Show Title Sequence

There is this group trying to survive the zombie apocalypse, while doing so they run into a lot of bad things. Rick Grimes the leader of the group found the group and after a little after the fire in the wild he found them a prison to live in because that was the best he could do because of the zombies. They first have kill all the zombies in the courtyard and then they stayed there for the night. Then they had to clear out a cell block of all the zombie in order to live in it.When they find a nice cell block without a lot of zombies it’s time to get to the fun part and kill all the zombies. Then there is Daryl Dixson one of the strongest people of the group especially with his bow and arrow at hand.

The opening scene features visual effects in order to emphasise the theme of despair in the film. Initially we are introduced to the character of Alice Paul with a long-shot of her on a swing. The shot appears as a horror film, setting off a daunting tone. We are then eventually displayed with a montage of flash-forwards and flash-backs into Alice's future and past. A close-up is used of Alice's eye, which appears fearful and exhausted, blood-shot and struggling to remain open. This sets an initial sense of despair. Following this the montage features sped up passing storm clouds to foreshadow the darkness and despair to come. These editing techniques were used by Garnier to convey the theme of despair in the film by allowing little easing into the situation. In relation to the wider world, although this theme of despair was being emphasised by these

When Tim uses low key lighting to show the scary side of the movies. It helps put the scarier side of the movies. It helps put the scary part of the movie in the

The Filmmakers used a pattern of medium shots followed by closeups at eye level. They then used a cut and a still shot to set the location for the next scene. One of the best examples of this is combined with an appeal to Pathos. Gaudet and Pullapilly start the scene with a still shot of the Bangor Hospital to set the location for

The movie begins with a shot of a cemetery of unmarked crosses. From the beginning, the audience is clued in that this isn’t going to be a simple film. Herzog does an outstanding job dragging out the transitions between scenes, whether it be the sun setting on a highway, or fields of corn shaking gently in the breeze, to create a bleak ambiance that carries out throughout the film. It gives time for the audience to analyze the new information they’ve been given to add onto their own judgements. When the audience first gets to view the original crime scene where the bodies of two young men were discarded, only the sound of insects and other nightlife can be heard, creating an unsettling effect that only adds to the gruesome

The camera shows a close up shot of his hands burying the knife in between the graves of Cutting and his father, which represents the end of gang violence and the birth of a modern society. After this the camera moves up to a long shot of New York City. Scorsese uses multiples shots of New York City’s skyline that dissolve into each other to show a time lapse of New York City. This works to show how America, represented by New York because of its association with being a melting pot, becomes what we know it as today. Furthermore, the non-diegetic sounds in the final scene include the musical score, which plays the song The Hands that Built America, by U2. This song makes the audience feel like something new is about to begin. Therefore, this song paired with the dissolving shots of New York City skyline evolving over the decades further highlights the message of the film that gang violence and political corruption, fueled by class politics helped to build modern day America. This scene also represents Marxist critical theory because the scene is discussing class politics and how the gangs, lower class people, were killed in order for the ruling class to come to power and shape a more modern day America. The scene is hinting at how modern society was built on the backs of the oppressed lower class by showing the graveyard of gang members contrasted with the evolving New York City

The action within the movie is very fast paced, and it begins during a normal commute in Philadelphia. Gerry Lane (portrayed by Brad Pitt) and his family fight to leave the congested streets with exponentially growing infected lurking about. Gerry fends off hordes of zombies as he navigates the supermarket and apartment complexes. The

They arrive in Las Vegas and spend the night drinking and getting drunk. When they wake up in the morning, they find it strange that they are the only people in the Lobby. To their horror, a Zombie attacks them. They learn that there’s been an outbreak of Zombies in Las Vegas and the town has

You get help from Prepper who you never see you only hear him over a radio. When ever you want to help other survivors he seems to have a fit which makes me wonder why is he helping you in the first place? There are a few other characters to meat along the way such as a doctor who may or may not be able to find a cure and a military lady who you only see twice in the game. Luckily the game makes up for its lack of a good story by being one of the most creepy zombie games I ever played. Most zombie games are more about killing hordes of zombies than it is about surviving but not this game. You will need to take it slow and easy if you want to make it through especially on survival

I see what you mean in regards to the mood that the music imparts. It certainly has an eerie, almost contemplative feel to it. It definitely mirrors what's going on, especially around 1:52 when men are shown hauling what appear to be body bags onto

The gun on the television is in direct contrast to what has been taking place visually up to this point. The mise-en-scene has been depicting an idealized American town, and yet the image of a gun is used as an allusion to something more sinister lurking within the town, with the interior of Jeffrey’s house perhaps representing the inner sanctum of Jeffrey’s subconscious. From here, Lynch cuts back to the long shot of Jeffrey’s father watering the lawn, followed by a close-up of the faucet where the hose is connected. Suddenly, the cuts are very rapid and the camera cuts between close ups of the hose, the faucet, and Jeffrey’s father, who eventually keels over in an apparent stroke. This is followed by a long shot of a dog attempting to bite the water spraying out of the hose, with a cut to a close up of the dog doing this behavior in slow motion. Slowly, the non-digetic sound of “Blue Velvet” fades out, giving way to an unintelligible and faint sound which appears to be non-digetic as well. However, the camera zooms into an extreme close up of the grass and tracks through the grass as well, with the unintelligible noise increasing in volume. The shot then dissolves to reveal an entire population of cockroaches infesting the soil, and what had previously been non-digetic sound has now become the loud, digetic sound of the insects’ movement. Immediately, there is a cut to an establishing

In appropriate places and in key moments, the movie plays like a suspense-thriller of sorts, with scenes feeling episodic but having purpose. Title cards acquaint us with time, hour, and place, and, if you engage with the material, they allow you a chance to catch your breath before the pressure amps up considerably.

This is difficult because it requires a certain amount of character and plot development for the film to feel real and engaging to the audience, all within a short period of time. The production had minimal dialogue to create intensity throughout the film, especially during scare scenes. The soundtrack was used to build up suspense using music with a lot of base tones, and to add an extra element to jump scenes to make them more effective. Lighting was used to help enhance the mood of the scenes, such as dark hallways to enhance fear or bright lighting on the characters to show emotions or make the antagonist stand out. It was utilized especially during the final scenes as when the protagonist was stabbing the creature, the camera focused on the shadows on the wall to create a sense of death and gore, without being inappropriate for young viewers or too time-consuming and cost deficient.

generate moods, and have great psychological affect. This is just as true for the very first series of shots for the film, and perhaps more important since these first shots will give the audience the initial feeling of the film, and set a tone for the picture. The first shot is highly dramatic in its lighting method, and the audience is drawn in immediately to one single detail. A man begins revealing the details of a tragic incident that befell his daughter. We don’t see who he is talking to. There is a spotlight directly above the man, and this is pretty much

This movie tells the story of a young man, from Southern California, that is the product of several unfortunate incidents, and his misguided search trying to answer the question why his life is the way it is.