The And Motion Picture Franchises For All Of The 1990s Children

Cutting into the philosophical world of one of my favorite movies The Island. You will be shocked as we analyze the relation this modern movie has with Plato’s Allegory of the cave. Two very different stories clash as one if you look at it correctly.

One word-to-screen translation that I found particularly frustrating was the Harry Potter series. I blew a gasket when the Durmstrang and Beauxbaton schools were simplified to purely male and purely female students, I had my head in my hands when the Weasley house caught on fire, and the forced chemistry between Harry and Hermione made me want to gag. These elements that are completely irrelevant to the content of the series were added simply for the fact that they are entertaining. Movie audiences love dramatic entrances, destruction scenes, and love triangles. Meanwhile, elements that added depth to the written series, such as Peeves the Poltergeist, Winky the house elf, and Hermione’s advocation of S.P.E.W, were all left out, for they were not deemed important, or entertaining, enough. The part of this that is the most frustrating is the way that the themes of the series are interpreted by movie fans. I cannot tell you how many times I have talked to people that believe Harry Potter is about whether Hermione ends up with Harry or Ron, or that it’s about ‘wands shooting cool colours.’ The metaphor by which the Harry Potter series and other information is identified is defined by the medium through which people view it. Furthermore, the mediums through which individuals view entertainment shape the way they view the

Children today have access to many forms of literature, some of which are books made into movies. As the children become older, comments such as “the book was way better” or “the movie didn’t even come close to matching the book” or “the movie and book are the exact same, so save time and just watch the movie” are heard once children begin to make connections between the book and the film. It is important to me, as a future teacher, to be able to address such comments from my students and, in turn, help them understand why and how movies can either help or hinder the book’s original value and message. To help me prepare, I will compare a children’s film to the literary work that came from it.

Have you ever wondered how advertisers come up with trailers or commercials? Or if there is a formula or specific ingredients for which advertisers make their advertisements? I am here to tell you that there is a formula and there are key ingredients to make an effective trailer or commercial. In the world of commerce professional advertisers use rhetorical devices as their ingredients to cook the best trailer that will attract customers to buy many things. The most common forms of rhetorical devices are pathos, ethos, and logos, these devices make a statement more persuasive but what separates a good advertiser from a great one is the way that they use these devices. Advertisers are experts in using these devices in combination; and the only way to know how to combine them is by studying your audience. Video game advertisers have specific ways to persuade their audience to buy a game. Today I will be studying this pattern in a video game trailer of “The Last of us” by Hydrawlik. I will analyze the combination of rhetorical devices that are used in the trailer and evaluate their effectiveness. This video game trailer uses these rhetorical devices effectively to attract the audience’s attention in order to lure customers to buy the product. Rhetorical devices are used for specific reasons for example Pathos is used to incite emotional responses, logos to prove that the game has exactly what the audience wants, ethos to develop a sense of credibility in the advertiser

In Harry Potter and the Sorcerer’s Stone, by J.K. Rowling, Harry Potter encounters many new people and obstacles that help Harry development as a character. With these obstacles J.K Rowling provides our readers with imagery that engages our senses. Through the use of imagery Rowling plants symbols throughout the narrative that are crucial to the creation of the fantasy. The obstacles that Rowling uses to provide imagery are the Sorting Hat, the introduction of new characters, the Mirror of Erised, the trials needed to reach the Sorcerer’s Stone, and, finally, The Sorcerer’s Stone.

In the story, four English children move into a large old country house in the aftermath of evacuation after a war. The youngest of the four children pays visits to Narnia thrice through the magic of wardrobe from a spare room. On her third visit, all the four children are together, and this verifies her fantastic claims and includes the chapters 12-17.in Narnia, the siblings fulfill an old prophecy, and they are soon adventuring for saving their lives and Narnia. In the novel version of the Lion, the Witch and the Wardrobe, Lewis uses development, morality and symbolism. This paper discusses the differences in morals between the novel and movie version of the chronicles of Narnia. Lewis uses morality as a means of rallying the reader behind a character and inspiring them to continue supporting them through the

Movie trailers have been one of the most compelling way of attracting the audience to fall in love with what they are advertising. When they watch the movie trailers, it make the viewer feel suspenseful or excited depending of the genre of the movie a individual would enjoy to watch. In most genres for movies such as action, sci-fi, and so forth, the trailers that are being advertised to show the most important plots in the movie which at times can be violent. However, in most cases, a majority of people who go to see the movie after watching the movie trailers end up having mixed feelings about what they saw because they expected more from it due to the trailers. Some people, on the other hand, imitate what they see in the movies and try doing it in real life. Good amounts of people try to imitate what they see in the movies most of the time, and it usually costs them their lives or the lives of

The Harry Potter stories are a great example to show how matter can affect the social world’s people live in and can be used to demonstrate the power branding can have on the world around us.

