Essay On White City Fair

Serbian poet, Dejan Stojanovic, once stated, “Devil and God – two sides of the same face.” When looking at Chicago during the Columbian Exposition, there were two sides of Chicago known as the white city and the black city. The white city was the fairgrounds where the World Fair occurred. The black city, however, is the rest of Chicago where the crime, poverty, disease, and filth was represented. Erik Larson constructs the black and white city in Devil in the White City by incorporating figurative language, imagery, and juxtaposition.

A World’s Fair is an “[I]nternational exposition that features exhibits dealing with commerce, industry, and science.” (World Book Encyclopedia 412) Entertainment is also present along with cultural activities. In 1893, the World’s Columbian Exposition in Chicago, although inaugurated a year late, commemorated the discovery of America. I feel that the Exposition displayed some of the more beautiful architecture of its time; its immense buildings and sculptures drew heavily from Greek and other classical styles, and it could possible be because of the sweeping popularity in Beaux Arts architecture.

The attachment “Murder, magic, and madness at the fair that changed america” to the title hardly does the novel justice. Erik Larson’s The Devil in the White City, a nonfiction novel that surrounds the 1893 Chicago World’s Fair, also known as The World’s Columbian Exposition. The novel follows the lives of two real men, Daniel Burnham, the architect who builds the 1893 Chicago World's Fair and H.H. Holmes, the serial killer who exploits the fair to find his victims. Many new inventions were introduced at the fair, such as Juicy Fruit gum, the Ferris Wheel, and many other novel ideas that impacted the lives of many people for generations. The beautiful fair Burnham creates provides the perfect distraction and lure for Holmes’ activities. In his novel The Devil in the White City, Erik Larson suggests that good and evil coexist in the world by using charged language, imagery and juxtaposition to show although people view the fair as a perfect dreamland immune to evil, it still lurks outside in the dark, influencing the rest of the world.

The 1893 Chicago World’s Fair, more formally known as the Columbian Exposition, was a fair constructed to celebrate Columbus’ arrival in the New World. Chicago was known as the White City, but did not appear as pure and spotless as its name suggested. For instance, there were many ways one could get killed. “Fire took a dozen lives a day...There was diphtheria, typhus, cholera, influenza. And there was murder.” (Larson 12). These unstoppable causes of death was one of the reasons Chicago’s reputation was tarnished. Furthermore, the Panic of 1893 struck and greatly affected the city of Chicago. The Panic’s effects included “financial crises”, “bankruptcy”, and “high rates of unemployment and homelessness”. (Panic of 1893). Because of the city’s economic depression, the fair would decide whether Chicago’s circumstances would improve or deteriorate. Eventually, the 1893 Chicago’s World Fair displayed what America would soon become in an industrial, military, and economic perspective.

Throughout parts I and II of the novel, Larson switches between the plotline of Burnham and the plotline of Holmes. The 1893 Chicago World’s Fair is introduced in chapter two. In this chapter we are also given more

Furthermore, Burnham has the passion to succeed in architecture in hopes of building the White City. “He found his calling, he wrote in 1868, and told his parents he wanted to become the ‘greatest architect in the city or country’ ”(Larson 19). Burnham has a dream to be the best, and he uses his passion for a respectable cause. Through his architectural capabilities, creativity, and innovation, he is able to affect millions of people that attend the fair and the ones who do not. As he begins to take his blueprints and put them into reality, he gives hope and inspiration to all Americans during a time of depression. Burnham uses his unique ingenuity to make the unrealistic White City that is unlike anything America has ever seen, and he shows his originality to as many people as possible. As Burnham oversees and creates the new White city, he develops a new,

The Civil War was fought over the “race problem,” to determine the place of African-Americans in America. The Union won the war and freed the slaves. However, when President Lincoln declared the Emancipation Proclamation, a hopeful promise for freedom from oppression and slavery for African-Americans, he refrained from announcing the decades of hardship that would follow to obtaining the new won “freedom”. Over the course of nearly a century, African-Americans would be deprived and face adversity to their rights. They faced something perhaps worse than slavery; plagued with the threat of being lynched or beat for walking at the wrong place at the wrong time. Despite the addition of the 14th and

(insert an attention grabber, such as a quote or question). In Erik Larson's “The Devil in the White City”, (a nonfiction novel that spans the years surrounding the building of the 1893 Chicago World's Fair) that recreates the lives of two real men, Daniel Burnham, the architect who builds the 1893 Chicago World’s Fair and H. H. Holmes, the serial killer who exploits the fair to find his victims. Larson uses intense imagery, juxtaposition, and allusion to create pure and immoral tones between Daniel Burnham and H. H. Holmes. In the novel Larson uses intenses imagery to thoroughly illustrate the coexistence of good and evil.

