The Adoration Of Shepherds

          The first similarity is that elderly That job has very little honor in this community. “Three years, Three births and that’s all. After that they are Laborers for the rest of their adult lives, until the day that they enter the House of the Old… The Birthmothers never even get to see new children” (p. 22). Today, some women decide to become surrogate mothers of other women’s babies because of several reasons, such as sympathy for the couples who cannot have children of their own or financial reason. However, to carry other women’s children gives surrogate moms great senses of responsibility. They writhe in not only soreness of body, but also agony of mentality. The psychological pain by giving their babies to other women is greater than that of body. Thus, some surrogate mothers refuse to give up their babies sometimes.

They teach their fetuses about abundances, scarcity, safety, and harm. Annie argued that learning is an essential quality of life that begins way before we can imagine. It is important to understand the way mothers contribute to the learning of the fetus before they’re even

1. The Christ as the Good Shepherd mosaic located on the entrance wall of the Mausoleum of Galla Placidia in Ravenna, Italy was made circa 425 AD. A mausoleum is a monumental tomb, usually meant for entombing the dead above ground. The mosaic is displayed in a lunette-a semi-circular wall of a vaulted room. Even though the image of Christ as the Good Shepherd was a common one in catacombs in previous centuries, the way that Christ was shown in art had changed since Christianity had been adopted as Rome's official religion and the image of Christ in the Mausoleum of Galla Placidia was no different. Previously Christ had been shown as a simple carpenter, but in the Christ as the Good Shepherd mosaic he is shown in a fine Roman wear. At the time, Greeks thought that they could create order within their environments and thus create statues that were "perfect." This is what they believed they were doing with the way Christ was shown in the mosaic at the Mausoleum of Galla Placidia; creating a more worldly, powerful image of Christ. Christ is shown with a large golden nimbus (halo), a royal purple mangle over a golden tunic and holding a tall cross. Also depicted in the mosaic at the Mausoleum of Galla Placidia is a set of three sheep on each side of Christ, with him touching one on the nose.

‘Babies’ is a documentary film which chronicles the first year of life of four babies spanning the globe. Documentarian Thomas Balmès fans out to the grasslands of Namibia, the plains of Mongolia, the high rises of Tokyo and the busy streets of San Francisco in a study of culture, societal structure, geography and tradition, along with parental love and the impact all these elements have on child rearing. In the hunting and gathering society of Namibia and pastoral Mongolia, Balmès follows Ponijao and Bayar and in postindustrial Tokyo and San Francisco we are introduced to Mari and Hattie. While the 1:18 film has no real dialogue, viewers are able to get a distinct feel for each baby’s personality, the role they play within the family

While visiting Alto do Cruzeiro in 1965, Hughes noticed women were indifferent concerning the death of their children. Infants born dead or “waiting to die” is a common occurrence in Alto do Cruzeiro. The women of the community became use to experiencing these tragedies and decided it would be easier to cooperate with Gods plan. If an infant is born “waiting to die”, the mother will usually leave the child to die. Having this kind of attitude towards dying infants has a powerful impact on maternal thinking and practice. Already knowing that an infant will not survive makes the women less loving and nurturing. When an infant actually survives, the mother has a difficult time raising the child. Children born in this area “lack traditional breast feeding, subsistence gardens, stable marriages, and multiple adult care-takers that exists in the interior.” Since single parenting is the norm, woman are forced to leave the infant at home, many times by itself. The women cannot carry their child with them at work or by the river. They can not leave their child with the older children because if they are not in school they are working as well. Also, since women earn a dollor and day, they can not afford to hire a baby

Iconography of the Good Shepherd: A Formal Analysis This paper will analyze the iconography of the mosaic, Good Shepherd (lunette, Oratory of Galla Placidia, c. 425-26, Ravenna, Italy), that is located on the lunette over the north doorway of the Mausoleum of Galla Placidia, Ravenna. The iconography has been one of the most recognized and admired works of art since the 3rd century AD. In the mosaic, the artists present a depiction of Christ symbolic and traditional of Byzantine art during the conversion of Christianity in Roman provinces.

