The Aeneid : The National Renaissance Of Rome

While the ending of The Aeneid might be seen to have multiple significances, I believe that Virgil ended the poem the way he did to make a statement about the use of power to achieve dominance and rulership: namely, that a lust for nothing but power will ultimately consume. The poem ends with Turnus and Aeneas facing each other one-on-one on the battlefield. However, it should be noted that there are fundamental differences between the philosophies of the two combatants which should first be grasped to fully understand the significance of Aeneas’s actions in ending the war. Before the battle between Aeneas and Turnus begins, the reader gets a glimpse of Turnus’s philosophy regarding the stakes of the battle. “Either I’ll send, with my hand, this deserter of Asia, this Dardan, / Down to the Pit of the Damned—and the Latins can sit down and watch while / My lone sword is refuting the charge of dishonor we all share; / Or you [Latinus] must share my defeat. And Lavinia must go as this man’s wife.” (12.14-17) Turnus believes that in war, there is no possible outcome but for one leader and his entire army to be wiped out in the other side’s pursuit of honor and glory. Aeneas’s views on the battle are displayed earlier in the poem, when he journeys down into the underworld and is instructed in Trojan battle philosophy by his deceased father Anchises. “You, who are Roman, recall how to govern mankind with your power. / That will be your special ‘Arts’: the enforcement of peace as

The Aeneid, the famous epic poem written by Virgil, depicts the struggle of establishing an empire. The beginning of The Aeneid introduces Aeneas, son of the goddess Venus, whose fate is to find a new home in Italy after the fall of Troy. Throughout the perilous journey, Aeneas faces great obstacles as he strives to fulfill his prophecy and gradually transform into the ideal Virgilian hero. To emphasize his growth, I will discuss three themes in this essay: the extent of free will as it relates to fate, the influence of divine beings on mortals, and the principles of morality. All of these ideas serve as an understanding as to why Aeneas is unable to act on his own accord. This leads me to defend the view that humans require the positive guidance of a mentor figure to resist their self-indulgence.

The ideal virtue in Roman culture was piety, also known as pietas. Pietas had three components: duty to your country, duty to your family, and duty to the gods. When a person followed these guidelines in Ancient Rome, they were considered to have piety. Throughout Aeneas’ journey, the three components to pietas are demonstrated by actions taken by Aeneas’ character. In the epic poem, The Aeneid, the idea of pietas is central to the epic, opposing the Greek ideal of furor, or passionate desire/senseless fury. In this essay, I will analyze the moments in the epic that demonstrate how Aeneas uses these three components of pietas, and how this epic celebrates the shift from Greek ideals to Roman ideals.

Aeneas, the central figure in the Aeneid, personifies the Roman value of pietas. Pietas is one’s “respect for the gods, and dedication to both one’s family and community” (Lecture 10/20/17). Therefore, Aeneas starts the Aeneid very much unlike the traditional Homeric hero and as a consequence, unlike Achilles. In fact, the Aeneas closely resembles the Trojan prince Hector, the defender of Troy in the Iliad. He characterizes each of the qualities of pietas in his escape from Troy. During his escape, he states “take into your hands, Father, the sacred gods / of our country” because “it would be a sacrilege” if Aeneas had with his bloodied hands (Aen. 2.844 - 845) Aeneas is

That is, Poseidon avidly pursued Odysseus, throughout his journey back to Ithaca, as he had blinded his son, Polyphemus; for example, in Book 5, he creates a storm and shipwrecks Odysseus. Likewise, Juno persuades Aeolus, king of the winds, to create a storm that is consequently stopped by Neptune: A howling gust from due north took the sail aback and lifted wavetops to heaven.[3] These two comparisons of Juno with Hera and Poseidon, depict the Virgilian goddess as being hateful, resentful and vengeful. The fact that Virgil links Juno with the Homeric gods also gives her character an element of seriousness and austerity.

In book eleven, Virgil stresses the protagonist’s views on unnecessary violence when Latin envoys are sent to Aeneas to beg for a truce so they may collect their dead to which Aeneas replies “I would wish for those that were killed to have left this battle alive and I would wish not to have come here, if the fates had not given me this place and this home. Nor do I wage war with this race. It was the King who abandoned our friendship and trusted more in the weapons of Turnus” . Here we can see clearly that Aeneas was reluctantly forced into this war, not necessarily by the Latins but rather by the fates. It is possible that Virgil wished to communicate his own opinions on war to his audience in a subtle and stylistic manner by using Aeneas as his mouthpiece. Aeneas is the hero who we have all grown to love by this point in the epic and so expressing ideas via him would be the best approach as they will be more easily accepted when suggested by a well liked character. This technique could also allow Virgil to convey his personal thoughts in such a way that it would still be in keeping with the rest of the story. Virgil further suggests that an intense desire for combat is unhealthy and not particularly admirable by portraying Turnus, the enemy, as the embodiment of such a characteristic. After being manipulated by Allecto, Virgil states that the “love of the sword raged

The Roman epic of Virgil's Aeneid describes the hardship and misadventures of Aeneas and the Trojans quest from Troy to Italy. Like Homer’s famous epics, the Iliad and Odyssey, Virgil’s narrative style and structure portrays similar attributes in the finding of Rome. Aeneas encounters several women on his journey who play a significant role throughout this epic in assisting or destroying his journey to Rome. His representation of female characters provides the readers with a better understanding of gender politics and reasons why some female leaders failed. Each of Virgil's female characters demonstrates a combination of traits throughout the epic; however, such behaviors of these women tend to develop unwanted conflict due to emotions.

