Tennessee Williams 'A Streetcar Named Desire'

Whiteness is also evoked by Mitch, and Stella. Mitch wants a replacement for his aging mother. Yet, Mitch feels hurt when he finds out about Blanche's prior sexual experiences from Stanley and takes his feelings of sexual rejection, and eventually forces himself on her against her will. The culmination comes when Blanche asks Mitch to marry him and he responds, "I don't think I want to marry you anymore… you're not clean enough to bring home to my mother."(120-121). Stella also demonstrates her cruelty at the end of the story when she decides to let the doctor bring her sister to a mental ward, going along with Stanley's plan to get rid of her. Stella evokes a kind of social norm of acceptable sane behavior.

The reader may view Blanche as someone who tried to escape her sordid past in Laurel and wanted to start a new life with her sister, yet due to the continuous investigations from Stanley, was unable to do so. Stanley reveals Blanches’ lies and deceits, commenting on them as her ‘same old act, same old hooey!’ This tells the reader that his research of Blanches’ past is way of stopping her from finding a new life. Blanche attempts to redeem her life by finding love with Mitch, yet Stanley again reveals to Mitch that she was not ‘straight’, resulting in Mitch not wanting to be with her and also contributing to her fate. Stanley, after mercilessly divulging all her truths and bringing her to the edge of her mental capacity, rapes Blanche which brought about her final collapse. The reader may view Stella as someone at blame for her sisters’ fate, as though she shows some moral support of Blanches’ situation and listens to what she has to say, Stella continuously throughout the play neglects to notice Blanches slow mental deterioration and ignores Blanches’ outcries and incessant need for attention. Stella chooses Stanley over Blanche, despite her warnings about him being ‘volatile, violent and sub-human which represents not

She even tells Mitch that she doesn’t tell the truth, she tells what ought to be truth. So Blanche is aware that she is lying and continues to do it, which end the end causes grief for her.

A point for Blanche is that she is fear of aging and get lost of beauty. She is scared on  appear on bright light which will reveal her look to Mitch. In scene one, the author Williams make Blanche life of sexual going down like when her husband’s suicide result from her disapproval of his homosexuality which lead to a unwanted end. In scene nine, where the Mexican woman appears selling “flowers for the dead” which made Blanche reacts with panic feeling inside of her like she don’t know what to do. The author uses Blanche experience of sex and death are link up together.

She tries to hold on to him but is unable to keep him attracted. Blanche is lost, confused, conflicted, lashing out in sexual ways, and living in her out own fantasies. She has no concern for anyone’s well being, including her own. Thus, this is her utter most harmful demise. She has no realistic outlook for the future.

To live in a world of illusion is to live a life of lies.Sometimes people try to escape reality, whether to avoid truths or to avoid their past. A Streetcar named Desire by Tennessee Williams introduces Blanche Dubois as the main protagonist and potential victim of the story. In the story, Blanche leaves her home in “Belle Reve” because it has been destroyed and takes a streetcar to to get to her sister’s (Stella’s) residence. She believes that she will find a new life as well as comfort and acceptance at her sister’s side. Unfortunately she is very wrong about it, in fact, it is the complete opposite. Blanche’s past life was very shameful for her and so in order to forget the tormenting truth, she resorts to living a fantasy life of her own, which causes problems for her later on (self-destruction).

In this play Blanche has a praxis: She must get a companion to share her life with who can provide her with shelter, food, and financial support and that’s what makes the whole story happen. This praxis is created when two things happen: First, Blanche finding out that the man she married was having an affair with another man and he decided to shoot himself after she confronted him, and second, the loss of her house in Mississippi. These two things create her need of a shelter, financial support and food therefore she decides to stay with her sister Stella.

In Tennessee Williams’ play A Streetcar Named Desire, Blanche’s character believes that the opposite of death is desire. Throughout the play Blanche fills her desires in order to escape from the death of people and things that surround her. Williams uses Blanche to further develop the theme because she copes with death by filling her desires, which slowly results in the self-destruction of her character. Although the theme is mostly developed from Blanche’s character, Stella, Stanley, and Blanche’s husband all suffer from desire.

