The American Folk Music Legend Sixto Diaz Rodriguez

Reymundo was born in Puerto Rico in 1963 in the back of a 1957 Chevy. His mother was married at age sixteen

Rodriguez offers a different standpoint on bilingualism, and an argument he presents is that one must be willing to give up part of their native ways when learning a language to fit into the public. Rodriguez considered Spanish a private language and English a public one. This perception made him reluctant to learn English, but at the same time, it motivated him to become a part of the public by learning its language. Rodriguez uses his family life as an example of his native identity. He was not an English speaker when he was young, but upon learning the language, he drifted away from his family, and describes it rather frankly: “I was an American citizen. But the special feeling of closeness at home was diminished by then. . . . No longer so close; no longer bound tight by the pleasing and troubling knowledge of our public separateness . . . . When I arrived home there would often be

In Always Running, Luis J. Rodriguez recalls his time growing up in Los Angeles during the 60s and 70s. Rodriguez writes of the hardships that his family had first encountered while trying to assimilate into American society and how he would often, while growing up, be criminalized by his teachers, law enforcement, other people, his peers, his community, and eventually people who cared most for him. Rodriguez recalls the times where he and some friends came together and created a family, a brotherhood of sort, in order to fulfill his need of belonging, but as other people in the community had also formed groups to consolidate power, thus marked the beginning of rivalry and the introduction of gangs. Rodriguez’s gang life had been filled with tragedies and filled with great times, but ultimately he tried to leave the life of crime and commit to an education. Rodriguez tried stepping away from the gang lifestyle by going to school and writing poetry, but ended up back in the life of crime after a serious altercation with the police. When Rodriguez went back to his gang lifestyle, he found the same gang that treated him as a brother, had shunned him away after Rodriguez had offered a solution to wither away the gang violence.

The film La Bamba showcases one of the most important historical moments in not only music history but also Latino music history. The star Lou Diamond, portrays Ritchie Valens originally Valenzuela. Ritchie was a boy who did not grow up in a normal childhood. In the film Valens played by Lou diamond is shown working hard alongside his mother Connie trying to make an honest living. His older brother Bob finds his way to his mother and young brother convincing them both to leave the fruit fields where they were working. While Ritchie should have been at school he was working. Once they moved to Los Angeles, Ritchie started attending high school like a normal teen should. His love for music grew strong as he became fond of a young girl named Donna. Donna was from a middle class white family, while Ritchie was from a poor Latino American family. Donna’s parents wanted to keep the two apart from each other as her father did not approve of the romance because Ritchie had nothing to offer his daughter. Ritchie had nothing to offer Donna but his music and hope of someday making a name for himself. One-day Ritchie and his band mates are having a show and a man by the name of Bob Keane stops by to see the performance, while there Keane shows a great interest in Ritchie and reaches out to him. Keane soon convinces Valens that he didn’t need his band mates, that Ritchie was all the talent. Bob Keane not only manages to get Ritchie to drop his band, but he also convinces him to change

     Rodriguez's parents think they are doing the best job possible raising their three children. Being a lower class family, money was not something that was always available. His mother and father can always supply them with love and nurturing. The way they let their children know they are special and close is to talk to them in their private language. His parents could not speak good English; they could not translate their terms of endearment for the children without the saying losing its meaning. "Using Spanish, he (the father) was quickly effusive...his voice would spark, flicker, flare alive with varied sounds.? Only speaking English, the father is a completely different person.

