The Absurdity Of Venus By William Shakespeare

This male desire is given devious and egotistic connotations, because it overcomes reason, and becomes preoccupied with Stella's body. Stella, on the other hand, is personified Love and 'Virtue but that body grant to us' (AS, sonnet 52.14). However, Astrophil remains lustful, and when he is denied her body, he views her as 'too too cruel' (AS, sonnet 2.3-4), and becomes resentful.

True love is selfless. It is prepared to sacrifice. This is the dominant theme in Shakespeare 's The Tragedy of Romeo & Juliet, a play is about two rival noble families from Verona, the Capulets and Montagues. Indeed, the two families have such an ongoing hatred for each other that they are constantly feuding violently without end. Having had enough, Prince Escalus, the Prince of Verona, one day decrees the penalty of death to be upon the person who disrupts the peace again. It is against this vicious backdrop that Shakespeare by contrast, accentuates love in Romeo and Juliet. Three different types of love are depicted: the infatuation of Romeo, the son and heir of Montague, with a woman named Rosaline; the arranged love between Juliet, the daughter of Capulet, and Paris, a kinsman of Prince Escalus, whom Juliet’s parents have chosen to be her suitor; and ultimately, the true love between Romeo and Juliet, whose families are each other’s worst and greatest enemies.

In William Shakespeare’s, Romeo and Juliet, there are numerous of dramatic purposes that the characters serve in the building of the story. One major character that stands out is Friar Laurence who is a wise and holy man respected by everyone in Verona. However, you should not let that presentation of him fool you. There are a variety of times Friar Laurence has committed sins of dishonesty and deception. The few but many dramatic purposes Friar Laurence has in Romeo and Juliet include: being a mastermind with medicine, peacemaker, and the main reason for Romeo and Juliet’s death.

Insanity, a theme explored by multiple authors in countless classic selections, has instilled itself as one of the darkest and interesting themes in the literary world. In Shakespeare’s legendary Hamlet, the audience questions the sanity of Hamlet and Ophelia constantly, as well as that of the other characters. As the story progresses, this becomes more and more relevant, bringing the reader to consider the causes and effects of the characters’ mental states on the resolution of the literary work.

Teens in the stage of growing up needs the trust and support from their family and friends to be able to survive in this world. Most teens are like puppets who become the person that their parents want them to be, but as they mature into adults, they have their own desires and ways of thinking, which enable them to break free from the puppet control and become who they really are. In the play Romeo and Juliet, by William Shakespeare, the playwright used the Nurse, Lord Capulet, and Friar Lawrence to show how taming the wills of the teens and forcing their wishes upon them could turn the play Romeo and Juliet into a tragic love story.

William Shakespeare’s play, The Tragedy of Othello: The Moor of Venice presents a man who is undone by his own insecurities, as well as strong female characters who lead to the downfall of the men. The character of Othello allows others to control how he feels and this leads to a tragedy that could have been prevented. The source of this tragedy comes from within himself. His character is completely wrapped up in his wife Desdemona’s character and interestingly enough, as soon as her character starts to decline from the words of Iago, so does Othello’s. Unable to stand on his own, Othello is more concerned with outwardly appearances than Desdemona. He puts more pressure on her, than he does himself in regards to his character and how he

Some people may not consider that fate is something that truly occurs in the world. Others believe that each event is prearranged and set out before them like a roadmap to life; in other words, fate. The faith stems from a common belief from William Shakespeare's time that the points of the stars determined someone's fortune. Shakespeare's play, Romeo and Juliet, depicts fate as an exceptionally vital force. Because of fate, the play becomes immensely thrilling and it is exactly what manages the two young lovers to encounter one another in the first place. The instant that Romeo and Juliet meet is the exact incident that leads to their death, however oblivious these "star-crossed lovers" remain to that detail. Therefore, fate is undeniably the most controlling influence for the couple's distressing calamity.

In Friar Laurence’s soliloquy duality is present in almost the whole passage. It helps show the development of the foreshadowing of both Romeo and Juliet’s fate of their death. Mostly the duality shown is light vs. dark and good vs. evil duality, but other smaller hints of other duality themes are shown as well. Through these additions to the test, Shakespeare is able to better portray the development of themes in the following scenes. This passage contains a large amount of symbolism and imagery as well, constantly referring to the herbs and plants as Friar is looking in the field. But while there are two different duality examples, they are connected by how they both represent the overall good and bad present in the novel. This duality connects to the particular theme of the inevitability of fate. While fate is not always a bad thing, Friar Laurence sets it up as seemingly bad and almost evil, “And where the worser is predominant,” (II.iii.29) He remarks earlier in that passage as well that nothing cannot be put to both good and bad uses, so he overall is saying that the fate at the moment is seemingly evil, but that Romeo and Juliet can turn the situation around to make it look better than it does. Going back the line about how the bad usually takes control, in the way that the two lovers are handling the situation, they only see it as bad and not the good that it has the ability to be.

