Taming Of The Shrew Feminist Analysis

William Shakespeare’s play, The Taming of the Shrew, and Gil Junger’s film, Ten Things I Hate About You, contain many elements that reflect the time period and society in which they were composed. The Taming of The Shrew strongly reflects on the idea of marriage being an economic agreement as well as the structured roles played by men and women that were prevalent in the 16th century and how gender affected the way a person can be viewed and courted in the same time period. This is contrasted by Gil Junger’s 1999 appropriation, Ten Things I Hate About You, in which modern teenage life and relationships are explored, touching on these same issues in relation to gender roles in a modern context. In this essay I will compare the roles of men and women in each text, as well as considering the difference in the two societies in terms of money, relationships and social status.

Hello and welcome respected audience of the Shakespeare Society. I would like to start today by thanking you for allowing me to speak on the topic of how the stereotypical roles of women have changed and evolved in a positive manner since the Elizabethan era. I will start by defining a few beneficial terms before discussing how Shakespeare’s Taming of the Shrew has been appropriated by Gil Junger’s in the 1999 movie, 10 Things I Hate About You.

Through intertextual relationships, detecting the significant differences and transformations between William Shakespeare's play Taming of The Shrew, and Ten Things I Hate About You, a contemporary hollywood film directed by Gil Junger enriches our understandings towards cultural issues through feminist attitudes, social hierarchy and the transformation in sentiments towards love and marriage. Both texts exert compelling issues through different techniques to proclaim to the audience that women during the 16th century were seen as obsequious, however Ten Things I Hate About You, an allusion of Taming of the Shrew, enriches our understanding of these gender role issues by proclaiming that we must reject blatant consumerism. Among this, issues of class and love are explored, and through a historical reading I was able to depict the changes in values and cultures between the production of both texts.

The historical and cultural contexts of Shakespeare’s The Taming of the Shrew (TTS) and the 1999 film 10 Things I Hate About You (10TIH) differ exceptionally, resulting in the film’s expression of values unlike those expressed in Shakespeare’s original text. Shakespeare’s play was written during the Elizabethan era, during which the belief that men were superior to women was prevalent. This concept is centralised in TTS, through incorporation of a disputably misogynistic tone and the dominance of men consequently forcing Katherina into marriage and submission. In contrast, 10TIH, a modern film appropriation of TTS, largely challenges the values of Shakespeare’s play. It presents to

The Taming of the Shrew, written by William Shakespeare, is historical proof that flirting and temptation, relating to the opposite sex, has been around since the earliest of times. Because males and females continue to interact, the complications in this play remain as relevant and humorous today as they did to Elizabethan audiences. This is a very fun play, full of comedy and sexual remarks. It's lasting impression imprints itself into the minds of its readers, for it is an unforgettable story of sex, flirting, and happiness. The Taming of the Shrew remains as relevant today because of its relation to the age-old story of the battle of the sexes and dynamics of marriage, as well as the woman's struggle with both of these.

The theatrical play of ‘The Taming of the Shrew’ (1594) and the live action film ’10 Things I Hate About You’ (1999) are clearly similar in many ways (as the drama film is a modern adaptation of the classic Shakespearean text), these similarities can be recognized through themes which point out scenes, quotes and/or effects both text types share with each other. Themes include, Gender Politics/Roles, Romantic Relationships and Social Hierarchy (social status/class). The themes of Gender Politics and Social Hierarchy support the precisely represented similarities both text types share, highlighting the enduring provenance of these concerns over time.

Taming of the Shrew is a romantic comedy written by William Shakespeare in the 1500’s. It takes place in the city of Padua, presumably during the Italian Renaissance. The major conflict of the play is ‘taming’ a hot-headed woman named Katherine and to overcome the rule her father holds on his two daughters where the eldest marries first. The script brings up a lot of attention in the feminist theory. But, Shakespeare’s play reflects on the archetypes of characters, situations, and symbols. These connections are made in the play to make the audience familiar with the text and provide a deeper understanding.