Paolo de Matteis’s esteemed work The Adoration of the Shepherds is a large painting, depicting a classic Christian Nativity scene, that is displayed in the Dallas Museum of Art. In the piece, a dozen or so individuals surround the newborn Christ and his parents, gazing at him in admiration and paying him homage while animals look serenely on and angels assemble around the heads of the Holy Family. The artist employs several classic artistic elements in his painting, such as line, light, color, and shape, to draw the viewer’s focus directly to his intended point of emphasis, the infant Jesus.

This “preview” to the overall bigger picture that the story is trying to tell demonstrates the power of abortion and the ripple effects that it can have. The authors utilize ethos, pathos, and logos in this example. The purpose of this portion of the chapter is to “preview” the main idea of the chapter, even if the reader does not know it yet. The author’s also use a historical example to help establish precedent and to help establish credibility for themselves – a prime example of ethos. The emotional appeal in this portion of the chapter is certainly present; one cannot help but feel for the parents and children living under the harsh conditions of Ceausecu’s regime. Whether or not the reader knows it at the time, this “preview” section is used to establish the main idea of the entire chapter in a unique way.

The essence of the relationship between a mother and child is a mutual ascendency in regards to identity. Children are subject to an instinctive longing for a mother. It is the mother’s influence that guides them in their process of discovering all the realities the world posses and in that

In Meredith Small’s article Our Babies, Ourselves she focuses on people’s social and psychological development through examining the different cultural aspects of raising a child. During this process she compares the American perspective of treating babies, to those of the Gusii and the Dutch. Throughout her examination many points are made that I believe can give the reader’s a valuable understanding of the impact of different means of parenthood on a child’s future development.

After a few of these vain attempts to convince the man to consider having the baby, she implores him to "Please. please please please please please please stop talking" (272). The author uses her avoidance of confrontation and denial of self-expression to assure the reader that the girl?s weak and dependent nature prevents her from verbally expressing her point of view. Even the use of character terms?the man and the girl?reinforces this effect.

“The Adoration of the Shepard’s” shows the shepherds gather around the manger where the baby lays. This representation of this scene has stood the test of time in art, but to portray the shepherds kneeling in admiration became much more common during the Counter Reformation, and mainly after the Council of Trent. This preserved Catholic teaching in the mid-16th century. Modernism such as the display of the blessings on the altar for 40 hours of worship encouraged the faithful to meditate on the extraordinary principle that the Son of God became man. The shepherds were the poorest of all man in that time period and yet it was they, and not the Magi who were chosen to be the first human to see Christ as man.

In Gender Role Behaviors and Attitudes, Aaron Devor sheds light on this stereotype: Feminine characteristics are thought to be intrinsic to the female facility for childbirth and breast-feeding. Hence, it is popularly believed that the social position of females is biologically mandated to be intertwined with the care of children and a 'natural' dependency on men for the maintenance of mother-child units."

The Adoration of the Shepherds was painted by Francesco Fontebasso in the mid-18th century. Francesco Fontebasso (4 October 1707 – 31 May 1769) was an Italian painter of the late-Baroque period of Venice. He first apprenticed with Sebastiano Ricci, but was strongly influenced by his contemporary, Giovanni Battista Tiepolo. In 1761, Fontebasso visited Saint Petersburg and produced ceiling paintings and decorations for the Winter Palace. Fontebasso Painting ‘The Adoration of the Shepherds’ depicts Marry holding the Christ Child as he lay on a bed of straw, one old man kneeling with hands clasped at right and the other two men standing admiring the child Christ, a woman behind with a basket and two putti Pen and Angles hovering over them.

Scheper-Hughes provides a controversial breakdown of the mothers' evident lack of concern to the death of their babies as not a repression of grief, but as a plan for endurance. The mothers, by allowing themselves to form attachment to only the babies who have already verified their capability to survive by doing so during early infancy, these women can increase the existence odds of their strongest children. Modern ideas about "mother love," and about mother-infant bonding as a naturally occurring process that in general occurs in the first few moments of a baby's life, are the cultural result of the statistical differences which allows women to give birth to just a few children, each of which she may be expecting to raise to adulthood.