Given the nickname the "White City" because of its elegant and pristine buildings, the Chicago World’s Fair of 1893 was one of the most powerful events in American history. There were long lasting impacts on American culture, economy, and technology- the fair brought new advancements in virtually every aspect of daily life. It was held “to commemorate Columbus’s discovery of the New World” (Larson 15). The fair was a symbol of the expertise America possessed, but simultaneously highlighted the hardships that surrounded it. The fair increased wages, marketed more products for public use, and produced architectural feats that challenged the ones that stood at the 1889 Exposition Universelle. There was much more to the fair behind the showstopping displays that it created. Behind the exotic Algerian belly dancers and astonishing replicas of famous cities, the corporate world was establishing its dominance. Labor unions struggled to fight for fair wages and working time. Although disturbances and disagreements in the construction of the fair foreshadowed a negative ending, breakthroughs such as white lead paint and the Ferris Wheel attracted many visitors. The Chicago World's Fair of 1893 is a vivid exhibit of the independent cultural, economical, and technological superpower that America would grow to become in the future.

The Columbian World’s Exposition of 1893 marked an important time in American history. The overall fame of the World’s Columbian Exposition, or also known as the Chicago World’s Fair, is in large part due to the spread of ideas and inventions that originated at the fair itself. The novel, The Devil in the White City by Erik Larson, depicts a clear portrait of the fair’s impact in the time leading up to, during, and after the exposition. The fair established itself as a metaphorical historical monument, in the way that it honored the past and served as a memorial to Columbus, and the way that it impacted future societies and events. The fair began as a show of superiority on part of American society, over all other countries, like France or England. Regarding competition, the fair sought to “Out-Eiffel” Gustave Eiffel, architect of the Eiffel Tower, for architecture, and to outclass the rest of the world in all other fields. The fair also served to foreshadow the growing powers of America both intellectually and militarily; the spirit and ideas shown at the fair showed the emergence of intellectual superiority that would only serve as a sample of the achievements of society that were yet to come. The intellectual productions of the fair can be attributed to the architectural firm coordinating the event, Burnham and Root. The firm was headed by Daniel Burnham and John Root, both accredited as the brightest in their field. Under their management, the Chicago World’s Fair

The Chicago World’s Fair occurred in 1893 to commemorate American history, specifically the landing of Christopher Columbus. This event had such a mass popularity that a book was written to commemorate the fair itself; it was titled, The Devil In The White City by Erik Larson. The portrayal of history in this novel is quite accurate when expressing the time period of the late nineteenth century in an elevated format, which allows the reader to draw comparisons of how the time mirrors the present, as well as differences in the ways it contrasts modern living, and most importantly allows a grasp of a total picture of the time period itself.

     Although the Chicago World’s fair of 1893 only lasted 6 months, it had an enormous impact on the city of Chicago, its people, and indeed the entire country. Up until that point in its history, the US had done nothing on the scale of the world’s fair, and was regarded as a country of barbarians and cowboys by

Erik Larson’s book Devil in the White City is full of magic and madness that has shaped the society of the late 19th century that is specific to in Chicago. The issues that have been handled through this time frame that are addressed in this book is that how Chicago was known to be the black city at first, and how the city hoped that hosting the World’s fair would increase their reputation. Secondly, the magic of a man named Daniel Burnham that did put the plans of the world fair in Chicago into life and the obstacles that he had overcame. Next, once the world fair was complete, it has made Chicago “The White city,” by its dazzling designs and attractions that made it memorable. Then, the madness of H.H. Holmes and how his evil deeds has

The Great Fair of 1893 was held as a major achievement for its time. Huge buildings, impossible feats of engineering, a mixing of cultures, and the use of many new technologies were major aspects of its success. However, even though the builders of the fair worked against impossible odds, they required a leader, a figurehead to lead the way to success. In his book, The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America, Erik Larson’s portrays Burnham’s obsession with grandeur as a key part of his persona to emphasize why he was the right man for the job.

As the city of Chicago prepped for the 1893 World’s Fair Columbian Exposition, a celebration of the 400th anniversary of Christopher Columbus’ arrival in the New World, people all over the world brought artifacts to the city. To keep these artifacts in the city long after the Exposition ended, Edward Ayer and Marshall Field established the Columbian Museum. Built using Field’s money, Columbian Museum would go on to house world artifacts as well as function as a research institution. As time passed, the museum eventually changed names to the Field Museum of Natural History and moved buildings to its much larger current location on Museum Campus. Today, the Field Museum continues to be an innovating research institution and stable of the Chicagoland community.