Tennyson's The Lady Of Shalott

Although it is hinted, one could say that King Arthur knew of the relationship between Lancelot and Guinevere but chose to look the other way in fear of losing Sir Lancelot. Sir Lancelot is an example of what a perfect knight would be in the True Knighthood. His honor to King Arthur is what King Arthur holds precious to himself. These three men want to stay loyal to one another and fight against what others are trying to say.

Sir Lancelot is the dominant figure in Le Morte D'Arthur who presents us with the theme of sin and redemption. Sir Agravaine and Sir Mordred expose the courtly romance or otherwise adulterous affair between Sir Lancelot and Queen Guenever. This sets in motion the conflicts and other events leading up to the death of Sir Lancelot and many other noteworthy characters. Sir Lancelot betrays both King Arthur and Queen Guenever. If he is truly a noble character as Sir Gawaine, Sir Gareth, and Sir Gaheris describe, would he have involved himself in such a treacherous act? Sir Agravaine says, “I marvel that we all be not ashamed both to see and to know how Sir Launcelot lieth daily and nightly by the queen, and all we know it so; and it is shamefully suffered of us all, that we all should suffer so noble a king as King Arthur is so to be shamed” (Location 12810). Sir Lancelot’s betrayal raises opposition between the knights and breaks up that which should remain united. His betrayal reaches beyond the king and queen. Thus, it is not a surprise that the consequences of his sin affect the lives of so many.

For example, when Sir Mellyagaunce kidnaps the queen, Lancelot undergoes much physical hardship to rescue her, including confronting archers, crossing rough terrain, and escaping imprisonment. Another time, when Sir Mador de la Porte accuses Queen Guinevere of treason, Lancelot enters into trial by combat in the queen’s defense. Mador gravely injures him in the battle: “Sir Mador…smote [Lancelot] through the thick of the thighs, that the blood brast out fiercely. And…[Lancelot] felt himself so wounded and saw his blood.” (124–125) In addition to such physical pain, the queen often causes Lancelot great emotional distress. Once, for instance, Guinevere devastates Lancelot when she wrongly accuses him of being unfaithful to her and angrily banishes him from her court: “Right so Sir Lancelot departed [Camelot] with great heaviness that unneth him might sustain himself for great dole-making” (115).

Lancelot is the second pivotal character that appears in the second half of the book; more heavily in the novel's third book ‘The Ill- Made Knight’. He is part of a love-triangle by famously committing adultery with

The women are described as “gigantic”, which adds to their obscure mystery. The twelve characters hastily engage in their main task of weaving while singing the gruesome poetry.  Furthermore, the geological aspect of the setting intensifies the poem’s fantastic air as it describes the scene to be an inscrutable cave inside a hill in rural Ireland.

In Margaret Atwood’s poem “There Was Once”, Atwood uses irony to point out the societal problems within the genre of fairy tales. Charles Perrault, the author of the short story “The Sleeping Beauty in the Wood”, writes about fantastic creatures, magic, and love, following the generic conventions of fairy tales. When compared to Perrault’s short story “The Sleeping Beauty in the Wood”, Atwood’s poem both compliments and contrasts Perrault’s. These two texts, although similar, offer different views on the genre of fairy tales.

He is tested at various stages in his voyage, such as by the damsel who requires him to sleep with her if he wants hospitality. Lancelot agrees only after pleading with her not to make him sleep with her. He did this not because the girl was unattractive for he states, "Many men would have thanked her five hundred times for such an offer." He agrees to this act only because he believes that he needs the lodging to rest himself so he can dutifully continue his quest for Guinevere. Yet, Lancelot does not even look at her when she is naked; his lack of interest causes the damsel to relinquish him from his promise. He stays perfectly loyal and faithful to his queen.

Loyalty is very necessary for a knight, and Lancelot shows it vividly. Lancelot is not in a position that he is proud of when the problem comes, but he still works for what he believes in. Lancelot is facing a public trial in Camelot. Suddenly, Camelot is surrounded by the army of Malagant. He threated King Arthur to give him the city, or everybody will die. King Arthur starts the battle with Malagant’s army, and he gets shoots in his chest four times by crossbow. Lancelot goes into the crown, and he fights with Malagant who is also really good at sword. It is a really tough fight, so both of them gets injured. He does not give up, and he kills Malagant eventually. Lancelot is not trusted by King Arthur at the time when Camelot is invaded, because he is caught kissing Guinevere. He may be killed by King Arthur, and he can just run away due to the enormous chaos in the city at that tie. But he remembers that he is a knight, and he cannot fail the people in Camelot. So he picks up a sword, and helps people to defend their city. When he is fighting with Malagant, he tries to save an old man under the brutal broadsword of a knight of Malagant. He gets injured because of this action. All Lancelot has done shows everyone that he has loyalty to the city, Camelot, and his lord, King Arthur.

