Tezcatlipoca Obsidian Mirror Analysis

Carrasco, David and Scot Sessions. Daily Life of the Aztecs: People of the Sun and Earth. Westport, Connecticut: Greenwood Press, 1998.

Pre-Columbian Aztec Tribe was a very complex and hierarchical society that settled among the Aztecs of central Mexico in the times prior to the Spanish seize of Mexico. It was erected on the cultural bases of the bigger area of Mesoamerica. The culture was structured into self-governing city-states, called altepetls, which had smaller divisions. These city-states were further composed of one or more large kinship cluster (History.com). Nobles and commoners were the most fundamental social division in the Aztec empire. Noblemen were given more privileges that were not shared by the commoners most significantly the right to get protection from commoners on their land. The common individuals were exempted to own and cultivate land and to handle their possessions, while yet accomplishing the requirements of the lords and their calpulli, such as protection payment and military help. Nevertheless, at the same time were given some privileges equal to those of the lesser nobleness. During the rise of an Aztec empire, there were so many problems that the community experienced to conquer other lands and survive. This article illustrates some of the main problems that the Aztec tribe experienced. Among them are diseases, feeding a large population, ritual sacrifices, political problems through rivalry and prejudice and technological problems.

The author argues that the Spanish were completely at fault for the total destruction of the Aztec Empire. In Broken spears, the author explains how many factors other than Spanish power contributed to the downfall of the Aztecs. Not only did the Spanish have many advantages over the Aztecs, but also they also exploited them and took advantage of the cultural difference. The main key aspects to the Spanish victory, is that the Spanish were viewed as gods at first because of their appearance, the Aztecs welcomed the Spanish with gifts and festivities, which showed the Spanish had total control of people. The Aztecs also held a ritual ceremony for the arrival of the “god” that included a human

The Long Awaited by Patricia Piccinini is a sculpture made of silicone, fibreglass, human hair, plywood, leather and clothing that was crafted in 2008; (92 x 152 x 80cm).

As historians overview the history of the Aztecs they need to make sure to emphasize the importance of the human sacrifices that we completed by the Aztecs daily. This feature of the Aztecs is more notable because they deliberately didn’t occupy land for later sacrifices, it was the reason for many’s death, and they were willing to sacrifice warriors. It therefore must then be clear that the human sacrifices of the Aztecs must be emphasized more than the agriculture of the

The ancient Aztec civilization is usually thought of as a barbaric, unintelligent people throughout modern society. This could be an ideal carried down from the Spaniards that concord the native lands or even something as simple as today’s society creating overblown stereotypes because of conjoined lack of understanding and overall knowledge. But, because of the extensive research and studies done by Miguel León-Portilla we are able to discover the true nature of the Aztec peoples way of life. Within the book “Aztec Thought and Culture” the author explains the develop of the Aztec civilization through education and philosophy as well as describing the Aztec people as an advanced society rather than the popular belief of a savage people and culture.

The Aztecs were a ancient civilization who ruled an empire in the region of mesoamerica between 1325 A.D and 1521 . From their capital city of tenochtitlan, presently the site of modern - day Mexico City, the Aztecs had many achievements. Two things they were most know for is Agriculture and Human sacrifice, which was very unique. However, historians should emphasize the role of Human Sacrifice in Aztec culture."

Masks gave life to various mythological, primitive, bird and animal figures which the tribal members claimed as their ancestors from long ago and were to believe to invoke supernatural powers. These mythical beings gave way for privileges and special powers to individual tribal families and helped to form a family's crest, song or dance. The family would then personify distinct mythological figures as part of their heritage. The animals and mythological creatures represented in the masks and a host of other carvings derive from the Northwest Coast's rich oral tradition and celebrate the mythological origins and inherited privileges of high-ranking families (Gardners, 864). The majority of the masks displayed intricate and mastered use of line in their smooth concave and convex curves, with crisp sharp lines used to bring focus on a specific feature of the mask. The features usually being brought to the forefront were delineated nostrils, eyes and lips that were accentuated by deep cut carving and the use of contrasting color which helped to add form and realism to the mask. Geometric and organic lines were used to contrast between the parallel lines which would help create to enhance the features of the mask. The paint colors typically used by the

