The Age of Wonderful Nonsense; Its “Shallow” Flapper and the Other Side I of the Coin the Age of Wonderful Nonsense; Its “Shallow” Flapper and the Other Side I of the Coin

Daisy’s reactions to certain events show how she makes decisions based off of what will give her the most money, rather than what will be the best option for her. Daisy was in love with Gatsby, but he was poor and he had to go to war, so she decided to wait for him. However, it took too long for him to return, so Daisy got impatient, and she married Tom instead. Tom was rich, and Daisy knew he would bring her an old money status. When Gatsby finally meets with Daisy again, she sees how rich he is and she regrets her decison to marry Tom. Gatsby shows her his house, and his fancy shirts, which makes Daisy say that “They’re such beautiful shirts… It makes me sad because

“Her voice is full of money.” (Chapter 7) Daisy became the Holy Grail for Gatsby and she represented everything he ever wanted in life. Maybe he believed that having Daisy would mean that he had, finally, escaped that past he had of being a poor nobody. Nevertheless, Gatsby’s undoing was, at the end, his adamant wanting to regain Daisy.

Daisy throughout the novel was part of a failing marriage, specifically her husband affair with Myrtle. In the beginning of the novel, Daisy did not know she had an option to get out of her marriage, and could live a happier life with Gatsby. When Daisy first learned of Tom’s affair, she seemed embarrassed not for him but herself, considering this was not the first time Tom has had an affair and

Gatsby does not realize that Daisy also represents the corruption that comes along with wealth. "Her voice is full of money, he suddenly said. That was it. I'd never understood it before. It was full of money--that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals' song of it. . . . High in a white Palace the King's daughter, the golden girl" (127). Gatsby becomes obsessed with Daisy and her voice that promised riches, but he does not realize that money was the only thing she offered. After listening to Tom, Nick describes Daisy and Tom as careless people who "smashed up things and creatures and then retreated back into their money or their vast carelessness or whatever it was that kept them together, and let other people clean up the mess they had made" (188). Daisy lets Gatsby take the blame for Myrtle’s death and shows no concern over Gatsby’s death showing her carelessness with people’s lives. Tom and Daisy’s actions indicate the corrupting effects that wealth can have on someone. They focus too much on appearance and materialism and ignore other people’s feelings and lives.

The flapper had an indisputable look. The long locks of Victorian women fell on the floors of beauty parlors as young women cut their hair to shoulder length. Hemlines of dresses rose fiercely to the knee. The cosmetics industry prospered as women used makeup in large numbers. Flappers constrained their chests and wore high heels. Many women celebrated the age of the flapper as a female “declaration of independence”. Experimentation with new looks, jobs, and lifestyles was incomparable with the woman in the Victorian Age. The flappers chose activities to please themselves, not a father or husband. But critics were quick to elucidate the shortcomings of “flapperism.” The political agenda grasped by the previous generation was largely ignored until the feminist revival of the 1960s. Many wondered if flappers were trying to express themselves or act like men. One thing was certain: Despite the political and social gains or losses, the flappers of the 1920s sure managed to have a good time.

It’s a common misconception that money is equal to happiness, and Daisy is a sad, bored woman, afraid of the future. She is selfish and self centered, caring so much for the wealth that she believes will make her happy that in Chapter 7 her voice is said to be “full of money” (pg #). All the worse, when she kills Myrtle, she feels no remorse whatsoever, as she is incapable of caring for anyone but herself. Gatsby cannot see any of her bad qualities. He simply sees a beautiful young woman that he thinks he deserves. In chapter 8, Nick says that “It excited [Gatsby], too, that many men had already loved Daisy - it increased her value in his eyes.”(pg#). Gatsby is blinded by his desire for Daisy, fueled by the wants of other men, that he sees nothing bad about her. Daisy loved Tom and Gatsby equally and for the same reason: Their wealth. With Gatsby dead Daisy returns to Tom not even shaken by his death, and just as nick says they would do, they retreat from the chaos they cause into their money when they move away.

After World War I ended in 1918, the United States became a world superpower with a thriving economy. The 1920s was a time of prosperity, symbolized by technological advances, consumerism, and leisure. Along with this affluence, came a movement towards modern values, and as people migrated to large northern cities, these modern values became concentrated in urban areas. As a result, an enormous cultural shift took place that greatly altered the lives of Americans, including women. Women experienced significant political, social, and cultural change beginning in the 1920s, a decade which came to be known as the “Roaring Twenties.”