"Drawing from many sources, Malory develops Lancelot's qualities of self-control, rectitude, and humaneness...the third tale (Lancelot du Lake) concentrates on Lancelot's chivalry inspired by a yet unconsummated passion. Undertaking his quest because of Gwenyver, he becomes the best knight in the world" (Walters xxix). One need not look far into the sixth book to find examples of Lancelot's character. In the beginning of the tale, we are introduced to Sir Lancelot very abruptly with "Of all his knights one was supreme, both in prowess at arms and in nobility of bearing, and this was Sir Lancelot, who was also the favorite of Queen Gwynevere, to whom he had sworn oaths of fidelity" (Malory 118). It is here we are introduced to Lancelot's two primary character traits: that of his being a great knight and that of being faithful to Guinevere. He is not yet the best knight, or the perfect lover, as he has not yet been tested. Lancelot soon feels bored with his life at court, and so searches out adventure. It is during these adventures that

The adulterous affair between King Arthur’s most trusted knight Lancelot, and his wife, Guinevere, is symbolic to the coming of the mischievous serpent in God’s garden as a result to an end of a perfect world. According to the influential work of Sir Thomas Malory at the end of the 15th century, there became one of the major causes of the downfall of Arthur’s Round Table. Through various parts of literature, Lancelot’s romantic character becomes known. In The Knight of the Cart (ca. 1175), by Chrûtien de Troyes Sir Lanceolt rescues Guinevere from the evil knight, Meleagent, and ultimately spends the night with the queen in her chamber. He later listens and obeys every instruction she asks Lancelot to do, such as to do his worst in the Tournament. Another major romance of which Lancelot is the protagonist is the extensive early 13th-century Prose Lancelot, a part of the Vulgate Cycle of Arthurian romances. Here, he is raised by the Lady of the Lake, and by 18 sent to Arthur’s court after realizing his royal percentage. He is given a sword by Guinevere, who knights him in a ceremony of divided loyalties. He goes to act of numerous adventures for the king to earn his reputation, but his adultery with the queen disables his legitimacy to succeed in the quest for the Holy Grail. In the last romance of the cycle, Lancelot and the

Later on, she sees a knight in shining armor who was extremely attractive riding down towards Camelot singing, “ ‘Tirra lirra, tirra lirra’:”(Line 106). When she sees Sir Lancelot’s reflection in her mirror the Lady Of Shalott stops weaving and leaves her loom, “Out flew the web and floated wide; the Mirror crack’d from side to side; ‘The curse is come upon me,’ cried the Lady Of Shalott. ”(Lines 113-116). This is a pivotal moment in the poem as her desire for something more than a perpetual life of ordainment has overcome her fear of being cursed. Lady Shalott has made a choice and soon she will find out the consequences of that exact choice.

The Lady Of Taktse- By Jigme Tenzin The winter wind can never ice over me, And not even the spring sweet coffee does. Nobody can meddle with my indomitable sorrow Rather the exquisiteness of the lady of Taktse.

The Lady of Shallot can be interpreted as a symbol of artists and their commitment to their work, in this poem represented by weaving, but also paralleling Tennyson and his poetry. She sacrificed herself to her passion and ironically Sir Lancelot made her into nothing more than a piece of art, he said, “She has a lovely face; / God in his mercy lend her grace” (line 169) she can no longer weave “A magic web with colors gay,” (line 38) rather, just be objectified into a dead-pale beauty not able to offer anymore creativity.

“Maud: A Monodrama” is the lengthy poem that dominated the first collection published by Alfred, Lord Tennyson after he became poet laureate. In its rich and romantic symbolism, it is characteristic of the great poet 's work. Notable, also, is its critique of the hypocrisy and other social failings of Victorian Britain. “Maud” became one of the best-known poems of the period, and continued to be influential even after its style became dated.

Tennyson portrays the isolation of women through the reoccurring theme of Romanticism, this is shown through the poet’s constant associations with nature being the centre of the poem. The poet focuses more on the surroundings of the main character as she lives “By the island in the river…And the silent isle embowers The Lady of Shalott.” Tennyson presents the speaker to hide the details of the actual lady, her imprisonment and the curse which leads us to believe she is a mystery as the nature around her seems overpowering and consuming her. Tennyson portrays the lady in the poem to be an embodiment of a typical woman of the contemporary culture as he describes ‘A charmed web’ which the woman is ‘weaving, either night or day’. The ‘web’ can be a symbol of slavery but also a symbol of creativity and possibility. When the woman tries to turn away from the web she refuses to be a slave and ultimately