The Analysis Of Mythology Of The Environment And The Unconscious Mind

He maintains his focus on Greek myths not only because of the sheer number of myths around the world, making it impossible to interpret and clarify them all, but also because European men, who would have been familiar with the myths from Greece, write most of the classics we analyze. He explains that these myths are not only a part of them but also “so much a part of the fabric of our consciousness, of our unconscious really, that we scarcely notice” (Foster, 51). Which suggests that, we can recognize Greek myths even if we do not realize it. With this simple fact presented to us, we no longer wonder why allusions to Greek myths have been used since they emerged and are still employed today. Myths are often exercised as “overt subject matter for poems and paintings and operas and novels” but more often “writers have…borrowed from and emulated” these myths (Foster, 52, 53). Instead of explaining every detail about every character, place or moment authors rely on other stories, such as myths, to expand and develop their tale. The writer will subtly hint at myths and hope you recognize their allusions to these old legends. Since we established that, we know these myths, whether consciously or not, we can take these allusions and decipher any hidden meanings the author has for us, giving each story a new level.

Gender inequality has been a controversial topic for numerous religions and cultures throughout history. Women were commonly regarded as the subservient gender, an idea that was no different in Ancient Greece. Throughout Greek mythology, women were considered inferior and troublesome symbols, while men were known for courage, leadership, and strength. While there is no argument of the flagrant sexism that is illustrated in Greek mythology, it can also be claimed that women were given a situated position of freedom, necessity, and power as well. Many popular Greek plays and myths contain several complexes and well described female characters. These goddesses themselves, partook the role of victim, heroine, and villain as it illustrated the diversity of characters in which women were portrayed and seen in both Ancient Greek society and mythology, allowing us to question “Were the women of Ancient Greek mythology equally represented as free and superior?” The creation of the Greek mythological universe, the creation of multi-gendered goddesses or deities, and the free and superior personalities accredited to women in Ancient Greek mythology to answer the question that women were fairly represented as powerful in Ancient Greek mythology.

Myth is a body of story that matters—the patterns present in mythology run deeply in the human psyche

In ancient Rome and ancient Greece, myths were an oral tradition of storytelling that served to answer two primary purposes. The first role was to create stories that responded to unanswerable questions such as “Why is there thunder?” and the second function of myths, about gods, goddesses, monsters, and heroes, was to give structure to their society and culture in psychological manifestations. In addition, the gods and prophecies served as a reminder to the characters that they don’t ultimately have any control over their lives. This epic poem by Homer is not just a simple story of an argument between Achilles and Agamemnon or the well-known story of the war but also has a psychological theme incorporating anger, especially Achilles’ as

As a child, I was fascinated by Greek mythology and history, and I made it my business in elementary school to read as much as possible about the subject, including the outstanding stories and the pantheon of gods presented. I thought of them as fantastic, supernatural tales with fitful gods and brave heroes, and I never stopped to consider that the mythologies could be representative of the cultural views and habits of the Greeks, specifically regarding gender roles. One such representaton is Virgil's epic Aeneid, which contains depictions of women in positions of power, and also characterizes these women as irrational, emotional to the point of hysteria, and consequently, unfit rulers.

One very interesting aspect of the human experience is the manner in which certain themes appear again and again over time, in literature, religion, mythology, and culture regardless of the geographic location, the economic status, and the time period. Perhaps it is the innate human need to explain and explore the known and unknown, but to have disparate cultures in time and location find ways of explaining certain principles in such similar manner leads one to believe that there is perhaps more to myth and ritual than simple repetition of archetypal themes. In a sense, then, to acculturate the future, we must re-craft the past, and the way that seems to happen is in the synergism of myth and ritual as expressed in a variety of forms (Bittarello)

Regardless of the time frame, Virgil’s Aeneid and Homer’s epic the Iliad share both a copious amount of similarities and differences. For example, many common themes such as heroism, fate, and destiny are apparent in both works. Within the Aeneid and the Iliad, it is seen that the wars going on during that time were glorious that is why the role of gods were significant in leading both Aeneas and Achilles and influencing fate. In both texts, it is clear from the beginning that the role of the gods is to make Aeneas and Achilles fulfill their journey The Iliad focuses on the end of the Trojan War and the damaging power, while the Aeneid is focused during the aftermath of the war and underlies the foundation for the new civilization. This paper will address and argue the comparison of the role of gods and how each of the authors representation of the gods have influence on the lives of mortals.

Virgil’s The Aeneid is a Latin epic poem that tells the legendary story of Aeneas, a Trojan who travelled to Italy, where he became the ancestor of the Romans. The poem details the journey of Aeneas and his men after they are forced to flee burning Troy and as they wander the seas in search of land suitable to found a new Troy. Throughout the many books, the Trojans suffer through the Trojan War, the loss of their home, fierce storms, horrible monsters, and the wrath of the gods. A major theme of The Aeneid is human suffering as the characters in the poem experience the full front of despair and pain.

The Odyssey is remembered as an epic that stood the test of time. Consisting of Odysseus’s heroic tales his adventure back from the Trojan War, it not only conveys his journey, but also shares the wounds of Odysseus and his recovery physically and emotionally. However, Homer’s depiction of the patriarchy and it’s double standards through the actions of male and female characters is often overlooked. The Odyssey’s female characters try to acquire power in different ways, but ultimately face the same fate of being overpowered by a man, communicating Homer’s moral that women are less valuable and are less able to acquire and retain power then men.

It was noted in the beginning of this course that these perceptions seem to have gotten more praising and complementary of the gods, and seems to put them up on a pedestal, especially in introductory texts aimed at younger readers. This type of retelling of the ancient stories reminded me of the books that first introduced me to much of Greek Mythology in middle school, The Percy Jackson and the Olympians Series, written by Rick Riordan. In an attempt to bridge my first introduction of the Greek Myths, to my most recent study, I will be examining the different ways that

Women in ancient Greece had very few rights in comparison to male citizens. Women were unable to vote, own property, or inherit wealth. A woman’s place was in the home and her purpose in life was to rear children. Considering this limited role in society, we see a diverse cast of female characters in Greek mythology. We are presented with women that are powerful and warlike, or sexualized, submissive and emotionally unstable. In many myths, we encounter subversive behavior from women, suggesting, perhaps, the possibility of female empowerment. While produced in an ostensibly misogynistic and oppressive society, these myths consider the possibility for a collapse of male power and the patriarchal system. In Homer’s epic poem The Odyssey,

In this section of the paper I would like to examine character’s relation to and the ways in which they internalize the mythology of their culture. The book displays many elements of mythology which are quite removed from actual experience and yet become a part of characters’ identity and gain a certain power in their minds. The storyteller’s narrations are an obvious example of a sort of mythology. He voices a stream of rumors of the village garnished with religious invocations which lend his tales legitimacy. The love songs (as well as the cinema), which play a particularly key role in Um Saad’s narratives, are another imaginary depiction of a woman’s experience, which guide Um Saad to beliefs of what she may expect from life and love. The recurring

Myth And The Environment Belief systems and the myths, stories of early history that explain natural or social phenomena, connected to that belief system are major shaping forces of a culture. The environment of a given culture can drive and shape these early myths as a people's need to understand and pass on the information to survive is tailored to their surroundings, both in an environmental and social sense. At the same time, the myths created can have in an impact on their environment, establishing a circular pattern between myths, environment, and its people. Looking at the indigenous people of Irala, commonly known as the Yami, in particular, and their unique belief system that combines a functional mythology with a genealogical history, one has the rare opportunity to not only note where these two subjects interacted in the past,

In ancient poetry, gods were people too; early epic was history but a history adorned by myth. This fantastical, mythical element came via the gods, envisaged as anthropomorphic deities. In Virgil’s Aeneid these gods function in epic as literary vehicles and as characters no less detailed and individual than the people in the poem. In this world where the mortal and the supernatural not only coexist but interweave with one another, the Aeneid follows the mortal Trojans as their world moves from war to peace and as they attempt, often unsuccessfully, to overcome the supernatural obstacles put in their path.

In many of tradition, a myth carries within it a sense of sacred tradition and primordial relation. These myths are also serving as model for chosen tradition. Myths are extremely complex cultural reality that can be approached and interpreted from various viewpoints. These viewpoints are often related to the whole of