The Adaptation of William Shakespeare's Romeo and Juliet for a Cinema Audience

When Juliet finds out that Tybalt has been killed and Romeo is in exile, for killing Tybalt, Juliet feels both passionate about Romeo and disappointed in both Romeo and herself, which reveal her inner struggle. In Act 3, Juliet’s Nurse comes back with this news that Tybalt is dead and that Romeo is such an awful person for killing him. Juliet fights back at the Nurse, and herself, for speaking bad about Romeo. She claims, ““Shall I speak ill of him that is my husband? Ah, poor my lord, what tongue shall smooth thy name, When I, thy three hours' wife, have mangled it? But wherefore, villain, didst thou kill my cousin? That villain cousin would have killed my husband.” (3.2.99-101). This shows that Juliet is passionate about Romeo, because first of all, she says that she was wrong to say bad things about her husband.

Lots of music, fast cuts, fantastic cinematography and superb sets and costumes make it the lively tale it was meant to be. These features also make the film somewhat cartoon-like with a lot of heightened realism. Don't expect to see British people prancing around in tights when you rent this one. Luhrmann creates a world where gun-toting youths sport Hawaiian shirts and beachfront brawls are an everyday event.

Audience Appeal in Romeo and Juliet Despite the fact that the play Romeo and Juliet was written several hundred years ago, explain how it continues to appeal to an audience today. Despite the fact that the play "Romeo and Juliet" was written several hundred years ago, explain how it continues to appeal to an audience today. Referring to the play how does Shakespeare creates tension for the audience?

Fate used Romeos fatal flaw of impetuousness in act 1 scene 4, Romeo reads out a guest list for a

Towards the end of this scene Juliet meets Romeo for the first time. When Romeo tells Juliet he loves her, she expresses her love towards him by

The 1996 film, Romeo and Juliet, is Baz Luhrmann’s interpretation of William Shakespeare’s play by the same name. This film is part of Baz Luhrmann’s Red Curtain Trilogy where Luhrmann uses a theatre motif in each, with poetry and language being the motif used in Romeo and Juliet. This play was originally written by William Shakespeare who was an English poet, playwright, actor and a man who is considered one of the greatest contributors to English literature as he invented over 1700 now common words and wrote some of the world’s most famous plays. Romeo and Juliet was written in 1595 so Luhrmann had to give the film a contemporary twist but keeps the original themes of forbidden love and young romance to appeal to a modern audience. In the

Ever wondered who produced a “Romeo and Juliet,” movie or play, other than Shakespeare himself? If you didn’t well it’s time you do. Franco Zeffirelli is both an Italian producer and director. Zeffirelli was born February 12, 1923 in Florence, Italy. Baz Luhrmann, another producer and director, also produced a movie of “Romeo and Juliet”. Luhrmann’s version took place in modern time, when the Zeffirelli version was closer to the plot of the book. This is why the Zeffirelli does an exceptional job in retelling the tragedy.

Romeo and Juliet is a timeless, classic love story written by the incomparable William Shakespeare. Many of Shakespeare’s works are considered literary classics, but none are more loved than Romeo and Juliet. This play masterfully tells the love story of two teenagers in Elizabethan England. The title characters Romeo and Juliet are members of two feuding families, Romeo is a Montague and Juliet is a Capulet. There are different stylistic ways of portraying Romeo and Juliet, and the two most popular film versions portray two very different styles of this one play. Zeferelli's Romeo and Juliet was made in the 1970s, and is the film version most commonly shown in high school classrooms. The newest film version of this play is Baz Luhrmanns

Of all the treasures in the world, true love is of the most valued. They say that when you are truly in love, the universe around you simply stops, and no one else matters except you and your love. Love has the mesmerizing beauty of a stunning red rose, but it also has spiteful thorns surrounding it. But between friends and family, love can quickly go from black and white to shades of grey and can become fatal and suspenseful.

of this is the marriage scene. In the marriage scene of the play, Romeo and

He goes into a very long speech about ‘Queen Mab’, how she gives them dreams about love and how her chariot is a hazelnut shell. The whole speech is filled with funny sentences and anecdotes. It gives Romeo and all of his friends a lighter mood before they attend the supper. Mercutio is important to this story because he has the ability to make everybody laugh no matter how dire the situation is. The numerous depressing events are lightened by his humor. Mercutio is also significant because of his amazing loyalty to Romeo. He is not related to Romeo in any way, but he acts like a big brother. He is quick to defend him when Tybalt (a Capulet) talks about Romeo in a negative way and calls him a villain in front of him. “O calm dishonourable, vile submission! Alla stoccata carries it away. (draws his sword) Tybalt, you ratcatcher, will you walk?”(Shakespeare 3.1.72-75). Tybalt says one word about Romeo and Mercutio is enraged, with his sword, ready to fight. He argues back at Tybalt, saying his words are vile, which he feels very strongly about because he ready to kill him. He realizes that Romeo keeps protesting and doesn't want

exact to what we read in the book. Romeo sees what he perceives to be

was the first film of Romeo and Juliet. It was produced in 1968 and it

be but a short one as it is destined to end in tragedy. Also there is

Two households, both alike in dignity, in fair Verona, where we lay our scene, from ancient grudge break to new mutiny, where civil blood makes civil hands unclean. From forth the fatal loins of these two foes, a pair of star-crossed lovers take their life; whose misadventure piteous overthrows. Do with their death bury their parents' strife. The fearful passage of their death-marked love, And the continuance of their parents' rage, Which, but their children's end, nought could remove, Is now the two hours' traffic of our stage; The which if you with patient ears attend, What here shall miss, our toil shall strive to mend.