I must admit I watched the movie, 10 Things I Hate About You, a lot when I was a teenager. I did not realize until recently that the movie is a modern version of William Shakespeare’s The Taming of the Shrew. Shakespeare’s The Taming of the Shrew and the movie, 10 Things I Hate About You, are similar, yet very different. Love, relationships, and happily ever afters looked differently in the 1500’s and in the 1990’s. In the play and movie, both fathers Baptista and Walter Stratford want there daughters to be in love but on different terms. Baptista wants his daughters’ suitors to pay him to marry, so he can continue being wealthy. Walter is the over protective dad, who is a doctor who wants his daughters to be in love but not marry. In the …show more content…
Since Katherine is more like a shrew, she gets the attention of Petruchio whose very adventurous and wants a to marry someone that is wealthy. Katherine and Petruchio really don’t have a relationship he’s more on the controlling side of it and that how she likes it. Hortensio in the play thinks Bianca is beautiful and kind and only wants to marry her because of her wealth. Lucentio in the play is very sure of himself and Cameron in the movie is afraid of why a pretty popular girl would want to go out with him. Joey in the movie is the popular guy in school that can get anything and anyone he wants because of his good looks but he actually just cares about himself. Joey wants to date Bianca so he makes a bet with Patrick to take her sister Kat out so he can date Bianca. Kat and Patrick have a love hate relationship with each other. They can’t stand each other. She later finds out that he was paid to go out with her so Joey could date her sister, how can someone have a relationship when they lie to you. Cameron is a new guy in school and show’s interest in Bianca but she finds out that the hottest guy in school wanting to date …show more content…
Katherine has married Petruchio who treats her like a piece of garbage. He forces her to leave from their wedding immediately, starves and brainwashes her. She makes a speech at the end of the movie on how the other wives should be obedient to there husband’s. He has now tamed his new bride and she is a completely different person. Bianca gets more suitors but eventually ends up eloping with Lucentio who make a perfect couple because they only think of themselves. In the play Katherine and Bianca hardly speak to each other any more. Patrick is that guy who tries to do anything for Kat but nothing works. She gets him out of detention and they go enjoy the day, paintballing and paddle boating. This is when she realizes that he’s not a bad person after all. Kat writes a poem at the end of the movie confessing how much she hates Patrick but how much she can’t live without him. Patrick ends up buying her a guitar with the money he had from the bet because he realizes that’s not important to him. Patrick and Kat end up together at the end of the movie. Bianca realizes it’s not the guy who’s popular but the one that treats you like you are supposed to be treated. Bianca and Cameron get together at the end of the movie. In the movie Bianca thanks Kat for going to the prom and stands up for her sister by punching Joey for treating Kat so
He begins throwing food around, yelling, and hitting the servants. He then states that he is going to keep her up all night and complain about many other things so that she will not be content (Act IV, Scene I). The whole act was planned to begin the process of “taming” Katherina. At the end of both the movie and the play, Katherina gives a very long speech that lets the audience know that she has now seen the errors of her ways. The play, on the other hand, gives a little more insight as to why the story ended this way.
The relationship between Kate and Petruchio is completely different from the love of Bianca and Lucentio. "Kate is a neglected, hurt, and humiliated daughter who disguises her grief from herself as well as others with a noisy shrewish temper" (Craig 342). She has a fiery disposition and a reputation for reacting violently to people. The challenge of capturing her is Petruchio's real attraction to her. He can be seen as a rough, unfeeling, greedy, "swash-buckler" who cares nothing for Kate's feelings (so long as she has money). "
Petruchio may have been mean to her in order to tame her but by the end; he shows how he truly loves her. “Come, my sweet Kate/Better once than never, for never too late” (Shakespeare Vi 149-150). Kat’s sonnet about her feelings towards Patrick show that she has accepted that she can be in love. This is her version of being “tamed” because she can rely on someone other than herself. Patrick uses the money he made dating her to buy her a guitar and beg for her forgiveness. He has fallen for her though that was no his original intention. “I thought you could use it. You know, when you start your band. Besides, I had some extra cash, you know. Some asshole paid me to take out a really great girl but I screwed up. I fell for her” (10 Things I Hate About You). Besides the story, the filmmakers have used several exact lines from the play in the movie. Cameron echoes Lucentio’s line, “I burn, I pine, I perish”(Shakespeare Ii 155) when he sees Bianca for the first time. Kat, like Kate, tells her sister “You don't always have to be who they want you to be” (10 Things I Hate About You). The filmmakers kept Shakespeare’s story of love and deceit intact in the modernization.
