The African American's Struggle Throughout History's Influence on "Beloved"

Toni Morrison’s main purpose of animal imagery throughout Beloved is to more deeply connect the underlying question of self-identity that African Americans experienced as a result of slavery. This question specifically relates from the widely accepted subhuman treatment of African Americans in the South even years following the emancipation of slavery, and it provides a deeper understanding of the brutal dispositions of white slaveowners. Characters in Beloved, including Sethe, Stamp Paid, and Paul D, who have directly experienced this type of animalistic dehumanization as former slaves find themselves frequently question their own fundamental self worth and identity. Through constant abuse and antagonization, these slaves unavoidably accept themselves as subordinate to animals. This sentiment derives from several instances throughout the novel where these characters directly confronted with comparisons to animals as a result of this sub humane treatment by former slave owners. Toni Morrison uses animal imagery to more effectively emphasize the relation between the brutal and dehumanizing experiences in the South with the actual barbaric dispositions of white slave owners.

Hughes uses powerful imagery as he describes the most ostracized groups in American society from which this voice derives: the poor white man “fooled and pushed apart”, the black man “bearing slavery’s scars”, the red man “driven from his land”, and the immigrant “clutching” onto hope. He uses stirring metaphors, “slavery’s scars”, to relay the image of suffering experienced by these forgotten

Toni Morrison’s Beloved tells the story of ex slaves struggling to define themselves in their now free life. However, their traumatic experiences with slavery have left the characters cracked; they have been damaged to the point where they are only fragments of a true free person. The corruptive nature of slavery shines through these cracks in the characters, highlighting the fact that their experiences with slavery continue to fragment their personalities despite being free. This begs the question: can ex slaves truly be as “free” as a person who was never a slave? As shown by the ex slaves’ struggle to define themselves, Morrison argues that, compared to a free man, the ex slaves can never be truly free.

Barbara Schapiro criticizes and discusses how the characters of Beloved struggle to claim their own psychological freedom after being physically freed of slavery and how it cannot be achieved in their societal situation as well as the infantile struggle. In slavery, the slaves were as valued as high as animals. They were not valued as humans, nor considered close to the white people. Schapiro discusses how “the words atrocity of slavery…is not physical death by psychic death” (Schapiro 195). Sethe, the main character, reflects on the terrible memory of her murdering her toddler

After reading Toni Morrison’s novel Beloved, I could not help but feel shocked and taken aback by the detailed picture of life she painted for slaves at the time in American history. The grotesque and twisted nature of life during the era of slavery in America is an opposite world from the politically correct world of 2016. Morrison did not hold back about the harsh realities of slavery. Based on a true story, Toni Morrison wrote Beloved about the life of Sethe, a slave and her family. Toni Morrison left no stone unturned when describing the impact slavery on had the life of slaves. She dove deeper than the surface level of simply elaborating on how terrible it is to be “owned” and forced to do manual labor. Morrison describes in detail, the horrors and profoundly negative impacts slavery had on family bonds, humanity of all people involved and the slaves sense of self even after they acquired their freedom.

In her novel Beloved, Toni Morrison spins an intricate web between names and numbers for the reader to unravel. The deep connection that lies between names and numbers is a direct correspondence to the identity and worth of black people during slavery. Beloved begins with the identity of the house which is characterized by a number. The house is given a temperament as if it is a living, breathing entity and yet it still referred to as a number. The significance of this is symbolic to the plight of the black slaves. Regarded as little above the common animal, slaves were defined by their selling price, essentially they were reduced to a number. Viewed as nonbeings they nevertheless feel and suffer their place in the south. The character Beloved is similar in this regard as well. All that defines her is an age and a name that remains unfluctuating through time. In an insufferable and cruel world, names and numbers play a critical role in understanding the identity of black existence in the South. To uncover the implications and nuances that names and numbers play will be instrumental to delving into the lives of black slaves. Beloved contains a vast amount of names and numbers and the connections between them deepen the novel and provide mammoth insight into understanding and interpreting Morrison’s work and purpose for juxtaposing such elaborate bonds between names and numbers.

