The 15th Song: An Epilogue To The Cycle Of Poetry

The Vacuum by Howard Nemerov talks about a widower and his late wife, and how he uses the vacuum as a symbol for her death. The poem expresses deep sorrow and sadness that derive from the loneliness of the speaker, after his other half’s passing away. Nemerov attempts to take his readers on a grief-stricken journey, by strategically employing figurative language (mainly personification, metaphor, simile, and alliteration), fractured rhyme schemes and turns in stanza breaks in the poem.

The other section where symbolism is evident is “Small Porch in the Woods.” It is divided into several poems. In the first one, there is the mention of “unshifting star” which represents a change that is undisturbed. It is the turning point of the society. Despite the challenges communities face in their life, their ambition leads them towards achieving their objectives in life. The second poem under this section is about a heavy rain that fell in the month of April. Heavy rain is the representation of unhappy moments. The description presented by the narrator shows that it is a sad moment where everything is carried away. Throughout the poem, the rain is seen, as a lesson

He then contrasts the colour of the grass to the hair of old women when he says "This grass is very dark to be from the white heads of old mothers" thus implying that the graves below are that of young people, people who have died before their time. He continues to talk about the grass's colour claiming it to be "darker than the colourless beards of old men." He perceives that the grass is coming from the "faint red roofs of mouths" of the dead below and that the dead below are trying to tell him something "after all, so many uttering tongues…. Do not come from the roofs of mouths for nothing." Indicating that the "uttering tongues" is the grass and they must be carrying some meaning with them when the sprout over the graves.

Frost further points out that the stretch of woods being viewed is very rural. This is made possible by the reference to the location between the woods and frozen lake. In closing the final sentence of the second stanza Frost reiterates the fact that this occurs on “the darkest evening of the year” stating the darkness of the mood.

Richard Blanco is a Cuban- American poet who was given the oppurunity to write an inaugaration poem for Barack Obama's second swearing-in. He wrote a poem titled "One Today" that praised the good and unique things about the United States and also the everyday people who's daily routines help to make America the proud country that it is.

Similarly, the phrase ‘the next moment, you are no longer there’ is perhaps suggesting that he was shocked at seeing her go so suddenly. However, the fact that when she next reappears she is ‘perfectly framed shows us that the joy of seeing her after thinking she has gone for good is a surprise to him. ‘Fragrant survivors of last night’s frost’ shows us that the flowers are strong, which is a suggestion that their love is strong. In the fourth verse the phrase ‘my heart misses a beat at love for you’ shows us that the love was so intense that time seemed to stop too. ‘Knowing a time will come when you are no longer there’ shows us that he is not looking forward to that time and that he knows it is inevitable. ‘Meanwhile let us make sure we clasp each shared moment’ shows us that he wants to make sure they use their time together wisely, and ‘in cupped hands, like water we dare not spill’ shows us they know that their time together is precious.

In the first song the text is reminiscent of earlier days in May, and the protagonist declares his love for a particular woman. Schumann’s ambiguous key structure gives the listener a feel that the piece never settles. Aus meinen Träuen spiressen the protagonist continues to profess his love and shows a little frustration in the phrase und meine Seufzwer warden ein Nachtigallenchor (And my sighs will be a nightingale choir). Schumann’s tonality begins to stabilize during this movement, provided by a simple chordal accompaniment allowing the vocal line to show and express the feelings of the text. The third movement relates the woman figure to beautiful images in nature such as the rose, the lily, the dove and the sun and finally professes that she is the one. The first three movements of this cycle set the initial tone and illustrate the protagonist’s love for this

7. The setting is used as a reflection of the woman's inner emotions. The sun shines and birds sing with no sign of gloom because she is not actually mourning as she thinks to herself. The lack of sorrow from the woman cause the setting to seem even more lovely to her as she realizes she is feeling joy. The details used by the writer portray a sense of well being and positivity. The woman reaches out towards the window as if her joy is tangible, this is a vey important

The main aspect of the poem is the obvious tone shift from lighthearted comedy to contemplating sadness, starting slowly between the second and third stanza and slowly building up more and more as the poem continues. This foil accentuates the emotion of the poem, making the ending all the sadder. This sadness becoming evident in the last stanza of the poem, where the couplet pattern breaks in an

Once more, the poet anticipates his own death when he composes this poem. But in each of these quatrains, the speaker fails to confront the full scope of his problem: winter, in fact, is a part of a cycle; winter follows spring, and spring returns after winter just as surely. Age, on the other hand, is not a cycle; youth will not come again for the speaker. In the third quatrain, the speaker resigns himself to this fact.]

In conclusion, the poem points the inevitable cycle of natural and emotional events and the power that love has to go beyond that cycle. This is why the speaker assures that the way he has loved is something that

The poems are inspired by the love that a man has for a woman and in many instances how the scenery reminds him of his love. The thirteenth tale depicts a man who was torn between whether or not he should write to his lover. The first poem shows the woman’s feelings when he did not hear from the man for a long time and shows her in a heartbroken tone (78-9). It also shows that the woman too has conflicting emotions about her partner as she strongly dislikes not hearing from him, yet she it would not be very appealing for him to write her either. The man writes a poem in response to her, and as it says he is distraught and rushed the poem. He says to her that her requests are difficult for him to take and that it would be hard for him to heal his wounds of love lost (79). This tale and the poems from it show that there is much more that can be incited than if it were just the narrative. Without the poems, the emotional impact in the tale would not be as strong since there would not be the voice of the woman and her feelings towards the man and the man’s response to her. There easily could be a description of their interaction, but it would not be as powerful since it would not display the voices of the lovers and their views of their relationship.

The beginning of the poem is a very peaceful, “Blest Age!” (1), with “Purling Stream[s]” (1), “an Eternal Spring” (5), and “wanton Gods of Love” (15). This takes place in the world before the rise of mankind, much like the biblical Garden of Eden. In this flowery place, nature triumphs with love. Nature is referred to as a feminine idea, “Virgin Earth;/ Who yielded of her own accord her plenteous Birth” (32-33). This can relate to the idea or allusion of Mother Nature, as Earth is commonly referred to as female. Behn tells the reader how roses, as a symbol for virtuousness, live in prosperous morning dew. In this peaceful and young world, two lovers are free to “all their Joyes and

“Freedom is never voluntarily given by the oppressor; it must be demanded by the oppressed” declared by an influential leader Martin Luther King Jr. As a soldier againsts unfairness, King strongly states that people should fight for freedom. Driven by human nature, humans are always chasing freedom. In “A Century Later,” the Pakistan-born British poet Imtiaz Dharker uses the poetic devices of symbolism, diction, and allusion to explore how perseverance drives freedom.

This piece has several “mini” themes given to almost each stanza, emphasizing reminiscing, grief, and isolation. Appearing to be from the point of view of a man (apparently the writer himself) profoundly grieving the departure of a lover who has passed on. He starts by calling for quiet from the ordinary objects of life; the phones, the clocks, the pianos, drums, and creatures close-by. He doesn't simply need calm, but be that as it may; he needs his misfortune well known and projected. Its tone is significantly more dismal than earlier versions, and the themes more all inclusive, despite the fact that it talks about a person. There is almost an entire stanza demonstrating a  bunch of analogies that express what the speaker intended to his lover. The style in the piece readers typically perceive it as a dirge, or a mourning for the dead. It has four stanzas of four lines each with lines in