The Taming of the Shrew is one of Shakespeare's most famous plays, and has weathered well into our modern era. For all the praises it has garnered throughout the centuries, it is curious to note that many have considered it to be one of his most controversial in his treatment of women. The "taming" of Katherine has been contended as being excessively cruel by many writers and critics of the modern era. George Bernard Shaw himself pressed for its banning during the 19th century. The subservience of Katherine has been labeled as barbaric, antiquated, and generally demeaning. The play centers on her and her lack of suitors. It establishes in the first act her shrewish demeanor and its repercussions on her family. It is only with the introduction of the witty Petruchio as her suitor, that one begins to see an evolution in her character. Through an elaborate charade of humiliating behavior, Petruchio humbles her and by the end
Clearly there are many similarities between the book and the movie but also some distinct differences. Despite this, “The Taming of the Shrew”, is a timeless story of deception and love that has passed the test of time again and
That the film includes these elements of feminist material reflects its modern context of a society that is not unfamiliar with feminism. In this area it challenges the original text, where within the context of the Elizabethan era, Katherina’s rejection of her inferiority as a woman is unaccepted and repressed. As Hortensio mocks: ‘ ‘Mates’, maid? …No mates for you/Unless you were of gentler, milder mould’ (1.1.59-60), he manipulates Katherina’s reference to him as a ‘mate’- a crude man- to mean ‘husband’ in an attempt to silence her. Such repression- and that of Katherina at the hands of Petruchio- though exaggerated and outrageous, was acceptable and approved of in the context of Shakespeare’s play.
The story is about two sisters Katherine and Bianca. Bianca has a suitor who would like to marry her, Lucentio, but the only way that he will be able to marry her is if her older sister is married first. When Petruccio arrives to Padua he agrees to court and marry Katherine because she will provide a lovely dowry. Rumor has it that Katherine is a cynical, unruly, and
Love is represented in many shapes and ideas based on social context as well as those caught within. William Shakespeare’s Taming of the Shrew as well as its adaptation 10 Things I Hate About You by Gil Junger, represent their respective ideas on love which shares its similarities and differences, both portraying love in their own forms. Both texts highlight the ideals of love in their context as well as one of the main courtships, Katharina and Petruchio, involved in love, portraying their values of love.
In addition, Shakespeare intermingles the play with the idea of appearance versus reality, highlighting how truelove can exist within even the curst and is absent amongst even the most attractive. As the play progresses, we see how true this is, as Bianca and Katherina contrast one another on the interior as well, yet Katherina?s true love underneath, allows her to dwell in an effective relationship. As we know, Petruchio?s love is obvious yet Katherina?s shrewish nature masks her true love for Petruchio - proving the deceptiveness of appearances. On the other hand, even though Bianca has many desperate suitors we see how shrewish she really is as she questions, ?Am I your bird? (5.1)?. Bianca?s rhetorical question and indignant tone towards Petruchio highlights her lack of respect and her internal shrewish personality. Moreover, Bianca?s interior personality
Lucentio is discovered by affection for Bianca at first perception, says that "he will die if he cannot win her heart", and thusly puts into movement a sentimental and capricious arrangement to do as such. Though cherish in the play is frequently moderated by monetary and entertaining concerns, Lucentio is cleared up in a dream of dignified affection that does exclude the useful contemplations of men like Petruchio. All through a great part of the play, then, Lucentio and Bianca's relationship seems, by all accounts, to be invigorating and unadulterated in contrast with the relationship amongst Petruchio and Katherine. Petruchio's choice to depends on his self-declared yearning to win a fortune, while Lucentio's depends on sentimental affection.
Bianca was described as sweet and quiet. She never spoke out of turn, and was always obedient, qualities that men desired in their future wives. For the majority of the book, this is how Bianca acts, but the audience watching the play is able to see small parts where there is another side of Bianca a side that she keeps hidden from the males in her society. One clear example of this is in Act 1 Scene 1 when Bianca whispers to her sister Katherine so that no one else can hear her;
In addition, one can also argue about Paulina’s love-hate relationship with Gerardo, as she is clearly very emotionally attached to him, yet seems as though she treats him with a sort of disrespect or harsh manner. Paulina’s strange relationship also brings the audience to question this woman’s sense of judgment, and maybe even her past. Ironically, later she refers to him as ‘my little man’, contrasting with how he called her, and making sure that Gerardo knows that he is her husband, and she’s in charge.
The Taming of the Shrew, written by William Shakespeare, is historical proof that flirting and temptation, relating to the opposite sex, has been around since the earliest of times. Because males and females continue to interact, the complications in this play remain as relevant and humorous today as they did to Elizabethan audiences. This is a very fun play, full of comedy and sexual remarks. It's lasting impression imprints itself into the minds of its readers, for it is an unforgettable story of sex, flirting, and happiness. The Taming of the Shrew remains as relevant today because of its relation to the age-old story of the battle of the sexes and dynamics of marriage, as well as the woman's struggle with both of these.
Shakespeare brings us back to the sisters in act II scene 1. This is a
Kate is venting her anger that Bianca should be able to get suitors while she remains alone. Kate knows that she is a smart and fiery woman and wouldn't be satisfied with such wimpy men as Gremio and Hortensio. She needs a strong man to go with her own strong and powerful personality. When Baptista enters and comes to Bianca's rescue, we find out what is really the cause of Kate's behavior: She's angry that Baptista likes her younger sister better than her. Kate tells her father, that Bianca is his "treasure" and "must have a husband" while she, embarrassed, dances "barefoot on her wedding day" and leads "apes in hell" (II.1, 31–36).