Tennessee Williams Research Paper

Trevion Jamaal Williams is a 14-year-old, goofy, humble, intelligent, and extraordinary teenage boy. His hobbies are to eat, sleep, skim (not read) books or informational text, observe, teach, learn, write, play the trombone, and watch television. When Trevion was younger, age 2 or 3, his parents got divorced. He is the oldest of two sisters and two brothers. He lived in Forrest City his whole life, until he was 6 years old. He moved to Palestine, Arkansas for 7 years and moved back to Forrest City. He currently attends Forrest City High School with a 4.0 GPA. The thing about Trevion is that he believes that everyone has a destiny in life that would change the world (Class of 2020). But, he has higher expectation of himself than other’s. As

When do we overlook malicious behavior? Is our emotional appeal to like a person enough for us to look past deliberate cruelty? Bound up in the play A Streetcar Named Desire is the fundamental question of how the characters are dialectically cruel and the ways they justify their desires. By means of a theme of cruelty when whiteness is evoked, author Tennessee Williams displays when we justify the actions of others to reinforce gender identities, and the emotions which act as a vehicle for judgments.

Tennessee Williams is regarded as a pioneering playwright of American theatre. Through his plays, Williams addresses important issues that no other writers of his time were willing to discuss, including addiction, substance abuse, and mental illness. Recurring themes in William’s works include the dysfunctional family, obsessive and absent mothers and fathers, and emotionally damaged women. These characters were inspired by his experiences with his own family. These characters appear repeatedly in his works with their own recurring themes. Through The Glass Menagerie and A Streetcar Named Desire, Tennessee Williams presents the similar thematic elements of illusion, escape, and fragility between the two plays, proving that although similar, the themes within these plays are not simply recycled, as the differences in their respective texts highlight the differences of the human condition.

Arthur Miller and Tennessee Williams are each widely considered to be two of the most illustrious and groundbreaking modern American playwrights, and their signature work -- Death of a Salesman and A Streetcar Named Desire – respectively, are also their most tragic pieces. Miller’s Death of a Salesman is, ultimately, a play focusing on the tragic consequences of Willy Loman’s unwavering belief in the American dream and its associated progress and success, where he is tragically too human, believing the values that matter in family are equally important in the world of business. Similarly, Blanche DuBois in Tennessee William’s Streetcar feigns her appearance and refuses move on from her past life of luxury, holding onto and creating new desires

Tennessee Williams, born Thomas Lanier Williams, wrote The Glass Menagerie, a play which premiered in Chicago in 1944. This award winning play, autobiographical in nature, represented a time in which Williams felt the obligation of his responsibilities in regards to the care of his family. Robert DiYanni, Adjunct Professor of Humanities at New York University, rated it as, “One of his best-loved plays...a portrayal of loneliness among characters who confuse fantasy and reality” (DiYanni 1156). Alternatively, The Glass Menagerie, a play set in the era of the Great Depression and written from the narrator’s memory, was meant to teach us the how our relationships with one another can alter our futures, for better or worse. Everything about this particular play was a direct and clear symbolization of Williams ' life growing up. Williams uses characterization to depict several people from his real life in this play; his sister, himself, his overbearing mother, absent father, and a childhood best friend. Williams does a splendid job transforming his personal life into a working piece of art. In Tennessee Williams ' play, The Glass Menagerie, his character, Laura, is central to the structure and focus of the story due to her individual ties to all of the supporting characters throughout the seven scene play.

“Other kids could play cowboys and Indians and imagine that they’d grow up to be cowboys,” he wrote in his Living Proof autobiography. “I couldn’t do that. I knew that I would never grow up to be a cowboy or a fireman or the president of the United States. I knew I’d grow up to be a singer. That’s all there ever was, the only option, from the beginning.” http://www.hankjr.com/career-biography/

Understanding a person’s life and struggles helps explain his or her character and leadership qualities. Smallwood E. Williams was born on October 17, 1907 in Virginia. He moved to Columbus, Ohio with his mother and stepfather when he was only eleven years old. Williams lost his father when he was an infant (Taylor 50). Upon moving to Columbus in 1918, his mother joined Bishop Robert Lawson’s Church of Our Lord Jesus Christ of the Apostolic Faith (COOLJC) and began taking Williams there every Sunday. A few years later, at age fourteen, Williams started preaching at the church while attending school. In fact, people started calling him “Boy-Wonder Preacher” mainly after his travel to New York City to preach at Lawson’s Refuge Church of Christ

