The 39 Steps Analysis

The technical aspects of the production such as scenery, properties and costumes also played a keynote in the productions success. The scenery was fabulous it truly made the play. It was very realistic and extremely vibrant. Almost the entire play was performed in one setting, except for the railcar and dance scenes. The house, the main setting, was magnificent with painstakingly placed detail in every corner. All elements in the house matched wonderfully, for example the furniture, the photos on the wall, the telephone and even the trash can. Little bits of detail were everywhere adding to the beautification of the set, for example the lace decorations on the chairs, the etched glass above the front door and even the Christmas tree.

This is a must watch Broadway show that makes your fine, terrible, or even boring day, an absolute blast. The Play That Goes Wrong has finally made its way to America and right at the heart of New York City near Times Square at the Lyceum Theatre. Therefore, the experience is a win-win situation for the audience. The Lyceum Theatre’s architecture is astonishing as it is filled with ornaments, I also realized the letter ‘L’ around the theater, but the most interesting fact is that it is a landmark. It has a proscenium stage while the audience is in the orchestra, balcony, or the mezzanine seats, like where I sat, and there is barely any space if you are a tall person. My seat was near the far end of mezzanine, I couldn’t see a part of the left side of the stage, so I found myself bending sideways to see what was going on, but I saw nothing. I found the side stage lights and a side balcony blocking my view and yet I had a great time.

On the night of the show, one is filled with anticipation of seeing the play laced with a hint of ambiguity because of not knowing just what to expect. Getting dressed and arriving at the theatre brings about more enthusiasm; once the mixture of people with different cultures and expectations is seated in the theatre one experience an ardor of emotions. The interaction with the crowd sounds of low chatter and sight of the person's attire add to the excitement of being in a place that can make the magic happen.

The 33 is a film based on a true story/event about 33 men in Chile, who were trapped 2,300 feet underground for 69 days. The 33 miners were working in a copper and gold mine when it collapses. The film is about never giving up, and also It was about finding faith and hope in the toughest time when it all seems impossible. The miners only had a couple of tuna cans, cookies, and milk to last them three days' tops, but they made it last longer. The rescue team at last found them and provided them with food, clothes, and other things to makes the feel as comfortable as possible while still being stuck underground. The film is about finding a way to get to the miners before its too late while the whole world is watching the government's rescue team every move. The rescue team had nine dripping pipes from different countries to try to get to the minors without disrupting the heart of the mountain. Because if the they did, the big rock could fall straight into the refuge room where they were and killed them if they were already dead.

The first thing my eyes were drawn to was the show poster because of it’s scientific look. It led me to believe that the play’s focus was on science and theories. The designs used also led me to believe that you needed to know about science to watch the play and the title on the poster seemed to me like it was handwritten which made me think that this play was going to be a play that had elements of a lecture and that one of the characters would be a teacher. Going into the house and sitting down the thing that stood out to me was the set. It looked very spacy and galactic which gave me a feeling of excitement and curiosity. I believe that the set played a huge role as far

Upon watching the play Outside Mullinger, I began to understand the notion of creating the world of the play. The set design, lighting, actors, and costumes all came together to move beyond the script and create an intimate, and approachable world that the audience could feel apart of. From reading the script, to then seeing it in production I developed a better sense of the plays message.

Journeys are the series of events that takes place along the way from the beginning to the destination. It can come in different forms such as, physical, emotional, mental, spiritual or even a combination of these. There are different aspects in every journey which may include determination, discovery and change. Journeys usually involve difficult choices with significant implications for the individual. Mao’s Last Dancer (Li Cunxin, 2003) covers the aspects of determination and change through his extraordinary transformation from a peasant Chinese boy to an international ballet dancer. In the Road Not Taken (Robert Frost, 1920) an aspect of choice is revealed as the man uncovers two paths which will lead to different outcomes.