Rodriguez also shows us that he has gained the “sociological imagination” by writing about his appreciation and understanding

This separation from his family caused a longing in his life. But this longing was superseded by what he suspected his teachers could give him. Rodriguez develops a double personality of sorts. The person he is at home, the polite child who lovingly does what his parents ask of him. And then the academic persona he

Always Running by Luis Rodriguez includes several different social issues. For example, there is a lot of hate towards Luis because of his ethnicity. He was constantly bullied because of the language he spoke and where he came from. If Luis spoke Spanish in school, then he

The particular focus of Rodriguez’s story is that in order to feel like he belonged to the “public society” he had to restrict his individuality. Throughout his story, Rodriguez discussed such topics as assimilation and heritage. He goes into depth about the pros and the cons of being forced to assimilate to the American culture. Growing up Hispanic in America was a struggle for Rodriguez. This was due to the fact that he was a Spanish-speaking boy living in an English-speaking society, and he felt like he was different than the other children. Rodriguez writes, “I was fated to be the ‘problem student’ in class” (Rodriguez 62). This is referring to Rodriguez’s improper knowledge of English. It made him stand out as the kid that was behind. He wanted to find the balance between the public and private face. He believed both were important to develop. As I read this story it changed the way I looked at people who speak different languages, and how it must be hard to fit in with society if you are not all fluent in English.

Rodriguez was torn apart his “private” life and his “public” life. Private as in referring to the language spoken and home and the Spanish heritage at home. Public as in referring to his quite life at school where Rodriguez was intimidated by “high syllables” and the way people talked fast English. This quote illustrated how the need of

Rodriguez took on tremendous amount of responsibility for these changes. He took more responsibility than he probably should have; due to circumstances beyond his control he reached the stage he was in. Rodriguez portrayed this feeling when he mentioned, “I felt that I had shattered the intimate bond that had once held the family close. This original sin against my family told whenever anyone addressed me in Spanish and I responded confounded.” (231) His family members and his Americanization had taken that bond away. He felt that losing his ability to speak Spanish removed his ability to communicate with his family on an intimate level. Spanish used to be a secret bond between them and what tied them together.

To begin with, Rodriguez’s first step to finding his identity began when his parents decided to move to the states to start a new life. At first, he was completely lost because he couldn’t understand the language. However, as time went by his English began to improve with the help of his parents helping him practice English at home. As he becomes more educated, he felt that a distance grew between him and his parents. “Here is a child who cannot forget that his academic success distances him from a life he loved, even from his own memory of himself” (Rodriguez 51). Rodriguez was connected with his family through his private identity. However, his distance with his parents began to appear as he advanced in English. As he starts to become fluent in English, he would talk to his parents less and less. His Spanish skills also started to deteriorate. Spanish is the language that gave him a sense of closeness to his family and is what separated him from the public. However, once he started to develop his public identity, he started losing his private identity. Rodriguez’s parents provided him with his own private identity and help him and supported him in developing his public identity to success.

In the case of Julio Iglesias, I believe that it was for him hard to enter the mainstream. At that time, rock and roll was very popular and for an artist not to try and fit into the mainstream by what’s most popular in the country shows integrity from Julio Iglesias. In Clara E. Rodriguez book “Latin Looks: Images of Latinas and Latinos in the U.S Media” she had a chapter dedicated to the stereotypes in Hollywood and Rodriguez said there are six stereotypes of Latinos. One of them being the Latino Lover, which Julio Iglesias fitted perfectly in the 1980’s, since he was very charming and flirtatious. Nevertheless, having that stereotype made him able to continue to do the music he like and not change his music into rock and roll, while still

Rodriguez was a small round magnet that had a small hole right straight in the middle of him. Lots of other magnets had a hole in the middle of them but he was different. He was the only circle magnet and he was also the only magnet in the whole world to not have an eye inside of the hole in him.

Acceptance, is a feeling desired by many people. Some may find it, some may live their life pursuing it, it is a curse some may say some may find it a gift. A fictional character by the name of Arturo Bandini, in the novel Ask the Dust, was a victim of this curse. He strives for the acceptance in another dominant culture for personal recognition and end up losing what he had at the beginning of his sorrowful journey. On the other hand, Sixto Rodriguez, well known as Sugar man, desired acceptance from his inner self. He made his music to unveil the cruel reality of Detroit, Michigan, and did not care about the popularity, as well as fame. His incentives were not changed with the opinions of the society. Rodriguez made peace with his conscious