The renowned play of Othello was written by William Shakespeare in the 17th century. The drama follows the life of Othello, a well-respected and admired Venetian general, and the lie he gets tangled up in. Othello is deceived by his “trustworthy” friend, Iago, who confidently convinces Othello that his honest wife, Desdemona, committed infidelity upon him with his honorable lieutenant, Cassio. At the start, Othello doesn’t quite believe Iago because he knew his wife would never do such a thing. Although, as the play progresses so does Othello’s trust in Iago. The audience is able to witness Othello’s mental deterioration and Iago’s personal motive for the deception. Towards the end of the tragic play Othello confronts his wife and mistakenly smothers her. Everything starts to fall into place, but not exactly the way Iago had in mind. Othello would be considered a tragic hero due to the fact that he had his entire life ahead of him, but it unfortunately falls apart because of his easy to manipulate personality, insecurities, and emotional vulnerabilities.

"What drawn and talk of peace? I hate the word as I hate heel and all

In The Tragedy of Romeo and Juliet, the unfortunate events, and ultimately the untimely deaths of the main characters are caused by the feuding of the Montagues and the Capulets. They are at fault because they are constantly fighting with each other both physically and verbally. The feud prevents Romeo from asking Juliet to marry him with their parent’s knowledge. Their parents’ fighting also encouraged Romeo and Juliet to do some pretty risky things so that they can still see each other!

William Shakespeare’s The Tempest refines his portrayal of nature from the earlier play A Midsummer Night’s Dream. In A Midsummer Night’s Dream, nature is shown to be mysterious presence that blurs the lines between reality and illusion; it is a magical force that is unreachable and incomprehensible for human beings. A Midsummer Night’s Dream gives nature a mischievous, playful, dreamlike feel because in this play nature interferes for the sake of love. The Tempest breaks down the barrier that divides human society and the natural world, a divide that is present in A Midsummer Night’s Dream, because nature’s presence and effects become more noticeable and it becomes a power that is within the reach of humans. In The Tempest nature isn’t

The Tragedy of Othello: The Moor of Venice is William Shakespeare’s play, written around sixteen hundreds. The Tragedy of Othello is not just a story of jealousy; this is a tragedy of the clash of two worlds. One of them is a world of absolute cynic, manipulate or Iago; the second world is the world of all the other characters in the tragedy, including, possibly, even Othello. Even though both of the main male characters, Iago and Othello, are murderers, they have different types of characters, cause different feelings and deserve different attitudes. Shakespeare makes it clear at once at the first appearance of Iago, that he is a villain with his philosophy. Philosophy is not crafty in its core as well as in its shape. “I follow him to serve my turn upon him” (I ,i, 42) – that is the remarkable thesis which Iago pursues consistently and without bare deviation from the course chosen once and for all (Michele 2007). Iago and Othello are different in terms of human nature and similar in terms of their insecurities. I believe that Iago and Othello are forced into situations because of their individual circumstances.

Venus’ relentless pursuit of the beautiful youth (Adonis), represents some of the most disturbing aspects of the relationship between adolescent boys and their schoolmasters . When Adonis resists Venus’s advances, claiming that he is too young to be physically involved with a woman, she responds by insisting that it is her duty to in-struct him in this part of life.

In regard to time and place in the absurd theatre, it is noted that these two elements have their peculiarities that go with the absurd actions. Just as time and place are fundamental elements of man’s existence, they are also fundamental elements in literature. The time and place of man’s living may contribute not only to his personality, but also to his values, attitudes, and even his problems. In literature, time and place can also influence characters’ development and actions. So narrative writing needs time and place to give the story context. The details of time and place reflect the characters’ inner thoughts and feelings and move the story plot forward. Time may be static in some stories and dynamic in others. Place is often used to refer to the social milieu in which the events of a work of art occur. In brief, the two elements of time and place are extremely important to any narrative. They can have immense effects on the plot and the characters. Furthermore, they can establish the atmosphere, or mood, of a story. Spatial and temporal relations are interconnected. Time and place in absurd theatre are almost different from traditional drama because they are usually ambiguous and not fixed. Both are not used in their logical and traditional form. Eugene Ionesco seems to summarise these relations in the absurd theatre: