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The American Work, The Great Gatsby By F. Scott Fitzgerald

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To many of us writing can be a daunting task, and often more complicated than it should be, but, as stated by famed American author Ernest Hemingway, “There is nothing to writing, All you do is sit down at a typewriter and bleed’. The fact of the matter is, eventually blood clots, and scabs form. It’s the same in writing; many authors bleed onto a page and use their metaphorical blood as ink, thus placing a piece of themselves into their work. But, no matter how great the author, eventually writer block ensues, casting a writer into a literary funk and halting the flow of thematic ideas; however, themes such as love and wealth transcend time, culture, and language. So it’s not difficult to think that famed authors, when in a pinch, often recycle broad themes to create a more compelling and relatable story. In the American work, The Great Gatsby by F. Scott Fitzgerald and its cinematic counterpart, directed by Baz Lutherman, themes such as wealth, love, isolation, and dissatisfaction are used to create a novel that still holds parallels to the world of today.
The theme of wealth is prevalent in the works of the The Great Gatsby. The wealthy are portrayed as educated businessmen who have found a prosperous niche, often illegally. Persons with enough money are held in higher esteem than their middle class compatriots. In Gatsby’s world money buys social acceptance, and it also grants living in the world without repercussions. In chapter four of The Great Gatsby, Gatsby, on his

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