Tension in Alfred Hitchcock's Psycho Essay

If this story had been told from a first person point of view, the reader my not have gotten this in depth of a description of the setting. Without the reader understanding that the house was boarded up and abandoned, to the point where it seems

     Hitchcock uses misery, tragedy, and death to show the emotions of his characters. At no point is this more obvious than the end of the movie. Hitchcock spends the entire movie building up to this point and in the end he makes it extremely clear how tragedy has changed the relationship of everyone. After the nagging husbands murder of his wife has been confessed you see

In Edward Scissorhands there was a low angle shot on the mansion having a spooky tone. It has this effect because the low angle makes the mansion seem intimidating and scary. Without this the scary and creepy feeling would not be as welly executed.

The director of the film made a change of pace by making suspense and fear in Psycho. He used elements of violence together with eery and jump-scare soundtracks that makes such scenes thrilling. The violent scenes were shown upfront with the long knife stabbing into

Small elements of cinematography such as camera angles, shot durations, and camera focuses all help piece together the notion of seclusion in this film. Mise en scene plays a vast role in Rear Window, from editing to lighting, the mise en scene helps conclude the solitude Jeff feels in his apartment. Sound is another element in mise en scene, but plays a major role in Rear Window. Hitchcock uses mostly diegetic sounds in order to create a better version of reality for the audience, and help us feel the isolation that Jeff feels in this time of his life where he cannot leave his space. Overall, the cinematic language that is present in this film helps the audience understand the underlying themes that are present within the

“We all go a little mad sometimes,” and that could possibly be exactly how many feel after watching Psycho, released in 1960, and directed by Alfred Hitchcock. Hitchcock took a different route in terms of plot and structure for the typical Hollywood style. Psycho, like a young child never stops asking questions, it leaves us in a state of doubt and unbelief. It is classic horror, with the numerous jump scares leaving us at the edge of our seat, as every moment passes. Yet in the beginning, it 's seems to portray a rather classic form in a sense, a near-Aristotelian story. A woman who appears to be the main character in love, who is then faced with a problem, not enough money to marry her love, who then steals money to help build a future

One of the most famous horror films not just of the 1960's but of all

The film begins with police and reporters surrounding a dead body in a pool. This initial opening scene of a dead body in a pool creates an investigative mood for the audience essentially. Throughout the film, Wilder constantly uses a low-key lighting to emphasize the style (characteristic) of Film Noir. Norma’s house has clearly been thought through thoroughly as each room, especially living room, involves an immensely cluster of arrogant paintings. The rooms are congested and dimly lit, constantly keeping the mood of Film Noir. The relationship between the lighting and setting of house (clutter) emphasizes that Norma is suffocating her own life (ironic as she is suicidal).

The investigator questioned Norman, but wasn’t pleased with the lack of information. He went back later and tried to talk with Norman’s mother in the mansion, but in-turn was killed by the “mother”. Furthermore, Norman carried his “mother” to the fruit cellar to hide, leaving him isolated. In turn, he has created his “Inner Cave”. As Lila and Sam investigate the place, they get suspicious over where Norman’s mother is, so Lila searches the house. The “Turning Point” would be when Lila finds the corpse of the dead mother and gets Norman arrested. When Norman is apprehended by the police the “mother” personality takes over, which leads to the downfall of Norman Bates, also known as the “Catastrophe”. The cops received information about all the murders Norman has committed from the “mother” and ultimately put Norman in jail or an asylum. This would be the “Aftermath” and “Atonement”, respectively. Now the final stage of this format is “The Return”. Hitchcock creatively used Norman’s mother personality taking over his mind as “The Return” because it would be the return of the mother from death. In closing this film followed the Heroic Journey format, but in an innovative

more creative. This is a good point as if you have a film were there

The movie Psycho was directed by Alfred Hitchcock in 1960. When Psycho was first released they implemented a rule that no one could come into the movie late, and I guess that was a thing that happened a lot back then. People were just like “I got a few minutes, let me go into this movie, I don’t care if it started.” But they were having none of that with Psycho. Once the movie started the doors were closed, no one was allowed in. In the previews they asked the audience to not divulge any of the secrets of the movie to their friends or family after they see it. And audiences obeyed, they didn’t go out and blabber about it like people do these days. You could not get away with that today, but audiences were cool back then. Because they didn’t let the audience in after the movie started, they didn’t allow critics to watch the movie ahead of time either. The critics had to go with the audiences on opening day to see the movie. They were not happy about that because they were being treated like peasants, like any other viewer. I guess they thought they were better than everybody else, as some critics actually gave them bad reviews basically because they didn’t get a special screening. Even before audiences watched the movie, their psychological needs start to be met as hype and suspense is built with the secrets people need to keep. The suspense is kept up throughout the movie from Marion’s get away and death, to the twist at the end.

INTRODUCTION The master of suspense, Alfred Hitchcock, created his greatest films in the 1950's and 1960's, a period when the film industry was in crisis from dwindling audience attendance. Renowned for his unique techniques, themes and plots, Hitchcock intensified his films by pushing the limits. Examining Hitchcock's innovative techniques, focusing on the film Psycho and the infamous shower scene, will demonstrate that Hitchcock is the most innovative and influential filmmakers of all time. BODY - PARAGRAPH #1 Hitchcock produced over 50 films including Rope (1948), Strangers on a Train (1951), North by Northwest (1959) and The Birds (1963).

Alfred Hitchcock present Psycho, a thriller, and horror movie that has been commended for forming a darker shocking territory film in the 1960s. Psycho was one of his successful filmed that generated sexed and violent. It had completely revolutionized the fear and murder mystery of all time. Hickock is often defiant by the subjective camera, he wants audiences to see the world through the characters' eyes. Intimately, following their experiences and he can deviously manipulate your aliment with those subjects. Psycho was the first film where he experienced most dramatically. With, this style he developed a compelling unhappy situation. Through justification of difficult circumstances, Alfred deprives mindset of the media through thriller films.

Psycho (In Italics) Analysis There are many reasons movies become classics but all classic movies share one thing in common, they either shaped or revolutionised cinema in one way or another. These elements can include certain techniques of mise en scene, or a story or theme that has never been explored in previous films, or hasn’t been executed in the same manner. Psycho (1960, Alfred Hitchcock) changed cinema in many ways, either through its themes of graphic violence, which hadn’t been seen in mainstream media before, or it being one of the first well executed movies, in which suspense played a key role. This intertwined with the villain being a human was also very uncommon during this time. These aspects of the movie changed cinematography forever.

Before the Psycho by Alfred Hitchcock made its way into theaters across the world, film was produced in a completely different way. Some of the elements that were in Psycho were things that nobody saw in movies before. According to Entertainment Weekly’s Owen Gleiberman, when the movie came out, it took place in “an atmosphere of dark and stifling ‘50s conformity” and that the elements of the film “tore through the repressive ‘50s blandness just a potently as Elvis had.” (Hudson). Alfred Hitchcock changed the way that cinema was made by breaking away from the old, “safe” way of creating a movie and decided to throw all of the unwritten rules of film making out the window. The main ways he accomplished this task was by adding graphic violence, sexuality, and different ways to view the film differently than any other movie before its time.