies defining moments of romantic, fickle and fraternal love and the complexity of the text allows for both interpretation while maintaining relatability. However our perception of love, the strong feeling of affection, has differed immensely since 1595. Romeo and Juliet, a story over four centuries old is the foundation of love and romance throughout history.

The word “love” is a powerful one, both in real life, and in Shakespeare's play Hamlet. It is often a confusing concept, made even harder to grasp when one of the lovers repeatedly changes his/her mind (Hanson, 16). In Hamlet's case, his feelings towards Ophelia veer from love, to never loved, to always love. This cycle of emotions is due to Hamlet feigning

The historical and cultural contexts of Shakespeare’s The Taming of the Shrew (TTS) and the 1999 film 10 Things I Hate About You (10TIH) differ exceptionally, resulting in the film’s expression of values unlike those expressed in Shakespeare’s original text. Shakespeare’s play was written during the Elizabethan era, during which the belief that men were superior to women was prevalent. This concept is centralised in TTS, through incorporation of a disputably misogynistic tone and the dominance of men consequently forcing Katherina into marriage and submission. In contrast, 10TIH, a modern film appropriation of TTS, largely challenges the values of Shakespeare’s play. It presents to

True love’s path is paved with every step. Through the assistance of fanciful elements as well as characters Puck and Oberon, the true message of love in William Shakespeare’s A Midsummer Night’s Dream is revealed. The four lovers know the direction in which their hearts are inclined to turn, but when the love potion is administered, the bounds of their rectangle are thrashed without knowledge or consent. The rapid shifts in affection between the play’s “four lovers” is representative of the idea that love isn’t a conscious choice, but a cruel game in which we are the figurines, being controlled by whomever the player may be, relating the characters’ karmic fates.

In the play `Romeo and Juliet` the writer William Shakespeare uses the theme of love as a main feature to push the story along. Presented are a plethora of variations of love including family love, true love and courtly love. This essay aims to analyse these three types of love chosen.

In addition, Shakespeare intermingles the play with the idea of appearance versus reality, highlighting how truelove can exist within even the curst and is absent amongst even the most attractive. As the play progresses, we see how true this is, as Bianca and Katherina contrast one another on the interior as well, yet Katherina?s true love underneath, allows her to dwell in an effective relationship. As we know, Petruchio?s love is obvious yet Katherina?s shrewish nature masks her true love for Petruchio - proving the deceptiveness of appearances. On the other hand, even though Bianca has many desperate suitors we see how shrewish she really is as she questions, ?Am I your bird? (5.1)?. Bianca?s rhetorical question and indignant tone towards Petruchio highlights her lack of respect and her internal shrewish personality. Moreover, Bianca?s interior personality

Throughout history, the media has shown many different sides of love. Weather it be peaceful, violent, dangerous, beautiful, almost all forms of the media have shown love in some way. In the novel The Great Gatsby, love is shown between many different characters in different ways. The reader experiences love at its best and worst. We see relationships flourish, rekindle and end between the different characters. The most controversial relationship is the relationship between Daisy and Tom. Through infidelity, and mistrust, tragedy occurs. Other characters become associated with their marital problems, showing different kinds of love and relationships. In the play Hamlet, the reader also experiences many different kinds of love, ranging from

Love is a term used daily in one’s life. Many categorize love in many forms. These forms differ from one-another such as the difference between love for food and love for one’s spouse. However, in the play; “A Midsummer Night’s Dream”, love takes different forms than the ones experienced in reality. One can classify the different types of love used in this play into three different categories; true love, love produced by cupid’s flower, and the state of lust.

The story of The Taming of the Shrew is one that raises important issues both in the Shakespearean text and in the modern appropriation 10 Things I Hate About You.

The movie 10 Things I Hate About You is comparable to the book The Taming of the Shrew. William Shakespeare wrote The Taming of the Shrew with the focus of marriage in the 1500s. 10 Things I Hate About You is a romantic comedy that was made in the 1900s. In The Taming of the Shrew and 10 Things I Hate About You, Petruchio and Patrick are similar because they are manipulative and indifferent to other’s opinions of themselves; however, Patrick is more compassionate.

They thrive off of the intellectual games they play throughout The Taming of the Shrew. Both have a witty intelligence that makes them attracted to each other. Also, each of them has something to prove: Petruchio needs to confirm his manhood, while Kate needs to steer her demeanor toward the ladylike side of things. The whole plot of the play drives toward these goals. It is Kate’s submission to Petruchio which makes him a man, finally and indisputably. Kate earns bountiful respect from the other men in the closing scene, as she proves to fit the mold of the conventional woman better than their wives do. Petruchio does not break Kate’s wit and will, as some might perceive; he simply uses them to his advantage, as is quite noticeable in the wager scene. This shows how Kate is actually a foil of Petruchio. The acting done by Kate and Petruchio lives up to the patriarchal ideals of their time, but yet the reader is led to believe that in the future, there will still be opposition in their relationship. Even in the final scene, Kate never shows signs of being a weak character, but rather the ability to be strong in any way she needs to be. In a sense, Kate and Petruchio have what one might call a symbiotic relationship; that is, they both have a strong need for each other, which is somewhat paradoxical, as both of them are fiercely independent

The English Review says that “love is not always, ‘the real thing’.” In Twelfth Night, there are three characters whose false love is majorly evident: Malvolio, Sir