Ted Hughes Poetry Analysis

The two poems by Langston Hughes “Theme for English B” and “ I, Too” both identify racism that permeates all stations of life. In both texts, Hughes represents the two speakers as African Americans and identifies how one tries to elevate himself through education and the other individual remains trapped at a lower station. In the poem “Theme for English B” skin colour and all that it represents emerges when the speaker searches for his identity as well as what is the truth about his abilities. The speaker expresses his view in how he deals with his white counterparts (the instructor). “I, Too” centers on the idea of racial oppression, looking at how whites do not recognize blacks as equals and how this affects the individual. Yet the texts attempt to show the basic human similarities between African Americans and white people despite their perceived differences and societal segregation. The two speakers within the poems struggle with their own self-worth in relation to their colour. The similarity between the two speakers is that they approach their issues confident in their capabilities and futures. The two speakers differ in that they appear to have different stations in life; servitude versus achieving higher education, yet both struggle with self-worth.

Langston Hughes clearly connects with a wide range of audiences through the simplicity that surrounds his poetry. The beauty of this manner in which he wrote his poetry, is that it grasp people by illustrating his narratives of the common lifestyles experienced by the current American generation. His art form expresses certain questionable ideologies of life and exposes to the audience what it takes to fully comprehend what being an American truly means. Each individual poem describes and illustrates the strength and hardships the African American community was experiencing. Through his literature art form of poetry, Hughes was able to convey the common assertions of

A huddle of horns And a tinkle of glass A note Handed down from Marcus to Malcolm To a brother Too bad and too cool to give his name. Sometimes despair Makes the stoops shudder Sometimes there are endless depths of pain Singing a capella on street corners

In the poem “To Paint a Water Lily” by Ted Hughes, the speaker conveys his attitude toward nature as perplexing, complex, and deceiving. He also expresses his opinion of the artist and the difficulties brought on by him trying to paint and recreate not only the picture of a water lily and its natural scene, but also capture the intense environment that is both peaceful and full of constant activity. The author achieves this through literary techniques such as: imagery and juxtaposition.

The validity of an individual’s perspective on the truth regarding situations, events and personalities throughout their lifetime is subjective.

As England’s Poet Laureate, and recipient of both the Queen’s Gold Medal for Poetry and T.S. Eliot’s prize for poetry, Ted Hughes was an acclaimed poet. The shadow of Hughes late wife, Sylvia Plath, kept Hughes stagnant in his career, in which he was known as “Her Husband” (Middlebrook). Hughes most recent collection of poems, Birthday Letters, took him over twenty-five years to write, and contains poems which recount the marriage of the couple. Hughes wrote the poems as a loving gesture towards Sylvia, but the poems were misinterpreted as “an attempt to adjust the public record in the wake of her confession and the mass of commentary which has grown up around them” (Spurr 3). Hughes incorporated into his poetry the ideals of

According to Becky Bradley in American Cultural History, Langston Hughes was born February 1, 1902 in Joplin, Missouri. Growing up, he dealt with some hard times. His parents divorced when he was little and he grew up with neither of his parents. Hughes was raised by his grandmother since his father moved to Mexico after their divorce and his mother moved to Illinois. It was when Hughes was thirteen that he moved out to Lincoln, Illinois to be reunited with his mother. This is where Hughes began writing poetry. However, the family moved again and finally settled in Cleveland, Ohio (Bradley, pars. 1-3).

In this part, it is centered on the form and the structure of the poem. I’ve interpret the poem based on its style, sound and structure and the usage of semiotics in order to fully understand the poem. Just like in the 1st part, following the commands of God and as we have finished it and as the world modernized even more, we tend to disappear and fade away.

While reading the poem “Introduction to Poetry,” Billy Collins sends a message to the readers that they should be patient and impartial when it comes to analyzing a poem in order to see the true meaning behind the without being over analytical. There is a revieting situation that takes place because Billy Collins is delivering his message to all readers about the way that one should be able to read a poem. This poems educates the reader on how to be able to read and plunge into a poem, through using many techniques like mood, tone, and literary devices to do so. In the first two lines Collins demands that we tackle a poem with a invigorating eye. There should be an exploration of what the poem means to us. How does this poem apply to our

Imagine a big moose walking around a house who seems to be pretty happy. Ted Hughes poem “Mooses” it initially seems to just be about a moose walking around a house but the symbolic meaning is that he is very depressed, sad and lonely. I think that the main moose is him and the other moose that he meets at the end is his wife that sadly committed suicide. I believe that he put it at the end almost like they were meeting again in an afterlife.

Langston Hughes’s poem I, Too published in 1926 speaks at great length about the American identity: to be an American is an issue that transcends race, and all Americans should be treated equally. Writing from the perspective of an initially subservient African American, Hughes presents a story that begins in oppression and ends in triumph. A throwback to the prior institution of slavery, the setting of I, Too is confined to a single slave owner 's house; yet, it paints an image of struggle, growth and unity like none other of its time.

Eileen M. Aird analyzes and comments, “The danger of such criticism lies in its assumption that the poem is objectively ‘true’, that it bears a precise relationship to the facts of the poet’s life.” The direct criticism Plath puts upon her father is very crucial, yet evidently true if one was research her life. Sylvia Plath’s autobiographical poetry can be easily connected to her life and the answers to the many questions are easier to uncover than one may suspect. As her poetry developed, it became more autobiographical and although through her teenage years she possessed what seemed to be a rounded personality, the anguish and grief of her father’s death was easily linked with her mental instability that haunted her in the later years.

In exploring the problem of identity in Black literature we find no simple or definite explanation. Nevertheless, it is generally accepted that it is rooted in the reality of the discriminatory social system in America with its historic origins in the institution of slavery. One can discern that this slavery system imposes a double burden on the Negro through severe social and economic inequalities and through the heavy psychological consequences suffered by the Negro who is forced to play an inferior role, 1 the latter relates to the low self-estimate, feeling of helplessness and basic identity conflict. Thus, in some form or the other, every Negro American is confronted with the

struggle of the Afro Americans. It is a dream which has not come true and will

Sylvia Plath’s life was one of a troubled woman. Her lack of sanity was deeply reflected in her works of writing. Her mental state was very much affected by her life experiences such as her feelings of betrayal towards her father and her instable marriage to Ted Hughes. Plath’s poetry, was a way to explore her mental anguish and share her fixation with death, due to her deathly depression. Despite Sylvia Plath’s crippling life, her poetry was constructed in such an artistic manner in which it touched the lives of many