The 39 Steps was one of the best school productions I had seen. One could easily notice the time and effort which was put in by the artists, school, and stage management. Undoubtedly, the clever use of the theatrical props really captivated the audience. A great example would be the “window” in which the spies had jumped through; this “window” was

This was the first play or theatre performance that I have attended. I was unsure of what to expect, but I heard great things about this play. Furthermore, the first aspect of this production that caught my attention was the design of the set. The design gave the feeling of a run down urban neighborhood by making the outer parts of the stage look like an old brick building. The building looked like one you would find in a low-income area or projects. The scenery of the play set the stage for what type of production this would be. I especially liked the way they carefully chose not to place just any kind of props on the stage. The dusty

As we dressed for the show, my thoughts were flooded with images and ideas. We descended the hotel stairs, hailed a taxi, and arrived at the theatre; while I remained in a pleasant daze. My first impression of the Nederlander met and exceeded all my expectations. I had envisioned an old theater, forgotten by the Broadway elite. As we walked to the door, we were able to see the wall signed by the cast and photos of the premier. The theater itself had a rundown feel to it and left you with the distinct impression that the magic was within the walls and on stage. As we entered the doors, I soaked in every thing. Our seats were located in the center, orchestra section, which gave us a perfect view of all the action.

This was a fun play. The opening was a little cumbersome to get through with the quick, back and forth dialogue. The use of outside entities to push the story along versus having two famous people argue was entertaining. After reading a little history about this location, it was also neat to tie actual people, places and events together. The biggest surprise was the use of another historical figure, Elvis to interject into this play.

“The Globe Theater” not rebuilt for three hundred and fifty-two years when it’s mysterious location was discovered under a car park. News broke out that remains of “The Globe Theater” foundation had been found starting a spark of curiosity to run the peoples’ minds. “The foundations of the Globe were rediscovered in 1989, rekindling interest-” Many had lost interest in attempting to find its location, believing that it was hopeless for even wondering. “Its exact location remained unknown until the remnants of the theater were discovered in 1989 beneath the car park of Anchor Terrace on Park Street.” Queen Elizabeth II opened the theater with a production of Henry V and ever since then it has staged a play every summer.

My mom and I were seated on red felt wooden chairs in the opera box above downstage right; basking in the anticipation of the start of the musical. The smell of the theater was musty, almost like a library. It even had those rays of dust and light that you see in old libraries. Looking onward, I saw the monitor in which Alex Lacamoire, the conductor, directs the actors and musicians. Closer to the balcony, huge metal spotlights hung, all containing the magical power to change a minimalist wooden stage into a bar, then a field, then a closed room in a restaurant, and finally the Weehawken dueling grounds. The feeling of excitement and glee was palpable. I looked at my mother, whose eyes were glued to the stage. In that dim lit arena of instruments,

When entering the theatre, viewers feel excitement and anticipation as they are quickly immersed in the world of the play by Adam Lindbergs’ deceivingly simple, yet creative set. Across the back of the stage is a jumble of white panels that overlap each other. Throughout the performance, lighting and images are projected onto the panels, illuminating the scene behind the actors. However, this impressive set design was undermined by a worryingly unstable set of stairs that was loud when moved and blocked side viewer’s sights. This inability to see left the audience at times confused and jealous when other audience members laughed, leaving the realization that they missed out on something special. The lighting of the set was generally good, however, drew attention away from the performance in crucial scenes. A more subtle approach was necessary to aid the actors and the performance. This was highlighted in the film noir – esc scene, where Mr. Snow lurked in the sewers. As he took each step, the path in front of him was spotlighted. While dramatically effective, the lighting took focus away from Mr. Snow and his creepy demeanor. Although, the German expressionist atmosphere of the scene has ties to the context of the story and should have been more incorporated into the story. A highlight of the production was the perfectly balanced music and movement that each simultaneously informed and

The film Thirty-Nine Steps is a brilliant adaptation of the adventurous but complicated novel written by Scottish author John Buchan. Director Alfred Hitchcock tells the story of central protagonist Richard Hanney, (played by Robert Donat) a Canadian visitor in 1930’s London who sets off on an intense journey to prove his innocence. After shots are fired, Richard takes beautiful Annabelle Smith (played by Lucie Mannheim) back to his flat where she reveals she is a counter spy being chased by assassins and is responsible for the shots fired. This is where Annabella first mentions the Thirty-Nine steps but does not explain their significance. That night Richard’s knife is used to stab Annabella in the back but she manages to give him a map of a tiny village in Scotland to flee to before dying. Learning that he is now the main suspect in her death, Richard boards a train for Scotland and kisses the only occupant Pamela (played by Madeleine Carroll) to throw off police. She frees herself from his arms, alerts the police but he manages to escape. That evening he stays with a poor farmers couple and the following day ends up at the house Annabella described. After telling his story to a seemingly respectable professor, he is shot and left for dead. Fortunately, the bullet is blocked by the farmers hymnbook in his left coat pocket. Richard gets arrested for the London murder but breaks a window and ends up being mistaken for the introductory