Rome was experiencing a great deal of internal turmoil during the period when Virgil wrote the Aeneid. There was somewhat of an identity crisis in Rome as it had no definitive leader, or history. With the ascension of Augustus to the throne, Rome was unified again. Still, it had no great book. The Greeks had their Odyssey, giving them a sense of history and of continuity through time. A commonly held view is that the Aeneid attempts to provide the Romans with this sense of continuity or roots. There is a great deal of textual evidence to support this interpretation. Virgil makes numerous references to the greatness of Rome through "ancient" prophecies. Clearly, the entire poem is an account of

Before Augustus came to power, Civil war had ravished the basic principle of the Roman people. Piety, the warning to “fulfil our duties towards our country, our parents, or others connected with us by ties of blood” was undermined by faction. The duty towards country, parents and relatives was less of a bond because faction determined duty rather that Pietas. Thus Rome, a city founded in pietas, was that foundational principle. internal faction undermined the principles of pietas and corrupted its role in the city. Rome needed a moral reform towards pietas; Rome needed a refocus on the roots of the empire, its duty towards its ancestors, and unity based in pietas. Commissioned by Augustus, Virgil constructs the Aeneid so that it portrays the cruciality of pietas by redefining Greek epic heroism to include pietas. Each comparason of aeneas to another greek hero emphasises the pietas within him, showing how he is better because of it and combining the heroism of all the Greek heroes into Aeneas. By doing this, virgil shows that to unify Rome through pietas is to harness Rome’s power. Thus, Virgil reveals to the Romans a virtue which allows the individual Roman citizen embody and partake in the glory of Rome.

In Virgil’s poem, The Aeneid, the ideal Roman hero is depicted in the form of Aeneas. Not only does Aeneas represent the Roman hero, but he also represents what every Roman citizen is called to be. Each Roman citizen must posses two major virtues, he must remain pious, and he must remain loyal to the Roman race. In the poem, Aeneas encompasses both of these virtues, and must deal with both the rewards and costs of them.

The Aeneid, written by Virgil, was written in Rome between 30 and 19 B.C. Virgil wrote many of his writings during the time of Octavian, the estranged nephew to Caeser. During the beginning of the times of Octavian and the time of these writings Rome was in a state of civil war, which later turned into the most peaceful place in the world. Many people were torn from their homes and new boundaries were created. It is important to know the culture and gender roles of the people, the person in power, and the system of government in place at the time of the writing.

Aeneas is the leader on the trojans as they are on this journey to Italy to begin a new life after the Trojan War in Troy, so he has all the duties of a leader. “So ran the speech. Burden and sick at heart, He feigned hope in his look…” (1.284-285) “Aeneas, more than any, secretly Mourned them all- …” (1.300-301) In Aeneas’s mind, since he is the leader, he has to stay strong through it all.

When people read the Aeneid, “propaganda” is not likely the first word they think of. Yet while the political messages of an epic like the Odyessey can be debated, there is no doubt that propaganda was among the driving forces behind the writing of Virgil’s the Aeneid. There are examples throughout the text, from start to finish, that show clearly the role politics played in its creation. Virgil acts a prophet, in a way, as he describes the glory of Rome that happens before the writing of this Roman epic but after the events within it. Augustus, specifically and not surprisingly, gets some of the highest praise from Virgil. Politics plays no small role in the Aeneid, and in fact it would be rather difficult to miss.

Homer used pride as the tragic flaw that Achilles learned to overcome, whereas Virgil used a sense of duty as Aeneas’s tragic flaw. Homer portrayed Achilles as arrogant because he allowed his men to fight a battle he knew they could not win without him. Achilles asked his mother for Zeus to favor the Trojans so that he could regain the honor that he felt Agamemnon stripped away. Aeneas’s tragic flaw unlike Achilles was his sense of duty, which in turn he encountered pitfalls during his escape from Troy. Achilles battled for personal glory and his own honor as a warrior whereas Aeneas spent his time attempting to fulfill his mission, which forced him to invade and conquer, a duty given to him by the gods. “Virgil unites and conjoins all the virtues in the formation of his hero: He gives him religion towards the gods, piety towards his country, tenderness and friendship towards his relations, and equity and justice towards all” (Rapin). On the contrary, Homer magnified the tragic flaw in Achilles, which cost him his sanity because he became obsessive with revenge. Although Aeneas’s flaw appears minor in comparison to Achilles, it led him to be an instrument of gods, which in turn destroyed innocent lives. Mercury appeared to Aeneas to remind him of his mission and told him, “Oblivious of your own world, your own kingdom…He [Zeus] and no other sent me to you…Think of the

The idea of a national hero representing a group of people is by no means a new or original concept as almost every city-state and civilization to have existed right up until present day society has done this to some degree. To the Romans, this character, or hero as some would say, was none other than Aeneas, from the Roman poet Virgil’s epic, The Aeneid. Despite the fact that the work itself is entirely fictional and semi-based off of the famous Greek epic The Iliad by Homer, Aeneas is credited with being a key icon in the Roman Empire, in the sense that he is often viewed as a valiant and stoic leader who became the founder of Rome, helping in legitimizing the Julio-Caesarean line. There are however, many issues with the depiction of the character Aeneas, as a “hero” especially in Books I, II, and IV, which will be discussed in this essay. Overall, Aeneas is not a true hero or dignified leader, due to the exceedingly crucial facts that he had little to no say in his fate, the Olympians were controlling a large portion of his circumstances, forcing him in a sense to play the “hero” role, and at no point in the Aeneid does Aeneas try to openly defy or question his fate, even when his actions if carried out in compliance with “fate”, have potentially harmful consequences that directly affect the people around him in a negative manner.