Established as one of the most prolific playwrights of the 20th century, Tennessee Williams used his writing as a form of therapy. The author came from a troubled background consisting of alcoholism, mental breakdowns, and general unhappiness; Williams exploited these unfortunate events and allowed them to motivate his literature. In A Streetcar Named Desire, Blanche DuBois’ struggles represent the reality of people’s lives, “an enduring concern of [Williams’] throughout his writing career (Henthorne 1). Blanche captures our focus with her seemingly sincere and fragile nature, but it is later revealed that this is just an illusion within her own mind. She resides in a world of fantasy to shield herself against the harsh threats of reality and her own fears. Blanche’s main objective in the play is to keep herself from falling apart in a world of cruelty through alcoholism and illusion. Through the characterization of Blanche DuBois in A Streetcar Named Desire, Tennessee Williams depicts the coping mechanism of fantasy and its detrimental repercussions by exploring the specific experiences that eventually impede her happiness.

Hi throughout this biography i'm going to inform about the life of doug williams. Doug williams life was a very unordinary, Doug williams achieved a lot of thing throughout his life and he was very successful.

Cathay Williams, born into slavery in Independence, Missouri in September of 1844, was determined to become more than a house slave. In 1861, the Union Forces captured slaves as “contraband” and forced them to serve the military in roles such as cooks, laundresses, or nurses (“Cathay Williams”, n.d.). At the age of 17, Cathay was forced to serve the 8th Indiana Volunteer Infantry Regiment where she travelled alongside the Soldiers to Arkansas, Louisiana, and Georgia. It is believed when Cathay was in Little Rock, Arkansas; she came across African-American Soldiers that influenced her decision to become a Soldier. On 15 November 1866 (at the age of 22), Cathay Williams commenced her ruse of enlisting into the Regular Army as William Cathay for three

The Glass Menagerie by Tennessee Williams and Death of a Salesman by Arthur Miller are two of the twentieth century’s best-known plays. The differences and similarities between both of the plays are hidden in their historical and social contexts. The characters of The Glass Menagerie and the Death of a Salesman are trapped by the constraints of their everyday lives, unable to communicate with their loved ones and being fearful for their future. There are a lot of comparisons that exist, especially between the settings, symbolism and characterization drawn between the two plays. The contrast comes form the ways that the characters choose to deal or not with the harsh circumstances of life.

"A Streetcar Named Desire" is one of the most renowned 20th century American plays and films. The playwright is Tennessee Williams, a respected author whose works artistic and structural merit warrants their study into the 21st century. There are numerous aspects and points Williams makes with his works, including "A Streetcar Named Desire." Out of the richness this text offers, this paper will focus upon issues of mental illness and abuse in the play. No doubt an aspect that makes Williams' characters so vivid are their flaws, weaknesses, and desires. Where a person's character lacks weakness and what a person desires reveal a great deal about that person and provide insight into the choices they make. The paper will discuss aspects of abuse and mental instability in the characters and plot of "A Streetcar Named Desire," and will reference the play directly to underscore any points.

As any psychologist will attest, one’s relationship with their family impact the level of intimacy later in life. When a child grows up in a household their absolute world is being revolved around that house household. When someone reads Tennessee Williams poems and essays they can kind of develop that his childhood was a rough. Tennessee's childhood impacted his writing; “The carefree nature of his boyhood was stripped in his new urban home, and as a result Williams turned inward and started to write” (). Williams figured that he would start to write about his life and childhood.

Overall, both Williams’s A Streetcar Named Desire and Miller’s All My Sons inform their audiences about various social issues with similar and different devices in order to achieve their purpose. Both plays utilize outer dialogue in order to present the issues with the American Dream in Miller’s work and mental health with Williams. However, they also use different devices such as motifs or mood to raise other problems in society such as spousal abuse and social

Written and set in 1947, Tennessee William’s A Streetcar Named Desire solidified his place as an incredible playwright. Arthur Miller, author of The Death of a Salesman, published his play only two years after Williams had published A Streetcar Named Desire. Both plays were written during a time when mental illness emerged as a medical ailment and related to one’s health. The 1940s also featured an influx in institutionalization of civilians. This influx in mental institutions and knowledge on mental illness as well as societal standards of familial responsibility contributed to the plots of both A Streetcar Named Desire and The Death of a Salesman.