The Absolute Evil of Iago in Othello
What marks consummate villainy is the willingness to be absolutely evil-to have no qualms about being diabolical and no strains of human morality. Because feeling for another leads one to experience guilt, even an iota of empathy is a character flaw that will lead to the downfall of a villain. To succeed, the villain needs to emulate the character Iago in Othello, who consistently works his evil throughout the whole play and does not slip until the end, when there is simply no way he can turn the situation to his advantage. Iago is a model for the ultimate villain because he operates on a self-styled level of morality, such that he never doubts his actions, however diabolical the actions seem
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If at anytime his plans disquiet him and he begins to hesitate, his mind will be over-burdened by the weight of uncertainty and his misgivings will render him too weak or insane to persist towards success. Although Lady Macbeth was the mastermind behind Duncan's murder, the very fact that she could not kill Duncan herself because he "resembled" her "father" (2.2.12) shows that she acknowledged the murder as a wrongful deed and this invariably allowed her mind to buckle from guilt. Similarly, Macbeth feared heaven's judgement, and felt his soul "too much charged" (5.8.5) with the guilt and shame of killing Macduff's family. Iago differed from them in that his plots were coherent with his "soul's" belief that people should "do themselves homage" (1.1.51) for their "peculiar end" (1.1.57), and allowed him to manoeuvre freely without distress. With a self-styled mores, the villain should then have no cause for vacillation, for his actions and his mores are both born of the same thing: a rationalisation of the justice in his vision to achieve certain ends.
A separate level of morality not only empowers the villain with conviction in his cause, but also supplies the villain with an outline for his tactics. Iago fulfils this condition in many ways, among them is his view of love as a façade for lust, and belief in the promiscuity of all man. For instance, he believes that Desdemona needs "change for youth" (1.3.346) and will eventually love someone
To be evil, villainous or Satan-like, is to state that one does hurtful things to other citizens for the pure enjoyment of themselves. Hitler, Stalin and Napoleon are all leaders, who undoubtedly can be stated as evil. In William Shakespeare’s tragedy Othello, the character Iago is considered evil. It is argued though that he is not evil, just simply a human. Iago throughout the play becomes insecure over his decline in power leading him to become jealous and get revenge on those who contributed to this feeling of self-doubt. Though Iago at times is satisfied with the way he treats others, his motives are humanistic and the way he deals with his envy for others makes him one of the manliest men in William Shakespeare’s Othello.
To most of the world William Shakespeare is recognized as the greatest dramatist in history. His plays have been performed for centuries through various interpretations. Shakespeare's vast knowledge, and writing style made his works interesting for both the intellectual, and the illiterate. One of these styles is the use of motifs, which is seen extensively in Othello. An important example that runs throughout Othello, is Iago's honesty. This motif gave existence to Shakespeare's perfect villain.
Evil masterminds are always successful in their diabolical schemes, but each one does it in their own special way. Some may be highly ranked and powerful, but some may be simple people in a simple community. In the play Othello, the simple ancient, Iago is very successful at his schemes. Iago is able to get the trust of everyone around him, and to appear honest. He is also driven to continue with his schemes and to never quite.
The play "Othello" by William Shakespeare is based on an Italian story in Giraldi Cinthio's Hecatommithi (Groliers). In "Othello" we encounter Iago, one of Shakespeare's most evil characters. Iago is an ensign in Othello's army and is jealous of Cassio's promotion to Lieutenant. Through deception and appearance, we see unfolded a plethora of lies and clever schemes. The astonishing thing about Iago is that he seems to make up his malicious schemes as he goes along without any forethought. Noted writer Samuel Taylor Coleridge describes Iago's plan as "motive-hunting of a motiveless malignity" (Scott 413). Iago seizes every opportunity to further advance his plan to his advantage. Greed plays a
Iago claims to “hate the Moor” (Act 1, sc 3, line 368) so he wants to
8ahlmeier 5characters so well, Iago uses ethos to effectively ;udge which method of persuasion to use based on a character’s 0ualities, flaws, motives, and desires, and Iago’s relationship to him or her.Iago easily evokes "assio’s emotions through pathos. #e recogni%es the honorable and valiant virtues "assio e2hibits and uses these virtues to fashion "assio into a pawn. Iago, knowing alcohol to be the counteragent of "assio’s virtues, encourages the sport of drinking to the point where "assio rela2es his conduct and allows his emotions to overcome him, breaking out in a fight which causes him to forfeit his position as officer !II.iii.465-$. "assio has a strong desire for redemption and reinstallation, and Iago suggests "assio beseech
Iago as Evil in William Shakespeare's Othello "Othello" is famously regarded as one of Shakespeare's greatest tragedies. It explores the downfall of a great general Othello through a series of unlucky circumstances. Othello's character shows a man of high status whose job, marriage and life is ruined because of his insecurities by a man named Iago. Iago (Othello's ensign) is able to manipulate Othello,
In Othello, Shakespeare forms the villainous character, Iago through his complex language. Iago shows his evil nature towards Roderigo through his use of demeaning animal imagery. Iago also uses an extended metaphor to try and trick the ignorant Roderigo and (unknowingly to Roderigo), insults him. Lastly, Iago uses repetition to beguile Roderigo to keep paying him. Iago’s slyness is clearly seen through his deceiving language towards the end of Act I.
