The Allegory Of The Cave

I had an experience that each represents the symbol towards the Allegory of the Cave. My childhood was mostly in Jamaica where I lived with my father for two to three years. I can relate to the symbols from the "Allegory of the Cave".

Continuing the analogy between mind and sight, Plato explains that the vision of a clever, wicked man might be just as sharp as that of a philosopher. The problem lies in what he turns his sharp vision toward the overarching goal of the city is to educate those with the right natures, so that they can turn their minds sharply toward the Form of the Good. Once they have done this, they cannot remain contemplating the Form of the Good forever. They must return periodically into the cave and rule there. They need periodically to turn away from the Forms to return to the shadows to help other prisoners.

Has someone ever looked at you and immediately disregard you for you are just because of your ethnicity? Have you ever done it someone? Racism is a huge culture issue that we have not only in America, but in other parts of the world, but it does not matter the color of one’s. What really matters is the character they have withheld inside but are not given a chance to express because someone didn’t even bother to give them a chance. This is idea comes from the book written by Plato, “The Allegory of the Cave” where in the book Socrates speaks of man being in a dark cave all their lives not realizing the truth until once they reach the end of the cave to see that the light is the truth. The truth is the reality of life.

In the Allegory of the Cave there are prisoners are chained up together in which they are all facing the back wall. There is a firing behind the prisoners and the only thing that they can see are the shadows of the people behind them. The fire casts shadows on the wall so this is the only thing that they see. Their entire lives have been based on these shadows on the wall. These prisoners have been chained up since birth, so what they see on the walls is all they know. In the Allegory of the Cave, they let one of the prisoners free and is finally able to see the world and feel the heat of the sun. The prisoner has never seen the sun or the colors of the world so once he steps outside; the sun hurts his eyes, and burns his skin. He eventually acclimates, and is able to enjoy everything. Plato uses an Allegory with the relationship between the darkness of the cave and everything that the world has to offer. Plato believed that the human mind has the capability to recognize the ‘ideal forms.’ Plato uses the sun and something good and positive whereas the darkness is dull and haunting. With the sun, there is growth everywhere, light, and color to everything. In the Allegory, after a journey in the real world, the prisoner returns to the cave where he no longer wants to be there. All of the other prisoners believe that the journey ruined his eyes so they do not want to leave the cave.

Analogies show up frequently throughout “Allegory of the Cave”. One example includes the analogy of the shadow. The shadows are forms of figures that the prisoners think are real; they are actually representing the misinterpretations of the materialistic world. “The truth would literally be nothing but the shadows of the images (Plato 293).” The sun is also an important analogy. “the glare will distress him, and he will be unable to see the realities of which in his former state he had seen the shadows (Plato 293).” The sun represents being able to see the realities of the world. Plato also uses direct address throughout the story more than once. He speaks to another character about his thoughts for the duration of this piece. “But is not this unjust? He said; ought we to give them a worse life, when they might have a better (Plato 298)?” This is one of many occurrences of a rhetorical question during “Allegory of the Cave”. Plato also exaggerates and drags on about the subject to help covey his point. Many of the paragraphs in “Allegory of the cave” are based on one of Plato’s opinions. Making the point drag on after the point has already been made, this is known as an over statement. Plato uses numerous rhetorical devices to strengthen his essay and persuade the audience of his points. He gives more depth to the story by using analogies. Analogies help make his essay more interesting instead of just

Plato who was a Greek philosopher was born around the year 428 BCE, where he was known for opening an academy. The academy was considered the first university in the western world. In “The Allegory of the Cave”, three prisoners were tied up and could only see the shadows that reflected from the wall. They have been living in the same cave as prisoner for practically there whole life. The shad`ows represent things that are believed to be true. One prisoner got free and experienced the reality of the world but the other prisoners just laugh at him when he comes back. Plato is telling people In “The Allegory of the Cave”, the rhetorical appeal is a metaphor of the sun and symbolism.

There exists a place in one’s mind that determines what is real, and what is not. One could argue this distant concept as being linked to the subconscious; others, such as Neil Gaiman, provide a template for existence on the other side. The children’s story Coraline reveals the truth of darkness and confusion in a supposed replicated dimension. The Allegory of the Cave is an essay written by philosopher Plato that explains the analogy of prisoners kept facing a wall in a cave to those who experience a perfectly formed enlightenment of the mind. Those who break free are unveiled into this bright and amazing world and are initially overwhelmed, for everything that they once thought to be is instantly proved to be wrong, or more to say, altered. The theory of forms, applied to this story, assumes the existence of some distant reality, with the perfect “forms”. This idea provides for all things in the real world that we physically and mentally live in. The forms are theoretically donated into the real world, but lose their perfection along the way, and instead inherit a base for numerous opinions: these are the objects that human’s perceive every day. The forms in Coraline are displayed, with all child appeal, as within a physical small door, leading to the “other side” of the flat. In the world, objects are beautiful and wondrous, but confusion of course sets in, as the new view is so astray from the normal source of opinions. The captured sense is new, and truly; horrific.