Stella abandons Blanche in her time of need, partly responsible for Blanche’s struggles prior to the plays events. Struggles that played a role in Blanche's overall instabilities and insecurities. But why is Stanley the one that's ultimately responsible? Aside from verbally and physically abusing Blanche, He isolates Blanche from the people she loves, the only people she has left. He was the one who convinced Mitch to abandon Blanche by telling him about her past. “You're goddamn right I told him! I'd have that on my conscience the rest of my life if I knew all that stuff and let my best friend get caught!”(Williams,126) He is the one that silences Stella. He is aware of his power over Stella. He is the reason why Stella abandons Blanche. He manipulates Stella into forgiving him even when he abuses her. He makes sure she is dependent of him so she never leaves while also subtly attempting to persuade her into taking his side instead of Blanches. “Stella, it's gonna be all right after she goes and after you've had the baby. It's gonna be all right again between you and me the way that it was. You remember that way that it was?”.

due to her past blanche’s actions are unusual and to many they are considered inappropriate. Blanche lives through some very dark and intense incidents before the play takes place, she witnesses the death of her entire family, she loses her family home, and to add to the misery she believes she is the reason her husband killed himself. In an act to move on she retreats into illusion acting as if these incidents never happened. Blanche decides to lie to everyone, from her sister to the man she potentially wanted to marry, she does not give them the truth. She wants to marry mitch but does not tell him about her past, mitch had all right to know, yet she led him on, actions like these in an environment of connection is inappropriate beyond a doubt. Because of her lies and illusions Blanche ends up losing everything, she loses her only chance at a future with Mitch and her freedom when she is sent to the mental institution. Blanches motivation by the past caused her life around her dissolve.

The dishonesty of Blanche caused tension with her and other characters in the play. The argument between Blanche and Mitch was the effect from the lies, which Blanche had told everyone. As a result the argument led to Mitch saying “I don’t think I want to marry you anymore… No, you’re not clean enough to bring into the house with my mother.” (Williams, 120) Mitch said this after discovering all the secrets of Blanche’s past, which he had heard from Stanley. Mitch discovered that she had been in several relationships that were not forthcoming to his expectations of her. These expectations were not sophisticated or purified enough to meet the qualities he wanted in a partner. This argument between Blanche and Mitch was a direct result of the difference in personalities between Blanche and Stanley.

This later foreshadows her relationship with Mitch. As the readers know Blanche is five years older than Stella, Mitch does not. She tries to cover it up by wearing white cloths which represents purity and innocence, which she is not. After a whole summer of dating, Mitch realizes he hasn’t had a good look at Blanche, “You never want to go out till after six and then it’s always some place that’s not lighted much (Williams 144).” Blanche has been avoiding Mitch throughout the day time by making excuses why she cannot see him, when in reality she looks younger in the dark.

Blanche's tragic flaw that cause her downfall or hamartia is her reliant on men, so much so that she makes choices and does things that are morally questionable. She manipulates and lies to potential suitors to make herself seem more attractive and younger-which in her mind is the only way a man will love her. She does this with Harold "Mitch" Mitchell and it seems to be working until Mitch is informed of all the lies he's been fed, at which point Mitch breaks up with Blanche and leaves her vulnerable for Stanley to

(Williams Scene 2). Their continuous war fueled the fire that later led to the climax of the play; Stanley rapes Blanche. Another relationship that made the play flow was Stanley and Mitch’s. They are the typical best friends who are loyal to each other till the very end. Because of this when Stanley discovered that Mitch had a relationship with Blanche, he became more serious in exposing Blanche.

Like many people in the world, the characters in Tennessee William’s play, A Streetcar Named Desire, are troubled by anxiety and insecurities. Life in New Orleans during the 1940s was characterized by the incredible variety of music, lively and bright atmosphere, and diverse population, while in the midst of the ongoing World War II. Culture was rich and fruitful because the city developed into a “melting pot” of people from all over the world. Due to the wide-range in population, the people of New Orleans adopted an identity like no other. Instead of their identity being entirely pieced together, almost like a puzzle, the people took on one that was shared by the entire community. However, with this being said, people had the ability to use this to their advantage and mask their true selves. This idea translates well into the play A Streetcar Named Desire, and is exhibited through the character Blanche. In A Streetcar Named Desire, Tennessee Williams uses the theme of vanity to reveal the importance of appearance, and the insecurities of Blanche and how they influence her actions.