Tarquin Character Analysis

The novel begins in the English village of Hookton, where a boy named Thomas is growing up under the parenthood of his father, who is also the village priest. Thomas has great skill with a bow, but he trains secretly because his father does not allow him to use it. On the morning of Easter in 1342, a French party of raiders arrive under the command of Sir Guillaume d'Evecque, a French Knight. In his party of raiders is a warrior dressed all in black, known simply as the Harlequin, who has hired Sir Guillaume to carry out the raid to steal Hookton's treasure, the Lance of St. George. During the raid The Harlequin kills Thomas' father, and the lance is stolen from the village. With his bow

There are countless versions of the legend of King Arthur and the knights of the Round Table. Most English versions are based on Sir Thomas Malory's Le Morte d'Arthur, but where did these tales originate, and what different interpretations are there today? This essay seeks to examine the roots and different renditions of the various legends circulating today. The first section deals with the origins of the legend. The second section speculates on who the "real" King Arthur could have been. A comparison of several different versions, and suggestions of why they differ are given in the third section, and the conclusion presents an analysis on the ambiguity of the legend.

In the Medieval Period, knights dedicated their lives to following the code of chivalry. In Sir Thomas Malory’s Le Morte d’Arthur, a number of characters performed chivalrous acts to achieve the status of an ideal knight. Their characteristics of respect for women and courtesy for all, helpfulness to the weak, honor, and skill in battle made the characters King Arthur, King Pellinore, and Sir Gryfflette examples of a what knights strove to be like in Medieval society. Because of the examples ofchivalry, Le Morte d’Arthur showed what a knight desired to be, so he could improve theworld in which he lived.

Lancelot has the most plausible chance to be the hero of the story. He exhibits two of the three qualities needed to be the hero. He seems to be the protagonist because his existence is necessary for the progression of the story, and he is literally invincible. He can easily destroy any foe that blocks him from success from bouts with an invisible knight to bouts with up to 15 knights at once (). Lancelot apparently exhibits the strong qualities of a knight, so why is he not the hero of the story? He does not fit the heroic quality of committing himself to nobility. The notable example of this lack of quality is his affair with Guinevere. In “The Knight of the Cart” Lancelot heroically rides to save Guinevere, but later that night sleeps with her while committing treason against King Arthur (). Some may excuse his actions with the belief that he is in love with Guinevere and Guinevere with him. However, love does not always have to express with sex and thus

Although it is hinted, one could say that King Arthur knew of the relationship between Lancelot and Guinevere but chose to look the other way in fear of losing Sir Lancelot. Sir Lancelot is an example of what a perfect knight would be in the True Knighthood. His honor to King Arthur is what King Arthur holds precious to himself. These three men want to stay loyal to one another and fight against what others are trying to say.

Now, Sir Agravaine and Sir Mordred plot to find Sir Lancelot and Queen Guenever alone together, while the king is away. The king warns Sir Agravaine and Sir Mordred, “…he will fight with him that bringeth up the noise, and I know no knight that is able to match him” (Location 12836). With King Arthur’s consent, they gather a

In the novel Le Morte Darthur: The Winchester Manuscript, the author, Sir Thomas Malory, presents the reader with many diverse villains, one of whom is Sir Tarquin. Through Sir Tarquin’s remarks and conduct, Malory portrays Sir Tarquin as a malicious villain who despises one specific character, Sir Lancelot Du Lake. This built up anger and revulsion Sir Tarquin feels towards Sir Lancelot results in Sir Tarquin becoming one of the most dexterous and malicious knights in all of Christendom. He becomes such by searching out, challenging, and defeating many knights of the Round Table.

In Arthurian romances, the knight Gawain fulfills a central role as a member of the legendary Round Table. Alone or accompanied by other chivalrous knights, Gawain traverses the land of Logres, searching for adventures and achieving great feats of heroism. To those he encounters on his quests, Gawain often represents the epitome of chivalry and knightly valor. However, Gawain’s actual characterization is not constant in every tale where he is present. In Sir Gawain and the Green Knight, Chretien de Troye’s Perceval, and Sir Thomas Malory’s Le Morte D’Arthur, Gawain’s character vacillates from being the paragon of chivalry to the antithesis of heroism, and these characterizations serve as a foil to the figures of

Malory's Le Morte D’Arthur isn't known to be classic just because of Arthur-but rather the themes of family, love, revenge, identity, loyalty and betrayal. As King, Arthur is put in many situations that test the people he surrounds himself with. Therefore, betrayal has become a reoccurring theme. Throughout the novel, people are seen betraying each other. Betrayal has become familiar in a way to the members of the round table, ultimately leading to it's demise. The acts of betrayal occur in various forms, whether it be through adultery or just going behind the other person's back. Regardless of how it happens it brings about serious disorder for all involved.

