Examples Of Allegory In Beowulf

In the Epic Poems Beowulf, by an anonymous Anglo-Saxon poet, and Grendel written by John Gardner, Grendel, regardless of what he does, has been seen as unsafe to man. Grendel, perceived as treacherous, is just misunderstood and an outcast to society. The back story of Grendel is crucial to the reader’s understanding of Grendel becoming a monster. Grendel’s life experiences of his environment, men and meeting a dragon contribute to the drastic change.

An allusion is an expression to call something to mind without mentioning it directly. Beowulf has many religious allusions in it. Some of these allusions are Cain and Abel, The Great Flood, and Pagan worship. Two of these allusions, Cain and Abel and The Great Flood, are biblical allusions. There are many allusions in Beowulf.

One aspect of Grendel that is alike in both stories is the way he acts. In Grendel the monster kills many people. He does it very brutally too. "Enough of that! A night for tearing heads off, bathing in blood. Except, alas, h has killed his quota for the season. Care, take care of the gold-egg-laying goose! There is no limit to desire but desire's needs." This was Grendel's law. He does not take pity on any human. From his point of view, the humans deserved this and they were going to get it. These actions are the same in Beowulf

Without doubt, the dragon has symbols that are similar to King Beowulf. Accordingly, in this era, Kings were known to give great gifts to well deserving warriors, whereas the dragon concealed his riches to himself. In other terms, the opposite characteristics is King Beowulf's admiration for good deeds, and the dragon's distastefulness for sharing any of his riches, no-matter what. On the contrary, a distinctive similarity

Beowulf makes his final boast. He says that, even though he is old, he shall “still seek battle, perform a deed of fame” by killing the dragon. (Norton59)

In the story of Beowulf you get a glimpse of many different themes throughout this epic. Those themes range from good and evil to those of death and glory. The story itself depicts a period in history when life was lead "blind" through the teachings of the book of the lord and his spoken words. At this same period in history traditional pagan religious practices and beliefs have slowly given way to the ideals and philosophy of Christianity. Many of the themes held within the pages of Beowulf stem from the proverbs and fables recited and practiced in the Old Testament, while concurrently adding pagan beliefs of monsters, demons, and multiple gods. The most striking of these biblical comparisons is viewed between Grendel

Revenge is presented both as an honest motive and a rhetorical tactic in Beowulf. For Beowulf himself, reprisal of

Symbolism is the practice of representing things by means of symbols or of attributing symbolic meanings or significance to objects, events, or ideas. Symbolism is one of the most common practices of writing, and has been used for centuries. Symbols can often tell a story better than a human can because of there deeper meaning. When epic poems became popular during the Anglo-Saxon period they were filled with harrowing tales of bravery, and courage. Epic poems are long narrative poems that often have characters facing impossible tasks and still finding courage to defeat them. While many marvel at the original Anglo-Saxon dialect of Beowulf, Seamus Heany's modern English translation allows all readers to enjoy this tale.

Many readers of the poem Beowulf may find it difficult to distinguish the 'good' kings from the rest – indeed, almost every man who holds a throne in the epic is named at one point or another to be 'good'. By examining the ideals of the time period as identified by the 'heroic code', it becomes clearer that a truly 'good' king is one who generously distributes treasure and weaponry to deserving retainers to honour courage and strength displayed in battle and to encourage the defense of the kingdom (Intro). When Beowulf ascends the throne of the Geats, the heroic traits of courage and strength for which he was so highly praised as a warrior do not serve well in making him a good king. Indeed, by exhibiting the traits of a thane, that is, by

In the 2007 film version of the Anglo-Saxon poem Beowulf, Grendel and the dragon represent shame and consequences to bad choices made by King Hrothgar and Beowulf. They do appear a bit monstrous but they are mostly there just for what they represent. You can tell Grendel represents King Hrothgar’s shame when he tells Beowulf, “Grendel is dead. That’s all that matters to me. He can bother me no more.” This shows that King Hrothgar and Grendel did not have a normal father-son relationship, since he wanted him dead. Also King Hrothgar was ashamed of Grendel and didn’t want people to know that he was his son. Since Beowulf fell into the same evil cycle as King Hrothgar did, he had the same feelings toward his son, the dragon. He referred to his

Beowulf is an Anglo-Saxon epic that was transmitted verbally for hundreds of years before it was written down. Around the time of its composition, Christianity was beginning to gain prominence in England and was quickly replacing the animistic religion of the Celts. As a result of the dueling religions of the time, the poem includes influences from both Christianity and paganism, leaving its readers to wonder which religion had the most sway over the poet. Beowulf is a fundamentally more Christian epic on account of Beowulf’s resemblances of Jesus Christ, its allusions to the Bible, and its intimation of a supreme, monotheistic religion.

In the epic poem Beowulf, the struggle between good and evil reveals its omnipresence in even the oldest of tales. The many allusions and symbols throughout the story relate to Christianity and other Pagan beliefs. By looking at them, it becomes apparent that the author of Beowulf believed that the constant war between good and evil is not only fought by the common man but also in the ranks of their highest esteemed rulers and warriors, and even in their dreaded nightmares where monsters lurk and wait for the death of man. Beowulf was written during the budding of Christianity in England, when it was newly forming. In the story there are obvious references to Christian rituals.

Grendel, is thus seen as the descendant of an individual who epitomizes resentment and malice in Beowulf. The author states Grendel lives in exile and is seen as “mankind’s enemy”(Raffel, 22). Grendel is the representation of all that is evil and he is declared to be the “shepherd of evil and the “guardian of crime”(Raffel, 33) by the Danes in Beowulf. The author describes Grendel to be an evil, cruel, apathetic creature who’s pleasure lies in attacking and devouring Hrothgar’s men. The author describes Grendel’s malice by painting a gruesome picture of Grendel’s countless attacks on the mead hall in which he exhibits Grendel as a heartless, greedy, and violent being who mercilessly murders the men at the mead hall by tearing them apart, cutting their body into bits and drinking the blood from their veins. The author describes Grendel’s greed by stating Grendel’s thoughts were as “quick as his greed or his claws”(Raffel, 21). He describes Grendel’s as having eyes that “gleamed in the darkness and burned with a gruesome light”, swift hard claws and great sharp teeth which paints a picture of Grendel’s frightening appearance in the reader’s mind. In contrast to the traditional story of Beowulf, Grendel in John Gardner’s novel, Grendel is not depicted as a monster but as an intelligent creature capable of human thought, feelings and speech. John Gardner portrays Grendel as an outcast

A merger of pagan and Christian beliefs that occurs in the poem, “Beowulf” is the representation of Grendel. Grendel’s ancestry and evil denote Christian beliefs. Grendel is a descendant of

In every story involving a hero they must overcome obstacles either physical like terrifying monsters or mental like themselves. Beowulf epitomizes this type of hero, he goes through countless hurdles including the Dragon. This dragon shows up in almost everyone's life but not how one might think. The dragon, like in Beowulf, represents boundaries everyone creates in their mind. Thus limiting them from following their dreams or reaching full potential.