Television By Neil Postman Summary

Since television came into existence, it has evolved into a useful tool to spread ideas, both social and political, and has had a great effect on the generations growing up with these heavily influential shows. To these younger generations, television has taken the role of a teacher, with the task of creating a social construction by which many of us base our personal beliefs and judgments on. This power allows television shows take the opportunity to address problems in a manner that many audiences can take to heart. Many television shows present controversial topics in a comical matter, in some ways to soften the blow of hard-hitting reality at the same time bringing attention to the issue being addressed. In the television show,

Through David Letterman, Rudy and Ron’s fear as well as Edilyn’s confusion, Wallace examines television’s role in American culture especially in making pop culture. In fact, this

In Amusing Ourselves to Death, Postman uses an abundant amount of logos to argue his claim. The more that is read, the more difficult it is to dismiss his information. This is because of the consistent use of evidence presented in the form of logos. The entire book is incorporated with facts, statistics, dates, and general logical arguments. In chapter six, Postman stresses how television does not allow for the processing of thoughts. He states, “I should like to illustrate this point by offering the case of the eighty-minute discussion provided by the ABC network on November 20, 1983, following its controversial movie The Day After” (88). The discussion was broadcasted on television with intentions to have valued informational content, but failed miserably according to Postman. He argued this in a logical manner. The discussion lacked deep conversation and the speakers spoke in generalities, as the show did not allow an adequate amount of time. This is a great use of logos because it

The spread of television has affected American households universally, which started in the 1940s but has continued to make a dramatic surge. There is a trend at that is being captured across televisions in households everywhere. Politics, reality television, social media and public information is being broadcast from household to household. Television has in a way become a mode of how we think and interact with each other. Television is starting to leave that bubble where it was strictly entertainment, now television is becoming a source of what we must believe. The consumer demand for television as spiked dramatically, in the way we view ourselves and perceive others in the world around us is through a television screen. Although we are

     But, for most part, author feel television is 'drug'; that is corrupting today's society. Many of us fail to recognize how it has caused the decline of family rituals, the avoidance of relationships and the destruction of the family. Our addiction to this daily habit cause us to escape the real world.

    The form of communication created by the television is not only a part of how our modern society communicates, but is has changed public discourse to the point that it has completely redefined it, argued Neil Postman in his convincing book Amusing Ourselves to Death. He viewed this as very harmful, and additionally so because our society is ignorant of it as they quickly becomes engulfed in its epistemology. When faced with the question about whether the television shapes or reflects culture, Postman pointed out that it is no longer applicable because "television has gradually become our culture" (79). What kind of culture is this? Postman warned that it is one in which we

Further on in the chapter, Postman does not really believe that the content that is show on television is the actual problem. Since the real problem is not watch people watch, then this brings on the thought that we can find the solution in the way that we watch television programming. (160). Postman believes that this world has not discovered what television actually is as a type of technology, and as a result, there have not been many conversations about this.

Neil Postman is deeply worried about what technology can do to a culture or, more importantly, what technology can undo in a culture.  In the case of television, Postman believes that, by happily surrendering ourselves to it, Americans are losing the ability to conduct and participate in meaningful, rational public discourse and public affairs.  Or, to put it another way, TV is undoing public discourse and, as the title of his book Amusing Ourselves to Death suggests, we are willing accomplices.

All throughout history we have used metaphors to describe people, places, events and emotions; so it is perfectly fitting to describe the mediums with which we project our ideas as a metaphor as well. This is Neil Postman 's basis for his book Amusing Ourselves to Death: Public Discourse in the Age of Show Business. Television and other media outlets have conditioned us to accept entertainment in every aspect of life; but most of all it masks the state of public affairs and politics. Through his book, Postman begs that we recognize the ways in which media shapes our lives and how we can use them to serve us instead of hurt us. Broken into two parts, Amusing Ourselves to Death focuses on a historical analysis of media, then discusses the television media-metaphor in more detail. Postman examines how media has infected every aspect of public discourse by prizing entertainment as the standard of truth.

Noel Murray, a writer in TheWeek.com, published a nonfiction article on February 15, 2017 called, “TV’s Callous Neglect of Working - Class America”. Murray wrote this article to convey the fact that television series now don’t exemplify the realness of how most people live. To exhibit his views he uses a powerful structure, metaphors and oxymorons. Murray’s reveal that television does no unite us as one since the shows don’t even display the real daily life one may live. Murray establishes a informal tone for young adults watching television.

In 1985, when Neil Postman penned, Amusing Ourselves to Death, CNN, and the twenty-four-hour news cycle existed in its infancy and televangelism was still unscathed by the Jim Baker and Jimmy Swaggart scandals. A B-movie actor sat in the Oval Office. Conceivably most importantly, television, the love child of the photograph and the telegraph, had reached maturity to become fully entrenched in American culture after thirty some years (p. 100). Newscasters, preachers, and politicians had become celebrities. The information presented on the tube was deficient in meaningful content and lacked context. Nevertheless, the public’s level of amusement rode high. Television’s capacity to manipulate public persona and information on the news, in religion, and in politics creates a vaudeville atmosphere on these modes of public discourse.

“Television is a gift of God and God will hold those who utilize his divine instrument accountable to him” -Philo T. Farnsworth. In the 1920’s life in America, and around the world, was blossoming with excitement and shock due to all the new things happening around them. For instance, women were re-imagining the rules of feminism, alcohol was being banned everywhere, secret clubs were being brought up, and also the television coming to life. The television had to be the most talked about thing in the 1920’s. All because a random guy decided he wanted to experiment with things and later created the television.

Postman (1987) claims that television is an evil that destroys the purpose and complexities of public discourse. He argues that important issues are oversimplified and drowned in a sea of irrelevance. Chaffee and Metzger (2001) confirm this assumption by remarking the evolution of print and radio into television and television into new media. Establishing the similarities between Postman’s chief complaints about the television medium and the new media then rearing its ugly head. Chaffee and Metzger indicate the shift in the denotations of mass, media, and communication. With technological advancements, it is impossible to ignore the new media and its impact on modern culture.

There are presently 35 television stations owned and operated by religious organizations, but every television station features religious programming in one way or another (Postman, 116). Religious television program producers are driven by the desire to make money, and they find the best way to accomplish this is by scamming viewers and members. During this process, religion loses its authenticity. Religion is not being practiced on television, it is being mocked. Religion is no longer for worship, but for entertainment.

Over the last forty to fifty years, television has been a major topic of discussion. Specifically, many debate societal benefits to television watching. One widely accepted opinion is that watching TV makes people dumber. People have referred to it with terms like the “idiot box” and do not feel that watching TV has any benefit at all. They feel that it is a waste of time and people need to spend their hours more wisely. Others are of the opinion that TV is actually has societal benefits. From this perspective, they claim that the development of the structure of the programs now requires one to intellectually participate in watching television. Essentially, the argument is whether TV is a beneficial societal force or is it simply a