Daisy leaving Gatsby is one of the greatest examples of the moral decay of people in this time period with the growth in wealth. Her and Gatsby had something special together when they were younger and all of that was taken away when she had realized that social status meant more to her than her true feelings. “At his lips’ touch, she blossomed for him like a flower and the incarnation was complete.”(Fitzgerald, 117). This is how she had really felt, she had wanted to kiss him and had loved Gatsby. He had waited for this moment with this “golden girl” forever and finally there was kissing her. They were young and in love. "She's not leaving me!" Tom's words suddenly leaned down over Gatsby. "Certainly

In Ellen Welles Page’s, “A Flapper’s Appeal to Parents”, she defends her own generation to the ones that came before her and asks for their help and understanding by using many appeals to do so. Page self-identifies as a flapper herself, so this makes her a fairly reliable source to be able to speak about this topic and educate the reader about the flapper lifestyle and the responses this group received from their elders. Page uses a broad selection of appeals to captivate her audience and achieve her purpose. For example, Page applies an appeal to commonality to paragraph

Daisy is one of the main characters whose obsession with wealth influences her life decisions. “ Her voice is full of money” (Fitzgerald 128). this quote shows that even people around Daisy can hear the longing for money in her voice. She is obsessed with money and thinks that if she has it she will achieve happiness. “ She wanted her life shaped now, immediately- and the decision must be made by some force-of love, of money, of unquestionable practicality-” (Fitzgerald 161). Daisy thought money and love would make her life more fulfilled and she believed it was the only way for it to be more adequate. She wanted her life to be perfect and she was willing to go with whoever could provide her more money and love. In Daisy’s marriage with Tom she felt a lack of love because of Tom’s mistress, which is why she was drawn to Gatsby once again. When Gatsby and Daisy first met he was lacking money but they were in love. Daisy was consumed by the idea that she must have both money and love in order to get happiness, that she ended

The women of the 1920’s were first introduced to society as a generation that spent most of their time cleaning, cooking, and nurturing their children. However, as the “Roaring 20s” came to impact the

Daisy stuck with Tom through years of his cheating, and when Nick invited her and Gatsby over so they could meet again, she had another chance. Gatsby did everything he could to become rich and to find Daisy. This meant that Daisy had everything she could have wanted. She had a man who loved her, who was wealthy, and all she had to do was end her marriage with Tom. What Gatsby had was new money, and Tom had old money. “What Daisy requires is not only money but old money. Old money is better than new, not because it can somehow buy more or because they will be more of it, but because it has fashioned the tastes, values, attitudes, matters, and intellects others possessors.”(Lathbury 59). Something about the old money was more valuable and appealing to Daisy, so she gave up Gatsby to be with Tom.

Class and worth are strong themes in the novel, and they are ultimately what keep Gatsby and Daisy apart. To Tom, Daisy is worth $350,000 in pearls (around $4.7 million in today’s money). To Gatsby, she’s worth a whole lot more than that, but he, too, expects on a very basic level that her affection can be bought. They sure don’t grow ‘em like Daisy Fay in the North Dakota of James Gatz’s youth. And so the economics of supply and demand mean that a woman like Daisy—with her fine looks and breeding and her family wealth—can command quite a stratospheric price indeed.

Daisy is married to Tom mainly because of his money he inherited. She becomes unhappy with her marriage after a few years even though Tom still has his wealth. When Daisy sees Gatsby after many years she falls for him because of his bigger fortune. Daisy wants to be in a relationship with someone just because of their money. Even though Tom still had his wealth Daisy became unhappy with him and whos to say if she’ll be unhappy with Gatsby after many years or when someone with a bigger fortune comes along.

Women of the 1920’s compared to women today are seen as very passive and were usually domestic wives whose main responsibility was to take care of the house and children. But throughout this decade, women were starting to slowly modernize and become more independent. In The Sun Also Rises by Ernest Hemingway, Lady Brett Ashley is somewhat portrayed as “the admirable new woman” of the 1920’s-the woman who openly flaunts accepted conventions of the passive, dependent female role in society and emerges as a positive, inspiring, and risk-taking figure in Paris, Pamplona, and Madrid among the male expatriate artists. In the novel, we see Brett as a modern and somewhat inspiring woman through characterization and the analysis of specific moments