Temptations In Sir Gawain And The Green Knight

The hunt by Sir Gawain's host and the Seduction of Gawain by the lady are closely related to each other, but with a twist, in the seduction scenes it is the hunter being hunted by the prey. During the first hunt, the Lords prey is a deer. The deer is skittish and an easy catch, in the seduction scene Sir Gawain is able to easily escape the trap from the lady. The Lord let the buck pass by as it was counted a crime to "molest the male deer" (Poet 1154-6). As it was a crime to molest a male deer, it was also a crime for the lady to "molest the male deer." The Lady intimidated Sir Gawain, and this is where the first swing of the Green Knights axe relates. The Green Knight stops the first swing just as Sir Gawain stopped the first seduction. His fear of death causes him to

Gawain, additional, is quick and must stay alert like the deer while avoiding the lady's advances. Both the first hunt and temptation have a light almost playful tone; however, in the second hunt for a boar, and the parallel temptation, there is a more aggressive mood.

“Sir Gawain and the Green Knight” is the classic tale of a knight of the round table who takes up the challenge of the mysterious Green Knight. The poem begins with the Green Knight’s sudden arrival and his declaration of his proposition: a knight may strike him, and then a year and one day from then he will return the blow. This tale is most well-known for dealing with the themes of a knight’s code of chivalry, loyalty, resisting temptation, and keeping one’s word. While the whole poem is full of great lines that beautifully deliver the message, one of the best passages come at the end of the poem after Sir Gawain has managed to survive his second encounter with the Green Knight. This passage perfectly encompasses the various themes of the poem, as it deals with all of the trials Gawain has faced up until that point and also explains how he deals with the shame he feels for surviving the game in the way he did.

The first temptation of Gawain is perhaps the most difficult for him to defend. This temptation corresponds with the hunt scene involving a stag. In terms of the hunt, the stag is hunted due to it being a staple food, but it can also be mounted as a trophy. In the same sense, the Queen views him as the “stag” she is trying to hunt. Her sexual desire for him is the sole purpose of her “pursuit”. She then tries to guilt him by saying, “A good man like Gawain… could have never lingered so long with a lady without craving a kiss” (p.164; line 1297). She is, in a sense, "hunting" Gawain in that she is pursuing him for the sole purpose of making him her “trophy” but is not flirting with him as much as she does in the next two temptations. If he falls prey to this temptation, then he has failed his knightly honor. In his reaction to the Queen, Gawain acts much like a stag. He first tries to unsuccessfully ignore her. Then, he stealthily avoids her advances, not directly confronting her, but subtly downplaying her advances, until he could attempt to escape.

In Sir Gawain and the Green Knight, after Gawain ventures “into a forest fastness, fearsome and wild” (Norton, 311), he prays that he will be able to find “harborage” on Christmas Eve (Norton, 312). It is the middle of winter, and Gawain has been traveling in search of the Green Knight whose head he has cut off. After he prays and signs himself three times, Gawain finds a magical castle in the midst of a winter forest. He rides to the castle and is granted permission to enter by the lord. Gawain is attended to in a fashion befitting kings, and he meets the lord who tells his identity to all in the court. There are many significant implications and foreshadowings which occur during Gawain’s

Ridley, M. R. “Sir Gawain and the Green Knight.” Scott Foresman English Literature, Scott Foresman, 1999, pp. 66–83.

Our attention now turns towards Gawain, who is still asleep in bed. He awakes to find the lord's wife entering his room; surprised, he quickly pretends he's asleep. She sits beside him on the bed, pins him down and points out that her lord is away and the rest of the castle is asleep. This is the first test Gawain faces, where he is tempted to break his knightly code of honor. The wife offers herself to him for sexual pleasure. Gawain is tempted by this offer but fends off her aggressive attempt by politely declining, stating that she is "bound to a better man."(228)

This approval that Green Knight expresses towards Gawain’s person only furthers the reflection of Gawain likeability, for even his potential adversary possesses a certain amount of praise for him due to his acceptance of a challenge only the king would undertake. Through his display of courage in sacrificing himself for his king, in the eyes of all, he is deemed a worthy and honorable knight. Moreover, Gawain’s charming first impression is yet again seen when the lord of the castle he finds when searching for the Green Chapel welcomes and greets him saying, “For I know well, my knight, that your name is Sir Gawain, / Whom all the world worships, wherever he ride…” (Fit III, 68). In this declaration, the lord emphasizes Gawain’s overall popularity amongst the people of the land who have heard of his greatness and highlights the charismatic qualities Gawain possesses when he responds in kind replying, “In good truth… that is a gain indeed / Though I am hardly the hero of whom you speak / To be held in such honour… I am altogether unworthy (Fit III, 68). This response, in which Gawain humbly accepts the praise given to him, his likeability is brought to a forefront, emphasizing the charm of a self-deprecating response instead of one that basks in praise—overall a true lesson in knightly morality

