The Absurd Hero Essay

On June 28, 1972, James Richardson awaiting the subway train which would take him to work. He was stopped and ordered to “put up your hands, and get against the wall”. These directions were given by an off duty Transit Authority patrolman named John Skagen. Skagen’s actions seem unprovoked and unnecessary. After a short tussle the two men exchanged shots and Richardson fled the scene on foot. Two other officers that were on the main street above the subway station were made aware of what was transpiring below and rushed to the scene. As they approached the entrance of the station, Richardson who was fleeing the scene ran directly into one of the

In the movie “Divergent” directed by Neil Burger, the central character Beatrice, shows many different characteristics of being an anti-hero. Beatrice Prior otherwise known as Tris is the main protagonist character and the narrator of the film. She is a strong willed 16 year old who lives in a society divided into groups called factions, based on individual human virtues. With her coming of age, she must now choose one of the factions to live in for the rest of her life, Abnegation (selfless), Erudite (intelligent), Candor (honest), Amity (peaceful) or Dauntless (brave). The definition of an anti-hero would be the main or central character in a story, movie or play who does not

There is no doubt that the popularity of the anti-hero as we know it has increased in recent times. With unlikely, yet popular moral gray protagonists like Jack Bauer, Dexter, and Gregory House leading some of the most popular TV shows and characters like James Bond, Lisbeth Salander, Tyler Durden (from Fight Club), and Jack Sparrow being some of the most memorable in movies, it is not surprising that there has been an increased interest to understand what causes this characters to be so popular (Peter Jonason in et al., 193). What is it that makes them as likeable, if not more, than a normal hero? How come we relate to characters that perform actions that, if done in real life, would cause us to see them in a whole different light?

Superman, Wonder Woman, Spiderman—what do all these characters have in common? They are all products of the human aspiration to be saved. The word hero is passed around too much these days. A hero is not a football player that scores the game-winning touchdown or the goaltender who saves his team from a loss. A hero is usually an ordinary person that did extraordinary things. A true hero is really never a hero at all; at least not in their own mind. However, there are various cases today in which we see the exact opposites of these characters, the anti-heroes. The anti-hero is one who cannot be classified as a hero, for that said character lacks natural heroic qualities. However, the anti-hero cannot be described as a villain either.

The Guest is a short story written by Albert Camus and first published as a part of the collection Exile and the Kingdom in 1957. The main character of the story is a teacher in a remote school Daru. The man was alone because of the snowfall, until gendarme Balducci with the apprehended Arabic person appeared. Daru was asked to take prisoner to a nearby town Tinguit where he would be tried for relative’s murder. The teacher did not want to take part in these events, but Balducci still left Arab in the school. Daru did not treat the man like a prisoner. In the morning he took Arab outside, gave him money with food, explained how to reach Tinguit or nomads and gave him an opportunity to choose his own fate. The teacher

Albert Camus in The Stranger demonstrates how in French-occupied Algeria, Meursault, a French colonist, is on trial for his inconsiderate behavior in regards to his mother’s death, rather than being convicted for the murder of an Arab man. Over the course of the novel, Camus illustrates how this French-colonized society frequently takes advantage of Arabs, explicitly making note of the embedded racism during 1830 to 1962. In doing so, he makes apparent the demeaning attitudes towards Arabs; whereas Meursault does not undergo any reciprocated aggression for the crime he commits, alternatively being treated as a free man. As he internally becomes accountable for his actions, Camus insinuates how the white population is not aware of the present racial inequality until put in situations similar to those oppressed.

A possible theme for Oedipus the King by Sophocles is that one’s blindness can hide the inevitability that is his destiny. Oedipus is in this situation. He struggles to escape his fate: killing his father and marrying his mother and believes he is successful. Sophocles believes that the gpds control one’s destiny and the inevitability that a person will do what is destined despite there hero’s intentions.Oedipus represent the standards of a true tragic hero: he is well known, basically good, his punishment is out of proportion compared to his crime, the audience at some point feels sorrow and pity for him, and Oedipus has a tragic flaw. During the whole story Oedipus thinks that he may be able to change his fate a live life how he wants but he falls to that which is his destiny.For these reason Oedipus is truly an example of a tragic hero and is unable to avoid his tragic fate.