The movie poster that I have chosen is Maleficent, produced by Walt Disney and is released in year 2014. Movie poster is very important as it is considered as an advertisement for a particular movie. With containing the powerful visual elements of the movie such as the famous actors, movie title and attractive image, it can easily grab the audience’s attention. Some of the movie posters may include the main actor’s name as well. These visuals are vital to convey impactful messages to the audience and persuade them to watch. Maleficent is an example of using actress’s name to attract audience. The main actress name, Angelina Jolie is written in an elegant and simple black capital letters in serif typeface and is placed in upper part of the poster.

Finally, we decided to focus on the design and style of the posters, as well as some of the rhetoric appeals used, rather than talking about the topic itself. Thus, we concluded that our main point would be what we considered to be our strongest aspect of the posters, which we determined was the balance between pathos and logos in the posters. By choosing two posters to display data and facts, and two to display emotion-evoking images and messages, we determined that we provided enough variety of information so that an individual that is either interested in the facts of this topic or that is interested in the morality of this topic could be persuaded to pursue more information on this topic, or even heed our call for advocacy. Although we were met with some issues concerning time and a difference in both topic and design choices, we completed the poster series in a manner we were quite satisfied

Movie posters are meant to capture the audience’s interest and reel them into going to the movie they are each individually presenting. Some posters do their job in catching the audience’s attention and some just don’t create any interest. Whether it creates interest from the audience or not mainly depends upon the visual aspects of it. These aspects include alignment, repetition, contrast, balance, direction, color, and font. Other aspects that most posters try to achieve that aren’t necessarily visual are appealing to the audience, showing the purpose, and staying on the right side of ethics. Also most of all movie posters contain the aspects of ethos, pathos, and logos.

Third, another concept that really helps the visual of a movie poster increase the success of a movie is the facial expressions of the characters on the poster. The Wizard of Oz movie poster has multiple characters on the front of it, which can be assumed to be the main principals. Each one of the persons on the poster has a different expression on their face. Therefore, not all of them are expressing one unified emotion like tremor, distress, cheerfulness, or rage. The diverse facial expressions on the character’s faces could represent part of each character’s personality that they portray in the film and help indicate at what their role in the movie is.

I had seen Drew Struzan’s artwork my entire life without ever realizing it. The iconic movie posters, that commonly are displayed on the front of the movie cover, are easily recognized by most Americans. Classic movies, such as Indiana Jones, Back to the Future, Harry Potter, Hook, and Star Wars have all had their covers graced by the iconic art of Drew Struzan. I was struck in awe as I came to the realization that someone had actually drawn all of these realistic images that had been a part of my entire life. I had never thought about who made all of the drawings to fill up promotional posters, or even who may have designed the movie itself. As I watched clips of him drawing the posters, I was amazed at his ability to bring the characters

It is often argued that adaptions do not fare with the worth of an original work of writing. Specifically, film remakes of classic pieces of literature are rarely received with accepting minds. Why is that? As connoisseurs of English, we tend to feel remakes or a creative spin on a classic could never live up to the original. In some respects this is very true, but remakes are important in keeping works of art and literature current and adaptable for any time period; especially in today’s growing millennial age. Take for instance film adaptions of books, poetry, and plays. Film breathes life into the complacent and one-dimensional words on page. It opens the floodgates of imagery and gives viewers visual substance. While writing will always be the standard for story and communication, filmmaking is a true visual art. Bashing remakes of treasured pieces of literature is no different than scoffing at Shakespeare’s plays for the aged language. Film adaptions have added dimension to the world of English, as well as disseminate the morals and motifs of these stories for our digital age in a relevant way.

A well-known phrase in the English language is, “a picture is worth a thousand words.” This catchy slogan is commonly used to convey emotion, individuality, and personality in an image. In the film industry, creating movie posters will indefinitely be a part of the phrase above. According to Alexander (2011), “a movies poster encompasses the message and feeling of the film, it should be the main source of attention for the release of a new movie” (n.p.). For this project I chose the genre, Drama. Within this genre, I chose three movies that are very diverse to analyze. The movies that I chose were, Holes, Gone Girl, and The Shawshank Redemption.