The 400 Blows: Cinematic Techniques

In the book All the Broken Pieces, by Ann e. Burg, the main character Matt Pin compares himself to his bother Tommy. He describes how their physical features, along with their emotions and metal stage, are divergent. Matt correlates himself to fall, while he compares his sibling to summer.

My initial reaction to the film was of utter shock at the brutally raw reality of the film. Upon reflection and commentary from other sources, the film’s simple yet vastly effective filmmaking techniques of developing the explicit and implicit meaning of the film. The explicit meaning, as

The long take begins with an alarm clock waking up a couple, sleeping out on their balcony. As the camera moves from window to window around the courtyard, we see a few brief snippets of characters’ lives. And finally, the audience sees inside the apartment that has been its point of view all along. Mise-en-scene, framing, and cinematography

Jimmy knows too well the agonies of abandonment. First, when his mother, Cecilia, ran away with Richard to pursue a better lifestyle. Then, due to his father’s, Damacio Baca, alcoholisms and violent behavior; he also had to leave Jimmy behind. In spite of the drawbacks from abandonment to being a maximum security prisoner in Arizona State Prison, Jimmy preserver’s the darkness of prison by overcoming his illiteracy. However Cecilia and Damacio is not as fortunate as their child; Cecilia is shot by Richard after confronting him for a divorce and Damacio chokes to death after he is released from the detox center(Baca 263). Therefore the most significant event in this section of the memoir, A Place to Stand by Jimmy Santiago Baca is the death of Jimmy’s parents.

In John Updike’s short story “A & P”, a dynamic and round character expresses his subjective attitude towards his views, a plot twist causes him to realize his future. Sammy an opinionated cashier at A & P grocery store does not agree with his Lengel, his manager after he reprimands a particular group of customers at the store. Sammy’s further actions cause him to face the true reality of his future.

The award-winning author, Luis Alberto Urrea, creator of The Hummingbird's Daughter, Into the Beautiful North, and The Devil's Highway, describes The Devil’s Highway which occurred in May of 2001, one of many that impacted the desert on undocumented immigrants. which is a desert located beyond Sonora, Mexico. It is a desert which few turn to in able to cross over. A group of illegal Mexican were left for dead after attempting to cross; they were left stranded after traveling for days in the wrong direction, through mountains, desert and only a small amount of water along with a few personal items. The Devil’s Highway name was set out to one’s belief “bad medicine” (5). Even though the desert is an obstacle itself, there are still other physical

Have you ever changed after something you have been through? In the book, The Devil’s Arithmetic by Jane Yolen, Hannah changes when she realized what the Holocaust was about. She doesn't know why it is important to remember so she doesn’t want to. She doesn't like going to there family dinners to celebrate any of their jewish holidays. Throughout the book, Hannah's character changes how she feels toward her Jewish history.

In the novel, All the Broken Pieces, by Ann E. Burg, Matt makes a comparison between himself and his brother when he defines his brother as “summer” and himself as “fall”. This metaphor can be explained not only by their physical features, but their emotional and mental characteristics as well. His brother features summer and hasn’t faced any misery, while he himself looks like fall and has come across atrocious things.

Grace has been told for more than half her life that she was crazy. Her mother’s death that she witnesses was an accident, there was no scarred man, and there was nothing she could do to change what had happened. But Grace knew they were wrong. With the help of her friends Noah, Megan and Rosie, she managed to discover that the scarred man was Dominic, the first love of her mother, who was there to kill her mother, but chose instead to stage her death. Grace came down just as Dominic was taking the picture, and picked up the gun that was lying on the floor. Firing blinding, she missed Dominic and shot her mother instead. The traumatic moment of shooting her mother was blocked from Grace’s mind as it was unable to handle what she did. Her family tries to protect her from this, saying it was an accident, trying to get Grace to stop pushing. When pushing too hard, Grace discovers the truth of what happened that night, and what she did, and with the

In the book 1984, Smith is trying to be an individual in a society that is ruled by Big Brother. as a consequence of him trying to be an individual, he is testing the rules of the party. The individual in an authoritarian society is forced to follow the rules and beliefs of the rest of the society.

The book “Ugly” by Robert Hoge it is a inspiring, true story about, Robert, a boy who grew up in Brisbane, Australia, with a tumor the size of a tennis ball on his face and two deformed legs. Robert had four other brothers and sisters, who were all older. The story is the journey of Robert Hoge and his life with artificial legs and deformed face, and all the challenges he faced along the way.

The extraordinary film The 400 Blows (Francois Truffaut, 1959) skillfully uses cinematic devices appropriately within the context of the theme. Part of the underlying theme of this movie as explained by Truffaut himself is, “... to portray a child as honestly as possible...”(Writing About Film, 1982). It is the scenes in this movie that are most helpful in disclosing the overall theme of the film. Within the scenes, the camera angles in this film play an important role in accentuating the emotions behind the scene. The camera angles used in this film will be the primary focus of this paper. The high angle shots utilized in The 400 Blows are effective in helping to develop the overall feel of a scene. This movie

The French New Wave was a style of film used during the 1950s through the mid 1960s by French directors such as Francois Truffaut and Jean-Luc Godard. During the French New Wave, directors used an independent style of filmmaking called cinéma-vérité to portray a very realistic outlook on the lives of people who were living in France during the era of the New French Wave. In Francois Truffaut’s The 400 Blows, we see right away in the opening scene a prime example of cinéma-vérité. The opening scene depicts the view of a young, mischievous child Antoine Doinel, looking out of a car window while driving through the beautiful city of Paris, France. We see the elegant buildings along the side streets of Paris while seeing the Eiffel Tower in

This film analysis will delineate the diverse directorial decisions of The French New Wave cinema movement, and how they have been utilised and developed to challenge and subvert the typical Hollywood filmmaking conventions and techniques of the 1950s and 60s Hollywood cinema, in François Truffaut’s The 400 Blows (1959). Hollywood produced films of the time used a very limited variation in film techniques such as camera, acting, mise-en-scene, editing and sound. This can be mainly attributed to the low innovative thought of creative and expressive camera movements, angles, etc… due to technological hindrances. In particular, this film analysis will de-construct the filmmaking elements of the revelatory French New Wave movement in Truffaut’s The 400 Blows ending scene (01:34:42 – 01:39:32) portraying the main character Antoine Doinel’s escape from juvie and trek to the bespoken beach.

he is the leading man, is also married to an actress, Annie. Max "40-ish" male actor who begins the play married to Annie. When he discovers that his real life wife is having an affair with Henry he becomes unable to believe that Annie could possibly leave him for another man. 'Max is nice, seldom assertive,