In the book Daily Life of The Aztecs On the Eve of the Spanish Conquest by Jacques Soustelle you are walked through what life was like for the Aztecs. You are in 16th Century Mexico, or to them Mexico-Tenochtilan. Soustelle does an excellent job immediately putting you in character with the introduction of the book. The book is broken down into seven different main chapters detailing major aspects of the Aztecs lives in the late 1500’s. You learn about where they lived, to the wars they fought, and what life was like for them from birth to death. In this paper I will further discuss four topics that were very crucial in the daily lives of the Aztecs. I will help you find a better understanding in their daily life as well as the many changes they migrated through over time. The four topics I will be discussing are: 1. Culture and Customs of the Aztecs 2. Civilization vs Barbarism 3. Art and Architecture 4. Education and Home Life.

Addressing the concluding project inquiry that will be answer, this editorial provide an thoroughly study of the Aztec’s connection with the Spaniards. A particular piece of this editorial, the author’s brilliant explanation as to how the Spaniard’s ruler gain the expectation of the Aztec’s simply to utilize this confidence as a weapon next to them exhibit the multifaceted connection among the Aztec’s and Spaniard’s all through the

This is a picture of a La Venta. It’s a type of a change produced using sand and mud. Made around 1200 BCE, this picture is situated in the present day city of Tabasco. This structure was assume to adjust to a particular group of stars but on the other hand was utilized for stylized purposes.

The body of the woman has mane and the hair fall over accentuated breast feature on the body. The mane is o presenting both a feel of nobility and fright on the face of a lioness, which has a skull of bone and stylized whiskers on the face . The head is raised in a form of adoration with the solar disk and cobra emphasizing the cosmic aspects of the divinity of the goddess . The face is modeled with high precision on which the eyes are small and eyelids that have been painted as it were a collar or the robe’s edge. The statue is in a seated position on a block with the fingers that have been shaped significantly with a focus on the distinctive feature of anatomy that the artist sought to add with much delicacy, resting on her legs. The goddess’s legs have inscriptions that are added to the surface of the throne. She stands as a towering figure with soft feline features that invoke power and fear especially with the nature of her eyes in the statue. Her elegance calls attention to her presenting a valid reason why she was both feared and

Furthermore, Masks is another great example used by Sam Gill. He clearly reveals that often times we misinterpret the meaning of mask: that they only hold a space on a shelf among others like itself, otherwise known as a collection. However, masks hold a bigger significance than that. To the Natives, masks are living and when masked performances take place, the deities are present. To view mask as art alone is to minimize the actual beauty and value behind the entire mask and its' function. There is a reason for its existence and it's not just to be creative and productive. Typically, we consider masks as objects that hide or conceal something. In the Native Americans' case, this is the furthest from the truth. Performing a mask in a ritual is

Masks play a very important role in the African society. Masks are used for religious ceremonies, funereal, social events, and a way to communicate with the gods. An example of the significance of masks in the African society, from the book "Things Fall Apart" are the Egwugwu. The Egwugwu wore masks to hide their true identity so they could impersonate ancestral spirits because of this they were treated with respect out of fear. No one knew who the Egwugwu were, if they did, they would be killed or beaten to death, because in the polytheistic

Diego Munoz Camargo’s drawing, Burning of the Books of the Gods(1581-84), Codex Tlaxcala, in the University of Glasgow, is composed of ink on paper. The image depicts two Franciscan Friars holding torches up to a mass of Aztec spirits floating between them. These spirits are bathed in the torch 's flame. The Aztec Gods are engulfed in a blaze, which licks the figures and spurts outwards from the edges of the mass. Oddly, the majority of the work is occupied by the burning figures, which stretch from the top two corners of the document, almost down to the bottom of the sheet. The various Aztec spirits are a combined heap of vaguely humanoid figures, with some sporting animal or inhuman features. Certain spirits are considerably larger than the Friars below, with expansive heads and facial decorations. These decorations occur in the form of numerous patterns and designs. A color scheme of black and white, illustrates the facial patterns of the Aztec spirits, as well as the hair and belts of the Friars. Behind the Friar in the right corner of the work stands two individuals. One is only visible as a head visible over the Friar’s shoulder, while the other clutches three books and faces upwards toward the top left corner.