By portraying Gawain as noble and honorable, the poet is able to shock the reader with actions that are uncharacteristic of a chivalrous knight. The first of these conflicting actions is obvious in the temptation of Gawain by his host's lady. This lady, the huntress, seeks to pursue Gawain in order to fool him into actions that contrast the knightly ideal. She will do anything to accomplish these actions in him, even through sexual temptations. With another man's wife pursuing him, Gawain must be courtly to the lady, but at the same time must deny her advances. This unavoidable conflict creates a fear within Gawain. Upon discovering that the lovely lady was approaching him in bed, Gawain lays a sleep, in order to "try her intent" (1199). This action reveals Gawain's fear that his host's lady is pursuing him. This unavoidable fear causes his failure of courtliness, for Gawain would have claimed a kiss from the lady, but did not. The lady ridicules him for this, even though, the situation was unavoidable. Gawain must abide by his morals and abstain from immoral thoughts, while at the same time being a courteous guest. Moreover, Gawain is forced to make a choice between courtesy and adultery, either of which would result in the dishonor of the lady ,his host, or Gawain himself. By choosing to return each of the following kisses received, Gawain is able

This temptation corresponds with the hunt scene involving a boar. Boars are not so much hunted for food as they are for sport. A boar is a very unruly animal. It will attack any hunters viciously, and with reckless abandon. Successfully capturing a boar is a testament to the physical courage and strength of the hunter. In the second temptation, the Lord's wife appears to Gawain in the same voluptuous manner as she did on the previous day. But this time, Gawain does not attempt to avoid her advances. He is much more direct and confrontational with the lady. The lady also asks Gawain to tell her one of his war stories. Gawain refuses, on account that it would be boasting. He replies

In the opening lines of Sir Gawain and the Green Knight, the Gawain-poet predicates the numerous dualities—which lead the reader through questions of moral seriousness—that exist in the poem. The opening historical recounting, according to Richard Hamilton Green, reminds the reader that “the greatness of the past is marred by reminders of failure” (179). The paradox of triumph and greatness arising out of failure foreshadows Sir Gawain following the same pattern of fate as his predecessors. While the completion of Gawain’s quest reaffirms the historical paradox of greatness, his journey to renown is fraught with situations and symbols that develop the poem’s main concern of moral seriousness. The Gawain-poet skillfully reveals his

Throughout the history of fictional writing, cultural values of certain time periods have been expressed and implemented through the depiction of the heroes’ experiences on their journeys and the knowledge they gain by the quest’s end. For example, in Sir Gawain and the Green Knight, a chivalric romance written in the Late Middle Ages, Gawain epitomizes a knight with the characteristics that knights from the Late Middle Ages were expected to possess according to the requirements outlined in the rules of chivalry, such as honor and valor. Likewise, Beowulf, the hero of the folk epic Beowulf, embodies the qualities of an exemplary hero as well as king. Therefore, in both stories, the reader encounters a heroic character that is presented with traits that Anglo-Saxons and the Middle English valued in their culture through their stories’ monomyths, a concept of similar and structural sequences that can be applied to many stories, created by Joseph Campbell. Some of these values are carried from the Early to Late Middle Ages and can be seen through the works of both Sir Gawain and the Green Knight and Beowulf.

Because of the Code of Chivalry, Gawain is trapped between a rock and a hard place. He must be courteous to the lady without offending her.

The challenge of maintaining virtues becomes a psychological game as Gawain is separated from his peers. He battles foul enemies including “dragons/ ...wolves, and satyrs, / And forest trolls, / And bulls, and bears, and ivory-tusked boars, / And giant ogres” (lines 719-723), but his physical monsters are glossed over in comparison to the mental turmoil that Gawain faces during this segment of his journey. In his “friendless” (line 714) time “nowhere near home” (line 714), Gawain lacks the support system of his compassionate friends of the court. The only backbone he has is in his faith, leading to his prayers to Mary “To end his grief, / To guide his weary / Steps to relief” (lines 737-739) in an act of piety, another knightly virtue that Gawain embodies. Coincidentally, the pious act that grants him the salvation of discovering the castle and brings the joys of having human companionship again also leads him to his greatest challenge: the seduction of the Lady Bercilak.

Sir Gawain and the Green Knight is a medieval poem by an unknown author, written in Middle English in the 14th century. This poem is uncanny to most poems about heroism and knightly quests as it doesn’t follow the complete circle seen in other heroism tales. This poem is different to all the rest as it shows human weaknesses as well as strengths which disturbs the myth of the perfect knight, or the faultless hero. The author uses symbolism as a literary device in Sir Gawain and the Green Knight to give the plot a deeper and more significant meaning. Symbolism is used to emphasise the difference of this heroism story against others and therefore symbolism is of great importance in this poem. The importance of the following symbols will be