In his allegory of the cave, Plato describes a scenario in which chained-up prisoners in a cave understand the reality of their world by observing the shadows on a cave wall. Unable to turn around, what seems to be reality are but cast shadows of puppets meant to deceive the prisoners. In the allegory, a prisoner is released from his chains and allowed to leave the cave. On his way out, he sees the fire, he sees the puppets, and then he sees the sun. Blinded by the sunlight, he could only stare down to view the shadows cast onto the floor. He gradually looks up to see the reflections of objects and people in the water and then the objects and people themselves. Angered and aware of reality, the freed prisoner begins to understand illusion

The allegory of the cave in the beginning of the book seven is a discussion between Socrates and Plato’s half-brother Glaucon. In the story, Plato speaks of prisoners chained in a cave looking straight ahead at the wall with it facing in only one direction. Behind the prisoners remains a fire creating shadows of what people want to show to them. One could imagine that it is a little spectacle for the prisoners to admire given their isolation. Supposedly, the play of shadows was all that they know of their world. Interpreting this story, readers can infer the population consisted of prisoners and the cave was the society.

In the Allegory of the Cave, there is a symbolic representation of an event that did not happen in real life. Is a fictional story in where Socrates asks Glaucon to depict an image of the needs for education, specifically he wants Glaucon to imagine humans as prisoners in a cave and turn sous to the light. In the underground caves prisoners are kept there since childhood incapable of moving their necks, legs and heads because they are all sitting in rows with chains. In general, prisoners are forced to live in a world were they are not able to see and reflect reality. The cave predominantly depicts how individuals are raised in a world were they feel secure throughout their life, and for this reason it was difficult for them to understand the truth outside the real world. Prisoners were living in a world were shadows reflected images of what they believed was to be true. The source of light prisoners have is a fire located above and behind them, more importantly a wall is divided between them, and in this case fire allows the shadows to be viewed which shows the puppet-masters. These are individuals who are making the shadows, noises and using objects to show over the wall. Their focus is to make society be blind and abstained from the real world. Moreover, those shadows allowed prisoners to become comfortable and adapt to the way in which they were living. The shadows also represent the knowledge prisoners may have and for this reason they as society were to live away

Plato’s Allegory of the cave is one of his best-known works, an excerpt of “The Republic” whose inclusion has been fully earned through the inclusion of different percepts of philosophy such as epistemology, individualism, ethics, human nature, etc. In the allegory, Plato describes human beings as prisoners in a dark cave confined to a singular position by the use of chains. This ensures that what the prisoners perceive to be reality is only what they physically see and in the allegory, that is the puppet shadows that are forecasted on the wall which the prisoners face. In this allegory, Plato strives to show that, what is perceived as reality could be the exact opposite and therefore not everything is what it seems to be. The prisoners are chained and are unable to turn their heads to see what lies behind them. However, it is well described that behind the prisoners there is a fire and behind the fire, there are puppeteers who are able to move about while holding puppets that cast shadows on the walls that the human beings are able to see without ever seeing the puppets themselves. More so, the prisoners are neither able to hear the real voices of the puppeteers, instead what they hear are the echoes of their sounds. Plato’s allegory presents a metaphor which questions the way people believe and perceive what reality really is in their sensual form.

Although he wrote many works in his time, Plato 's most famous piece was The Republic. The philosopher created what we know as "the allegory of the cave." Plato once wrote, "How could they see anything but the shadows if they were never allowed to move their heads?" (Plato) In The Truman Show, created in 1998, the man that controls Truman Burbank 's life says, "We accept the reality of the world with which we 're presented. It 's as simple as that." (Nichol) The allegory portrays mankind as prisoners. Said prisoners are chained up and forced to watch the shadows that are shown on the wall in front of them. Truman Burbank 's entire life was created for him. Even though he believes it to be a reality, Truman 's life is actually a show being broadcast all over the the world to millions of people. To many, The Truman Show is a more understandable take on The Allegory of the Cave. If this were in fact true, then it would surely explain the obvious ways that the two can be compared to one another as well as contrasted.

The allegory is of human being chained and kept in a dark cave. There is an universal ruler that chooses to show shadows of shapes and forms to the prisoners. The prisoners are forced to watch the shadows on the wall in front of them and are not permitted to turn around to see the real shapes or forms. There is a fire burning behind them which gives light for the shadows of the shapes and forms to be witnessed by the prisoners. By nature, the prisoners are curious of the shapes and forms. Socrates explains that “our nature is enlightened” meaning that within every person there is the ability to question and seek the answers to what we can not explain. It only takes a spark of light or knowledge to ignite our imaginations and push us to finding an explanation for the

By the time The Republic was written the term had a new meaning. Instead of the method previously described, it was now used to describe what something is. “The Republic stresses that true dialectic is performed by thinking solely of the abstract and nonsensible realm of forms; it requires that reason secure an unhypothetical first principle (the Good) and then derive other results in light of it” (Meinwald). In later dialogues like Parmenides, dialectic is used to understand forms in the proper manner.

The allegory holds an extensive message that readers tend to not to grasp, Plato use this allegory to display how philosophy live in society where their thoughts are easily dismissed. The cave represent the average individual, the prisoners are captive in their own reality.