The Ancient Egyptian Style Of Ancient Egypt

Ancient Egypt was a captivating and intricate civilization. Over the years, historians have found it easier to study this civilization, rather than other historical civilizations, because the Egyptians went through great lengths to record their history. Besides being decent record keepers, they were very religious, and “ahead of their time,” due to their technological and economic breakthroughs. Because of the aspects of this culture, it has to be one of the greatest civilizations of the world.

The palette of King Narmer is more than a lucid and exerted aesthetic construction. An engaging, intriguing composite of shape, color, and form,while delighting the aesthetic senses, this dynamic, blend of both beauty and symbolism, is able to intimately share a powerful narrative. A dynastic and dramatic tale of an uncharacteristically chaotic journey of one man's excursion into power, all the while uniting Egypt.

The people groups in ancient Egyptian were very different than our societies social groups today. Ancient Egyptians were grouped in a hierarchical system with the Pharaoh at the top and farmers and slaves at the bottom. The groups of people nearest to the top of society were the richest and most powerful. The Pharaoh was believed to be a god on earth and had the most power. He was responsible for making laws and keeping order. Ensuring that Egypt was not attacked or invaded by enemies and for keeping the gods happy so that the Nile flooded and there was a good harvest. The Vizier was the Pharaoh's chief advisor

Narmer combined the crowns of upper and lower kingdom, and from there, he started 30,000 years and 31 dynasties of Egyptian pharaohs. From his reign on, pharaohs started making their tombs more elaborate as their forces changed to ensure their eternal life. Egypt also became the first

Art of the Egyptians and Africans express ………………………..In art, style is a characteristic, or a number of characteristics that we can identify as constant, recurring, or coherent.(Art Terminology 1) Artists express their emotions through their art-making, their finished product will reflect that emotion. They might also create a piece of art that makes the viewer create an emotional response. Emotion is any strong agitation of the feelings actuated by experiencing love, hate, fear, etc.(Dictionary 1)

Egypt became a consolidated state at the beginning the Early Dynastic Period in 3000 BCE. According to legend, following creation, Upper Egypt in the south and Lower Egypt in the north were both unified under Menes. Originally a powerful ruler from Upper Egypt, Menes conquered Lower Egypt and became the first ruler to preside over a unified Egypt. The Palette of Narmer was created in the Early Dynastic Period between 2950-2775 BCE and is often

If I had to say one thing ancient Egyptians were famous for it was that they built tremendous pyramids and had a great amount of skill. Some pyramids still exist and it is amazing how they built them and are still standing today. In the civilization of Ancient Egypt, there were six periods which were the Pre-dynastic period, Old Kingdom, the 1st Intermediate period, the Middle Kingdom, the 2nd Intermediate period, and New Kingdom (TimeMaps). The Pre-dynastic period began in 3500-3000 BC and led to the unified group of Egypt as a community. The Old Kingdom began in 2650 which was around the time that the Great Pyramids of Giza were being built. A man named Narmer was the founder of the 1st dynasty of Ancient Egypt and was looked at as a god. Narmer was mainly known for his hieroglyphic writing and his monuments. Even in todays world, hieroglyphics are used to decode language and is basically the language for the ancient Egyptian

Egypt is located on the northeast corner of Africa. Egyptians are the population who lived in Egypt. They created an advanced civilization, with cutting-edge systems such as medicine, writing, farming and irrigation.

Many scholars believe that palettes decorated with animals, birds, and human figures had some sort of ceremonial function. On the palette, Narmer's name appears in pictographs a horizontal fish translated Nar and a vertical chisel translated Mer. These hieroglyphs appear three times on this piece of art. The king appears as the main character in various scenes on both sides of the palette, he also appears in hierachical proportion representing the status of individuals in a highly stratified society. The significance of the ruler appearing larger than other human figures indicates importance and divine status. On one side of the palette Narmer appears with the White Crown of Upper Egypt signifying that it has been tamed. On the opposite side he wears the Red Crown of Lower Egypt signifying that it also had been tamed. These images amongst other images of conquest proclaim him to be the great unifier, protector, and leader of the Egyptian people.

Dating from the Dynastic Period of Egypt (3000-2938 BCE), the Narmer Pallet is one of the most important archeological findings to date. Previous to king Narmer, Lower and Upper Egypt were divided and frequently at war with each other. The common belief of most historians is that the unification of Lower and Upper Egypt was due to the influence and propaganda of King Narmer and his court. On one side of the palette, king Narmer is pictured with the bulbed-white crown of Upper Egypt, while on the other side, it portrays the king wearing the crown of Lower Egypt, the papyrus. Illustrating one of the earliest known characterizations of an Egyptian king, the palette has be

The Palette of King Narmer is known as an Ancient Egyptian artifact that dates all the way back to the pre-dynastic period. The Palette made of Schist (clay) depicts the rule King Narmer. Although the nature of this palette is still a mystery, it still has not been proven if the depictions are used for a historical record or an essential tool of the political propaganda of Ancient Egypt. Based on the palettes shape, size, and detailed images that are presented show that the palette was not only used for daily and historical purposes. With a more in dept.

The Narmer Palette is ancient work of art that demonstrates many of the conventions that were found in Egyptian art for thousands of years after the creation of this

The Palette of Narmer, a 3000-2920 BCE piece from Hierakonpolis illustrates the unification of the Upper and Lower halves of Egypt. The front of the Palette depicts the necks of felines entwined into a loop, necks bound by string in what appears to be a restraining matter; visual evidence for that unification, and dually serving as a compact to hold some of the iconic makeup Egypt is often associated with. Also on the front, a bull representing the insurmountable strength of King Narmer is seen charging a city’s walls, hinting at Narmer’s victory as King of the new Egypt. Narmer is represented again wearing the red crown of Lower Egypt, as decapitated and fallen foe lay on his right side. The back of the palette, not straying from the theme

Just from looking at a few pieces of the art of the ancient Egyptians, you begin to notice many defining characteristics about it that make it unique and different from other styles of art. There are an ample amount of recurring features in the art, so this must mean that these traits and aspects are noteworthy. This next section of the essay will go into detail about a few of the many types of art and the stylistic elements that define ancient Egyptian art and make it special and distinguishable from other types of art, and why some particular aspects of the art are important.

The Old Kingdom of Egypt, ruled by the 3rd to the 6th dynasties, spanned the five centuries between about 2755 bc and 2255 bc. In about 3100 bc the country was united under one rule by strong chieftains from the south. The idea, however, that Egypt was divided into two distinct parts—Upper Egypt in the south and Lower Egypt in the north—persisted. The unification of Egypt, or one of the stages leading to it, is commemorated on the carved stone Palette of King Narmer (c. 3100 bc, Egyptian Museum, Cairo), on which the king, wearing the crown of the south, is shown subjugating peoples of the north.