Beloved’s cruelty leads to Paul D’s feel as though he has lost his identity as a person. Similarly to how slaves were

The atrocities of slavery know no bounds. Its devices leave lives ruined families pulled apart and countless people dead. Yet many looked away or accepted it as a necessary part of society, even claiming it was beneficial to all. The only way this logic works is if the slaves are seen as less than human, people who cannot be trusted to take care of themselves. In Toni Morrison’s Beloved the consequences of a lifetime of slavery are examined. Paul D and seethe, two former slaves have experienced the worst slavery has to offer. Under their original master, Mr. Garner the slaves were treated like humans. They were encouraged to think for themselves and make their own decisions. However, upon the death of Mr. Garner all of that changes. Under

The New York Times dated September 13, 1987, many of the events in this novel appear to parallel the themes of unimaginable brutality against slaves noted as well in The Underground Railroad. While both novels focus on slaves being indiscriminately hung from trees, burned beyond recognition, or raped, the physical violence in Beloved is taken to

Beloved is a novel by Toni Morrison based on slavery after the Civil War in the year 1873, and the hardships that come with being a slave. This story involves a runaway captive named Sethe, who commits a heinous crime to protect her child from the horrors of slavery. Through her traumas, Sethe runs from the past and tries to live a normal life. The theme of Toni Morrison’s story Beloved is how people cannot escape the past. Every character relates their hard comings to the past through setting, character development, and conflict.

In the book, Beloved, the author, Toni Morrison, writes about the memories of the past effecting the present. The masters of the slaves thought for the slaves and told them who to be. The slaves were treated like animals which resulted in an animal-like actions. Furthermore, the shaping of the slaves,by the masters, caused a psychological war within themselves during their transition into freedom. The beginning sections display how savage and lost a person can become due to the loss of their identity early on in their lives as slaves.

In Toni Morrison novel Beloved, she wrote, “Freeing yourself was one thing, claiming ownership of that freed self was another.” Which means that being free and claiming that freedom are two different things because when being freed they can still feel trapped. On the other hand, claiming that freedom means that they do not feel trapped and they actually found a way to claim their own freedom. The novel Beloved is about a former slave name Sethe and her past of being enslaved still haunts her even to the present day. However, it is not just only her who past haunts her, it is also the people who been freed from slavery. Even though slavery was abolished and they were freed, they did not know how to live comfortably and freely. Although

Beloved by Toni Morrison emphasizes the politics associated with the historical discourse of slavery and African American culture. Characters such as Denver, Beloved, Baby Suggs, and Halle provides the audience’s clues to the past of such discourse. The language communicates complex symbolism that comment’s on the philosophy of Aesthetics, racial segregation, the sublime, and African American scholarship. The symbolism of the text in Beloved broadcasts references to these philosophical debates in this quote:

The film Beloved was released in 1998 to mixed reviews. The movie, based on Toni Morrison's novel, tells a ghost story from an African American perspective. It takes place only a few years after the abolishment of slavery, with the traumatic scars still fresh and unable to be healed. In the film the protagonist, Sethe, is revisited by the ghost of the daughter she murdered eighteen years earlier. I shall argue that her daughter, Beloved, is the embodiment of the trauma of the African American experience of slavery. In order to support this claim, I will explain what constitutes historical trauma in film, how historical trauma is specifically represented

Despite enduring different struggles, men and women suffered from a similar mental state. In Beloved, we see the mental toll of slavery in Sethe and Paul D. During their times as slaves they were subject to brutal treatment by slave masters. They were constantly beaten and tortured with a multitude of gruesome tools. The abuse that they endured forced Paul D to “shut down a generous portion of his head, operating on the part that helped him walk, eat, sleep, sing”(49). Sethe also suffered mentally from the maltreatment of plantation owners. As a result of her years at Sweet Home, “her brain was not interested in the future. Loaded with the past and hungry for more, it left her no room to imagine, let alone plan for, the next day” (83). Sethe could not let go of the past due to the traumatic