The Age Of Light Art: Light Graffiti

A perfect example of the presence of artworks available for viewing is in graffiti. Graffiti is often a derogative term used to describe writing, drawing, or images placed on the surfaces of public buildings or areas. Although not considered fine art by many, as an expression of creativity and imagination, it falls under the category of artworks. What separates this form of artwork from those found in galleries is the atmosphere and environment that is attached to graffiti that cannot be replicated or found in art galleries. The raw nature of graffiti makes it appealing for viewers, however, the fact it is abundant in the urban environment justifies the idea that it can be viewed without the need for an art gallery.

Art. Art is “the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power.” (google). That’s kind of a lot. Basically, art is anything created as a product of human creativity and imagination to portray a message, trigger an emotion, or just, look good. That being said, what isn’t art? Anything, from the mona lisa to the projects sitting around this room were made by human imagination and creativity to portray a message or just be beautiful. What if you were told, that all of the hard work that was put into those projects and paintings, was illegal? Not accepted by some people as art, and frowned upon.

Graffiti has been around for more than half a decade and practiced worldwide. However there is debate between whether it is a form of art or vandalism. Graffiti artists’ debate that many do not understand the reason most graffiti artist take the risk of incarceration, fines, injuries, and in some cases death to paint a wall. A graffiti artist can have the simple desire to become recognized, or to create a piece that speaks to their audience as a form of self expression. Because graffiti is associated with gangs and acts of destruction to some many cannot see the history and importance graffiti can have on a worldwide scale. Due to the fact that graffiti is usually produced illegally, meaning it is

If you were to go open a dictionary and look up the definition of art, you would see that it has art as “The expression or application of human creative skill and imagination…” (“Art” 2017) and “Works produced by human creative skill and imagination.” (“Art” 2017). From these definitions, graffiti is art, yet in most cases, it’s considered vandalism because it is done without permission of the property. When graffiti is done in a designated place or with the permission of the property owner, then it can truly be considered art. But even if these circumstances are not met, if the graffiti goes beyond a simple tag, it is art.

According to Boyd, through Graffiti is essential to understand as a form of art that crosses the boundaries of location, method, and motivation. He acknowledges that graffiti might include “racist remarks, empty slogans and illegal signatures.”(Boyd 251) Boyd’s piece is also very informative because according to the author, there are two methods for creating this form of art: murals and tagging. The most popular one is tagging because it can be found almost everywhere from fence posts to trains, street walls to buses. The main goal of graffiti writers is to put their signature tags in places to be recognized by their

“Graffiti Moon” by Cath Crowley is about a teenage girl’s adventure trying to find a mysterious graffiti artist over one night. Truthfulness is optimal to form a deep bond between two people. Romantic relationships, friendships and personal honesty are great for a person to have. But all need honesty to survive.

The purpose of this paper is to give a detailed art analysis of the oil on canvass painting, Light of the Incarnation (Lux Incarnationis),1888, signed and dated: lower right. This analysis will also include background of its artist, Carl Gutherz (1844-1907).

Henson’s work is powerful, creating an illusion of both a painting and a film through a combination of different techniques that make his work unique. The most prominent feature and device of Henson’s work is his use of light. The majority of his work features dark tones and colours, sometimes slightly tinted with yellow, red or blue. The brighter portions of Henson’s photographs and his use of light is tactically well controlled to uncover only crucial details. In some of his photographs, Henson juxtaposes the colourful yet mysterious, distant city lights through the use of bokkeh, with the underexposed, graphic images of the subject in the foreground. Some examples of this in his work include several images from the Untitled 2000/01 series, such as the girl sitting, the girl that is lying down, yet at the same time positioned so to look as if she is in flight, and another image of a girl lying on her stomach,

Man Ray like many other artists did not care to have his personal life shown in his art. He wanted to be viewed and recognized for his work which included sculptures, paintings, and photography. Man Ray was mostly influenced by Stieglitz's photographs. Man Ray used a similar style to Stieglitz. He captured images that created an unvarnished look at the photos' subject. Man Ray discovered a new way to create his photos; by accident in his work room he discovered how to manipulate objects in his photos on pieces of photosensitive paper.

The art that I find most interesting is graffiti, because it taking the streets and filling them with personality and stories. In the following essay I will be talking about three well known graffiti artist and their art.

“It may be called art, but I don’t like it,” (DuBois, 2015). Most of these artists who haven’t been recognized by galleries, risk themselves on a daily basis. This is their job, expressing their pain or happiness on a piece. Each time you pass a piece on a wall just ask yourself, “What could they be going through?” Art is expressed in so many ways. Graffiti is spread all over the world.

Jan Vermeer was a Dutch painter who fascinated by the use of light in his paintings. “Unlike Caravaggio and Rembrandt, who used light for dramatic emphasis, Vermeer concentrated on the way light reveals each color, texture, and detail of the physical world” (Preble 307). Vermeer

In my digital Citizenship class, we have been tasked to follow 10 experts in the area we chose to get some informations about our Genius hour project. My Genius hour project is about "Graffiti" but mainly focused about it evolution over years. My first assignment was to follow 10 people who are either authors/professors or artist and to add them to a list. After that, we had to send a tweet to each expert. These experts are people who draw graffiti. Here are 10 of the experts that I followed.

Jackson Pollock created the painting White Light with the use of oil, enamel and aluminum paint on a 48 ¼ x 38 ¼” (122.4 x 96.9 cm) canvas in the year 1954, using a technique known as drip painting. It is said to be his last completed work before his untimely death in 1956. To understand White Light one must delve into the world of the Abstract Expressionist Jackson Pollock.

The art of graffiti has been around for a very long time. Different audiences perceive it in many different ways. Some see it as vandalism, some as a work of art, and some even use it to portray a message to the audience. Banksy, whom is a pseudonym of a “guerrilla” street artist (biolography.com), is known portraying messages to his audience through stenciled graffiti. Unlike other graffiti artists, Banksy’s audience is more than just bystanders, he’s also recognized through media. One of his well-known pieces of art was made on Leake St. in London, England in May 2008 named Whitewashing in Lascaux. This location is often referred to as “Banksy tunnel” (Analysis of pic). In Whitewashing in Lascaux, Banksy makes you wonder several different