The 400 Blows By Francois Truffaut

The same applies to a dramatic scene where the music may be deep and frantic to convey to the audience the feeling of anticipation. A scene i would like to focus on is the scene in which Garry and his father have a final ‘showdown’, if you will, at the front of the house. The scene consists of the father imposing himself on Garry and proceeding to continually beat him down time after time only for Garry to rise up and face his father on each occasion. This scene evoked a feeling of pride and admiration from the audience as to Garry’s courage and determination to convey the message to his father that he is ready to stand on his own two feet and defy him. This is a very powerful scene within the movie which initiated powerful emotions within the audience. All of this was accomplished with the notable absence of music of any form. The omission of music in this scene created an atmosphere in which the dramatic affect was amplified due to the silence.

He is able to use these parts to manipulate the audience’s emotions. The music playing from the car is an on-screen sound. As the man gets attacked, the volume increases. The sound helps intensify the scene that has been created by the film’s visual elements. The audience then subconsciously forms ideas, opinions, and feelings about what they are seeing. The viewers develop scared feelings as the scene intensifies to the happy upbeat tune. The increasing volume of the cheery song reflects the violence and the sinisterness of the scene. The song stops with the slamming of the car’s driver-side door as the man is abducted. There is a moment of silence and then a new song abruptly entered the silent scene. The music is non-diegetic and is an offscreen sound. The song is screechy, high pitched, and jagged sounding at first, continuing the anxious and scared mood. The song shifts into a sort of soulful hymn. The tone shifts along with the song. The audience begins to feel relieved and relaxes to the peaceful song.

Breathless is in many ways the antithesis of the classical Hollywood cinema; the changes have a direct effect on the relationship the film has with the viewer. Classical Hollywood cinema includes standards such as continuity editing, highly motivated, character-driven stories and a coherent narrative structure. Breathless defies these elements of traditional filmmaking, instead defining what we know as French New Wave.

Freeman frequently used Government documents to tell some stories of these men and sometimes interviews from various articlesto cross-reference the amazing heroic rescue stories of some of the 500 American air men, after most where shot down during the bombings of German petroleum Fields during Operation Air Bridge. For instance,in the beginning he tells Mike McKool’s story from the summery of the account he provided in Operation Air Bridge, along with newspapers articles from 1946(48). Than he goes on to tell the story of Thomas Oliver and how he “was flying a barrowed plain” from His summary of his account he provided in his unpublished manuscript (49). At the end of the book he gives notes to prove that his facts or sources are creditable. He does supply enough info to insure his facts are indeed respectable. The only down side to his sources is that he didn’t personally interview these men, due to the fact that many aren’t around now days.

A composer depends entirely upon the nature of the film for all the clues needed to write a suitable score for a film. Brought into the production after a certain amount of film has been shot, the films concept will dictate how the composer will write the music. Whether based on the story line, or providing information by setting an atmospheric state, film music will always have different purposes between different films. Penguin Ballet by Nigel Westlake was composed to focuses upon the graceful, almost ballet like movements of the penguins underwater. Whereas, Writings on the wall by Sam Smith conveys ideas and messages which will be expressed throughout the film, especially through the use of lyrics. Although positioned within the film to provide contrasting messages, both these songs use similar musical elements to support the piece, and its position with the film. The discussion of this essay is that there are similarities between the musical elements that support the lyrics in a song and the action in a documentary. Through this, we will discuss the musical element’s of pitch, and timbre and texture.

The audio although normally overpowered by the visual aspect played a key role in defining and empowering the movie. The music was fast and uplifting during celebration and on

The film score was composed by Yann Tiersen. Stillistically, the music recalls to the Tiersen’s prior work Amelie, fact that dissapointed to a part of the public, especially to music experts who had expected a complete new soundtrack without renounce to its style. Anyway, Tiersen’s pieces continues thrilling audiences. Besides the soundtrack, numerous famous GDR songs are sung and heard throughout the film, that in conjunction with documentary scenes, confers a historical value to the plot that helps to get close and understand better the social and political situation of the Germany of the late 80s.

As Ali's face dissolves to a flashback, non-diegetic music accompanies the overview of Algiers. The musical motif which begins as the camera starts to pan is exemplary of the parallel relationship between the aural and visual elements in the film. As Joan Mellen has highlighted, the arabic soundtrack, as if from another world, expresses the

     The film takes place in California. The location is nature, and the houses are big, they have big front and back yards. The location seems appropriate and realistic.

In the novel, The Stranger by Albert Camus, Meursault the protagonist, becomes drawn into a “senseless” murder that has to face the absurdity of life and because of his actions, Meursault is presented as a danger due to his lack of “morality” to society. Meursault who is not able to take control of his life but respond to what life offers him believes in the simplicity of life. He tries to understand the living through logic and objectivity, which ultimately turns futile, as he himself cannot maintain proper control over his thoughts and emotions. From the interactions between Marie, to the murder of the Arab, and the meeting with the Chaplain, Meursault overcomes his indifferent views to form an opinion about what life really means. The central theme presented by Camus is how the threat of mortality becomes a catalyst for understanding the significance of life.

Another aspect of sound in this film was how it affected the story. By using sound dramatically in certain parts and not using it at all in other parts, sound gave this story an entity of its own. For example, during long stretches of film with mostly dialogue, there was no music played in the background, only a phone ringing in the distance, or the men's voices during their deliberation. These long silences also took place during editing shots of the town and images that surrounded this German city. This dramatic difference in sound was a revelation of how mood can be made by images and sound put together to make an incredible component.

At the beginning of the scene, Antoine and his fellow juvie inmates are joined in a rather melancholy game of football/soccer. Antoine is then portrayed as making a spur of the moment and impulsive decision to escape when the referee/teacher is distracted by the game. The audience is then engaged with an extremely long tracking shot of Antoine running to a seemingly unbeknownst location to the audience. Following this scene his destination is revealed as the beach, leaving the audience to suppose and question why Antoine went there rather than being given a perfect fairytale ending typical to

Each place portrayed in the movie, Cremona Italy, Vienna Austria, Oxford England, Shanghai China, and Montreal Canada was also convincingly well done. Girard uses the appropriate language for each country, uses the appropriate scenery and architecture portraying the era of time and the country of origin. The clothing worn in each narrative also adds to the believability of the movie.

In the movies, there are a number of factors that will impact the quality of the film and the story. This is because producers and directors are using different techniques that will enhance their ability to entertain. The Sound of Music is taking numerous ideas and is integrating them together. To fully understand what is happening, there will be an examination of the film and various concepts. This will be accomplished by focusing on: the storytelling, acting, cinematography, editing, sound, style / directing, impact of the film on society / vice versa, genre, application of at least one approach and overall textual themes. Together, these elements will highlight the effects of the film and how it has influenced others inside the industry.

The song ends abruptly and as it does it links with the editing as "Paris, 1900" appears on the screen to inform the audience of the time and place it is set. This shot then dissolves into a much darker shot, informing the audience that maybe this film isn't about the celebration of love, and that something sinister is going to happen, the sound also links well with this as it is quite melancholy, this song signifies to the audience that the story beginning to unfold is a tragic one. The character singing is directly addressing the audience as he narrates the story through song, and the contrast between the sound here and the sound in the previous shot is extremely noticeable as it is much more depressing. It is known as parallel sounds as it matches the action in the shot and emphasized by the morose characters and the shadowy lighting.