Once a seed of suspicion or doubt is planted in a person’s mind, the noxious effect of jealousy is soon to ensue. Jealousy and suspicion are Othello’s flaws hubris throughout the play and foreshadow to the audience his imminent downfall. He believes what Iago tells him so strongly that he compromises his close relationship with his best friend and his love for his wife. Iago manipulates Othello through the use of extortion, literary techniques, and his keen judge of character. His syntax and diction are so simple yet so powerful because he uses the correct rhetorical questions and addresses Othello with respectful terms such as “my lord.” He allows Othello do most of the talking
Trust is fundamental to life, but knowing who to trust can be quite difficult. Having faith in the wrong person could lead to unfortunate outcomes. In William Shakespeare’s Othello, many characters are blinded by Iago’s false personality, causing them to put their trust in someone who eventually makes them feel cheated and betrayed. After reviewing the term sociopath, defined as, “a person with a personality disorder manifesting itself in extreme antisocial attitudes and behaviour” (English Oxford), one could say that Iago has antisocial personality disorder. The traits Iago displays throughout the play, such as his use of manipulation, his abusive behavior toward others, his lack of remorse, and his deceitfulness make him a true sociopath.
Iago is one of the most misunderstood villains in Shakespeare literature. We side with Othello from the start because his name is on the cover of our paperback, we read Othello when learning about heroes, so we expect Iago to be a villain, a ruthless manipulator. We don’t know why, he doesn’t state it plainly or in simple English, so we assume that he’s evil, that he’s just a disgruntled sociopath out to exact his exaggerated revenge on good and noble Othello. Iago’s misunderstood reputation is a result of not truly examining his character, and answering the “why” factor behind his actions. After all, everyone is innocent until proven guilty. His goal in the play was not just to destroy Othello for the fun of it. His objective,
What makes a successful villain? In the case of Shakespeare’s Othello, Iago’s ability to manipulate the people around him with his words is what leads to his success. The play Othello is a tragedy. True to form, the play sees multiple deaths, all of which were due to Iago’s influences. The main theme of the drama is revenge. The events that take place are due to Iago’s pursuit of revenge. Iago manipulates the people and events throughout the course of the play in order to enact this revenge. In Othello, Iago manipulates the situations he finds himself in, the people who happen to be around him, and the words that come out of his mouth to ensure his mission for revenge is a success.
Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs
Iago, in William Shakespeare’s playwright “Othello” (1290) is a jealous, manipulative, deceitful, sociopathic villain who spends most of his time planning and plotting against people whom put their trust in him. His main plot was to get rid of Othello and Cassio by manipulating Othello to believe that Cassio was committing adultery with his wife, Desdemona. Iago says, “And nothing can or shall content my soul till I am evened with him, wife for wife, or failing so, yet that I put the Moor (Othello) at least into a jealousy so strong that judgement cannot cure” (Oth.2.1.271-275). The playwright setting is presumably in the sixteenth century on a dark Venice street, where Iago is engaged in a conversation with Roderigo, whom Shakespeare calls
How does Shakespeare present the characters of Othello and Iago during the opening scenes of the play? Shakespeare presents the characters of Othello and Iago as complete opposites as the character of Othello can be described as brave and modest and in contrast the character of Iago can be described as duplicitous and intelligent. Shakespeare presents the character of Iago as duplicitous through his cunning lies in the opening act of the play to help manipulate the character Roderigo into believing he will follow Othello ‘to serve my turn upon him’ in order for Desdemona to leave Othello and fall in love with Roderigo. The character of Iago wants to take vengeance against Othello because the character of Iago believes he is more capable for