The Taming of the Shrew is one of Shakespeare's most famous plays, and has weathered well into our modern era. For all the praises it has garnered throughout the centuries, it is curious to note that many have considered it to be one of his most controversial in his treatment of women. The "taming" of Katherine has been contended as being excessively cruel by many writers and critics of the modern era. George Bernard Shaw himself pressed for its banning during the 19th century. The subservience of Katherine has been labeled as barbaric, antiquated, and generally demeaning. The play centers on her and her lack of suitors. It establishes in the first act her shrewish demeanor and its repercussions on her family. It is only with the introduction of the witty Petruchio as her suitor, that one begins to see an evolution in her character. Through an elaborate charade of humiliating behavior, Petruchio humbles her and by the end

In Act II, scene I, two marriage proposals occur that are economic. The […] emotional connect between the women and their love interest contracts made by their father” (Women and Power par.1). Petruchio, a gentleman of Verona, comes searching for his fortune. His friend Hortensio tells him that he knows the right woman, but the obstacle is that she is the worst shrew. However, Petruchio does not care. He is sure that he can handle the situation, as long as she has a large dowry. Petruchio’s […] attraction for Kate and Baptista’s requirement that he woo his daughter change the nature of their relationship from a business proposal to one of attraction and, possibly, affection the relationship” (Women and Power par.1). Similarly, Baptista asserts that whoever can "assure my daughter greatest dowery / Shall have my Bianca’s love” (2.1.364-365). The oddly possessive “my Bianca’s love” highlights the patriarchal

The dehumanization of women should not be shown in a play because it is against the common morals of today’s society. In The Taming of the Shrew, the objectification of women is shown

Much of the same rapport between spouses has been carried on in one form or another from Shakespeare’s time into the modern day. Although the domestication of women has been altered to now include both sexes the concept itself is still in practice. Common in the time of Shakespeare, men performed the labor outside of the home to support the wife and their children. This led to the woman’s role of subservience to her spouse as well as her role as caretaker not only for her children but for her spouse as well, striking a type of balance between the two. Modern-day domestication includes similar roles between spouses, but not necessarily tasks performed solely by one or the other. Today it has become a requirement due to financial restrictions

William Shakespeare’s The Taming of the Shrew has been the subject of many debates discussing whether the play is pro-feminist or anti-feminist. The final speech given by Katherine allows speculation as to whether she was coerced into an unwanted marriage and speaks with irony or has, in fact, been ‘tamed’. Several scholars such as Coppélia Kahn and Natasha Korda have also questioned whether the ‘taming’ references to Katherine solely, or to a number of characters or as Korda discusses, whether the play demonstrates the progression of women’s role within the household. However, the play could also be read as silently acknowledging the circumstances which lead to Katherine’s ‘shrewish’ behaviours. William Gouge, in his Of Domesticall Duties, played out rules for managing a household.

While reading Shakespeare, like many historical texts, one can find difficulty in understanding the meaning and world of the writer. What exactly is the author's purpose? Does he stand by an issue or defy it? These questions are heavily circulated in debates and studied by scholars and many different points of view have been validated over the years. One of these views is that of Russ McDonald, who claims that“The conventions of comedy, like those of all literary modes, are consistent with the customs of the society in which a comedy is produced.” (83) McDonald goes on to correct claim that The Taming of the Shrew is an instrument of “social stability” in terms of gender norms of early modern England. This can be seen through multiple aspects

The role of woman in the society has always been really controversial, whether it was 400 years ago or now. Shakespeare's two very famous comedy plays, The Taming of the Shrew and The Merchant of Venice challenge a very serious social issue, the role and importance of woman in society. We all know the stereotypical image of woman in the society but Shakespeare questions the society on these thoughts through his plays. While Shakespeare expresses his ideas in a very unique way in each of his plays, this issue is common in both plays and is portrayed very similarly. Whether it is the way woman are treated, portrayed or judged, Shakespeare repeats the same idea through difference acts and events between the two comedies. There are some

Perhaps the theme that is most recurrent in William Shakespeare's plays is that of filial relationships, specifically the relationship between daughter and father. This particular dynamic has allowed Shakespeare to create complex female characters that come into conflict with their fathers over issues ranging from marriage to independence. At the same time, the dramatist exposes his audience to the struggles women face when attempting to assert themselves in a misogynistic world. Through the daughter-father dyads portrayed in The Taming of the Shrew and A Midsummer Night's Dream, Shakespeare highlights the effects that gender constraints have on female characters while simultaneously drawing attention to the sharp contrast between both relationships.