By refusing to follow Balducci's orders Daru conveys his desire to pursue his own path and desires. Daru lives in a place where "nothing had any connection with man" (Camus 2314.) This implies that he has no connection with man as well and that he is as removed from society as his cold and hard environment. Daru also feels "unmixed joy...that he would be alone" (Camus 2316.) The fact that Daru feels joy and pleasure at the thought of being alone or "separate from other people or things" indicates Daru's pleasure at alienation. Daru shows his estrangement as integrated members of society do not usually want to be alone. Daru also refuses to follow orders regardless of where they come from. Instead he opts to follow his own wishes and ideals. For example, Daru states that "I won't hand [the Arab] over" (Camus 2315.) He repeats this many times. By not following those orders Daru distinguishes and separates himself from the rest of society as it is expected of people to follow orders. For example, Balducci’s strong belief in following orders causes him to come to Daru: “I have an order to deliver the prisoner and I’m doing so” (Camus 2316.) Daru also says that he will "wait for the declaration of war" (Camus 2314) before acting on anyone's orders. This indicates Daru's desire to follow is own ideals, pursue what he believes is right or

In many, a tragedy do the tragic heroes have flaws that lead themselves to their own demise. The main character always acts exactly on his or her own emotions; thus aiding their tragic flaw and leading to their own demise without giving them the time to stop the repercussions of their emotion driven actions. In the play “Antigone” by Sophocles many of the characters are simply too headstrong and passionate about their beliefs to realize that they would greatly regret the decisions they are making. All of the characters share this characteristic; it is alluded to in the play that this is caused by their blood relation to Oedipus and how they are too cursed.

Fyodor Dostoyevsky’s Notes from the Underground (1864/2008) comes across as a diary penned by a self-described “spiteful” and “unattractive” anonymous narrator (p. 7). The narrator’s own self-loathing characterized by self-alienation is so obvious, that he is often referred to by critics as the Underground Man (Frank 1961, p. 1). Yet this Underground Man is the central character of Dostoyevsky’s novel and represents a subversion of the typical courageous hero. In this regard, the Underground man is an anti-hero, since as a protagonist he not only challenges the typical literary version of a hero, but also challenges conventional thinking (Brombert 1999, p. 1).

He is the source behind the main issues of the plot and some major points maybe cleared by observing his actions and nature. The tragic hero is always larger than life, a person of action whose decisions determine the fate of others. He is a man who is superior then the average person, a character of noble stature and greatness. Though the tragic hero is pre-eminently great, he is not perfect. Otherwise, the audience would be unable to identify with him and his tragedy. His imperfection is what invokes pity and fear in the audience. Another characteristic of a tragic hero is the fact that he is trigger by some error of judgment or character flaw. The

Life is often interpreted by many as having meaning or purpose. For people who are like Meursault, the anti-hero protagonist of Albert Camus' The Stranger, written in 1942, the world is completely without either. Camus' story explores the world through the eyes of Meursault, who is quite literally a stranger to society in his indifference to meaning, values, and morals. In this novel, this protagonist lives on through life with this indifference, and is prosecuted and sentenced to die for it. Through Meursault and his ventures in The Stranger, Camus expresses to the reader the idea that the world is fundamentally absurd, but that people will react to absurdity by attaching meaning to it in vain, despite the fact that the world, like

What is heroism? Things preformed Superman, Batman, or The Flash? This is what most people think about when they hear the word hero or heroism. Although these characters show heroism, the definition of heroism does not have to be narrowed to the stereotypical hero. Many people have different concepts on heroism. A hero can be a ordinary person like a firefighter or cop. Heroism is a attribute that a person can obtain but they have to choose actions that help others like a fearless firefighter or cop helping others. Heroism also does not call for a reward for being heroic. Heroism is a quality or an act in all of us that a person uses to benefit for the good of other people even if there is a risk.

What is a hero? In my view a hero is someone that you admire. You may

Widely recognized for philosophical writings as a French essayist and playwright, Albert Camus is a major contributor to exploring the absurd in modern Western literature. Characterized by highlighting the human condition, Camus’ writing style focuses on the everyday lives and inner psyche of individuals in both ordinary and extraordinary circumstances. Such a character-driven writing style is most notably displayed in his 1946 work, The Stranger, a tale of an emotionally-detached man known as Meursault, who lives in French-colonized Algiers during the intermission of the two World Wars. Consisting of two parts—The Stranger first explores his daily life as a free man, and in the second, delves more into the character’s own philosophy as Meursault contemplates during his remaining time in jail. At its core, the story explores the relationships and interactions of the odd Meursault through the character’s inner monologue and dialogue with those around him. The story itself is very ambiguous in its’ nature, and the idea of contemplating the meaning of life and purpose is prevalent throughout The Stranger. Evidently, Camus writes Meursault as a man who believes that life has no meaning, and therefore people are free to do as they please. To supplement the protagonist’s view, the author also presents Meursault alongside various personalities of key supporting characters, each with their own unique personality, and differing outlooks on life. Doing so thus enables Camus to get readers to contemplate about meaning through multiple perspectives. Stylistically, through many devices that emphasize diction, imagery, and story themes. Ultimately, The Stranger is a way for Camus to convey that there are multiple ways to perceive the meaning of life, using Meursault to directly project a different view than what readers are used to. Surely, with the intent of crafting a protagonist so strange, that Meursault becomes comparable to other characters; less so as a reflection of what the author personally believes the meaning of life is, but more of what such exploration of the idea could be.