Technique Analysis: Biography of Quentin Tarantino

The classical Hollywood narrative is one of simplicity, linear continuity, and comprehensive storytelling, something typical American audiences were used to for most of films history. Quentin Tarantino, however, is not one to abide by the rules of cinema. The arguably auteur director reconfigures this narrative style with his 1994 classic Pulp Fiction. This film not only presented itself as a completely new and innovative take on what a film could be, but also created a foundation for which many films since have built their narratives from.

In the reading, Violence in Movies: Cinematic Craft or Hollywood Gone Too Far?, the response that states "Point: Hollywood, Stop Exposing Our Kids to Violence" is more persuasive than "Counterpoint: Hollywood Filmmakers Should Not be Villainized for Movie Violence" because it provides better-supported facts that are reliable and credible. The "Point" response explains how violence in movies has become very excessive and is allowing children to act out and think it is okay because of what they see on TV. While, the "Counterpoint" response explains how Hollywood filmmakers should not be punished for their creative writing and that parents should monitor their kids and decide whether or not they should be watching it.

What were Edwin S. Porter's significant contributions to the development of early narrative film? In what sense did Porter build upon the innovations of contemporaneous filmmakers, and for what purposes?

A narrative is an order in which something is put. there is often a reason behind this order. Directors frequently use flashbacks to show previous stories or a passing of time to the audience (Bordwell and Thompson 79). Character and time help the audience to make sense of a narrative and allows them to speculate about what is about to come. Some different narrative theories suggest ways in which stories are commonly put together. A linear narrative has the simple beginning, middle and end story line and the story will flow chronologically from beginning to end (Bordwell and Thompson 85). A non-linear narrative is a narrative that does not follow a regular beginning-middle-end pattern where the storytellers often change the order of events (Bordwell and Thompson 80). This

“Insidious” is a 2010 horror movie centralizing around the lives of protagonists Renai (Rose Byrne) and her husband Josh (Patrick Wilson). The movie mainly focuses on the supernatural activity going on within the house, and it is later revealed that the cause of the hauntings is due to demons attempting to take over the body of their unconscious son, Dalton (Ty Simpkins).

The movie “John Q” narrates a story of the financially constrained character John Quincy Archibald who ensures that his nine year old son at the brink of death, secures a heart transplant by any means possible. Throughout the movie, there is a compelling display of the love shared by a family and this is seen in the great lengths John went to save his son, however unlawful. The main characters are John, Michael and Denise Archibald, Rebecca Payne, Doctor Turner and Lt. Grimes.

In the film industry, there are directors who merely take someone else’s vision and express it in their own way on film, then there are those who take their own visions and use any means necessary to express their visions on film. The latter of these two types of directors are called auteurs. Not only do auteurs write the scripts from elements that they know and love in life, but they direct, produce, and sometimes act in their films as well. Three prime examples of these auteurs are: Kevin Smith, Spike Lee and Alfred Hitchcock.

A long time ago in a galaxy far far away The Movie Brats were at the top of the film industry, producing new blockbusters every year. The Movie Brats were a group of directors who were changing the film industry with their blockbuster movies American New Wave movement in the American film industry. The directors who made the most impact during this time period were no other than Francis Ford Coppola, George Lucas, John Milius, Brian De Palma, Steven Spielberg, Paul Schrader. Now will we only look into these three directors Francis Ford Coppola, George Lucas and also the great Steven Spielberg. All of these directors have created some of the greatest films in the film industry from “American Graffiti, Mean Streets, The Conversation, Jaws, Taxi

Pulp Fiction is a black comedy, and crime movie that was written and directed by Quentin Tarantino. The movie features graphic violence, drugs, and a mysterious briefcase. Pulp Fiction tells several stories in a nonlinear way, meaning that the narratives are not told in a chronological order and do not follow the rules of space and time. The usage of a nonlinear format in Pulp Fiction was quite compelling as it did not follow the typical cause-effect sequence in any scene, instead Tarantino chose to open the movie with a non-typical effect rather than a cause.

Slaughterhouse-Five: The Novel and the Movie In 1972 director George Roy Hill released his screen adaptation of Kurt Vonnegut's Slaughterhouse-Five (or The Children's Crusade; A Duty Dance With Death). The film made over 4 million dollars and was touted as an "artistic success" by Vonnegut (Film Comment, 41). In fact, in an interview with Film Comment in 1985, Vonnegut called the film a "flawless translation" of his novel, which can be considered an honest assessment in light of his reviews of other adaptations of his works: Happy Birthday, Wanda June (1971) "turned out so abominably" that he asked to have his name removed from it; and he found Slapstick of Another Kind (1984) to be

Pulp Fiction by Quinton Tarantino falls into the genre of a Gangster film but has elements of other genres as well like Film Noir and Black Comedy. Pulp Fiction has a balance of drama and comedy along with hard to watch scenes like rape, violence, gore and heavy drug use. Tarantino’s style of movie making help make Pulp Fiction the classic it is today. The mise-en-scene, cinematography and other elements of movie, including sound effects and round characters leave us intrigued as well as content with the story structure as well as its ending.

Many people may have a specific style in which they like to dress. A woman might have a signature lipstick she enjoys wearing, a man might have a distinct cologne that stands out from the rest. Movies are not too far apart in comparison. Sometimes people find films more enjoyable than others, and often do not realize they come from the same director. The Auteur theory is a that defines the director as the sole author of the entire film, adding his or her own personal style. When it comes to the world of animation, director Hayao Miyazaki is a pioneer in auteur. His specific directorial style is seen in many of his films in which he manages to make films enjoyable to adults of all ages. Kiki's Delivery Service was one of director Miyazaki's

The scene we’re analyzing starts off with a shot of the New York Daily Inquirer. It’s a close shot, taking up the entire screen. I feel this close up is to show the viewer that the newspaper company is going to be the primary focal point for Kane, and his two partners at this point in the film. After the close up, the camera pans down to show Kane and Leland sitting in a car looking up at the building. Kane says “Take a good look at it Jedidiah, it’s going to look a lot different one of these days.” Despite the look on Kane’s face being one of optimism and promise, this statement gives leeway to all of the bad things to follow. Kane specifically says, “look a lot different” as opposed to anything else (i.e.

In the film The Shawshank Redemption, directed by Frank Darabont the purpose of the beginning sequence is to introduce us to Andy Dufresne and his situation; being accused of the murder of his wife and her lover. This sequence uses lighting, music, sound and camera work to show us Andy’s struggle.

Auteur Theory is based on three premises, the first being technique, the second being personal style, and the third being interior meaning. Furthermore, there is no specific order in which these three aspects must be presented or weighted with regard to a film. An Auteur must give films a distinctive quality thus exerting a personal creative vision and interjecting it into the his or her films.