The stories of Lancelot (The Knight of the Cart) and Perceval (The Story of the Grail) within Chrétien de Troyes’ Arthurian Romances depict a world of Medieval Romance that is somewhat different from one that was depicted in earlier epics. These romances are more focused on the battle between love and honor rather than on war and valor, which were depicted in earlier epics of de Troyes’ time. The tale of Lancelot follows a star-struck knight who undergoes an inner conflict between both the lover and hero inside him. His intense commitment to rescuing the queen causes him to make rash decisions which inevitably restrain him from controlling his own fate. Perceval’s story exhibits a different purpose for love in a knight’s life. Unlike Lancelot, he accepts love only when he believes it can further advance him in becoming the perfect knight. The two heroes’ actions showcase an inner conflict between maintaining their honor as knights and the love for another. Through these two tales, Chrétien de Troyes shows that that idealistic love and conscious chivalry cannot necessarily successfully coexist, yet it is the unachievable idealistic view that these two ideals do coexist.

A foil’s purpose in literature is to provide contrast and advance the protagonist’s character in way that spurs the protagonist into action. In Shakespeare’s Macbeth, Shakespeare shows how Banquo is a direct foil to Macbeth and how Banquo’s presence in the play also develops Macbeth’s character. Throughout the play Macbeth and Banquo characters are contrasted on many different occasions, for example the witches’ prophecies and how they both react to them, their specific character traits, and lastly their relationship and how to degrades throughout the play. Shakespeare presents these two characters as complete opposites, which gives the audience a chance to connect with Macbeth as his character advances through the plot and in character.

Harlequin characters have acted as a precursor to the modern model of clowns. Within the Italian genre of the commedia dell’arte. Within this genre, the harlequin is a stock character recognized for foolish behavior and stupidity. These traits have traditionally defined the character, and are often the core components of the character’s emotional and psychological depth. However, the figure has been portrayed as a more complex character. A clear contrast between the idiotic nature of the traditional archetype and the psychologically-developed persona is displayed in the differing portrayals in Carlo Goldoni’s The Servant of Two Masters and Molière’s The Imaginary Invalid.

In the medieval time, knight was a really essential part of the society, because they protected people and prosperities for them. They are respected, and have good behavior. In order to keep the good reputation, people came up with the code of chivalry which lists all the qualities that a knight should have. The movie, First Knight is about a man named Lancelot who is good with sword. He saves the life of King Arthur’s wife, Guinevere, and his behavior captures King Arthur’s attention. Then, he is invited to join the knights of the round table of King Arthur. He goes to a public trial because he has an affair with Guinevere, but then Camelot got invaded. Lancelot killed Malagant, and saves the day. In this movie, Lancelot is a great

In the novel, Le Morte d’Arthur by Thomas Malory, Malory recounts the popular tale of King Arthur and the noble knights of the round table. However, Malory mirrored the Arthurian court in disposition to the current government by analyzing his ties to politics and life experiences. England encountered many difficulties during the 1500s and 1600s, for it was constantly in war while fearing its own revolution within its own government. Sir Thomas Malory lived dangerously as he constantly participated in heinous crimes, though being a knight of chivalry, however, the experiences of being a low-life citizen as well as an understanding of the government led Malory to write his own version of the Arthurian legend during imprisonment. Malory altered the legend to exhibit that chivalry contradicts with courtly love, where it will eventually lead to shame and loss of loyalty through his own experiences.

The “Sir Froll episode” begins when Sir Lamerok sees four knights fighting against one and he determines to rescue the sole knight (Malory, 337-341). The end is when Sir Bellyaunce, Sir Froll’s brother, reconciles with Lamerok after they fight to exhaustion. Mann, looking at this episode solely in terms of distance and wholeness (leaving a fellowship to follow a quest creates distance and the formality of identifying oneself creates wholeness by uniting the two jousting knights), finds that the meaning of the episode becomes confused: