The Archetypal Hero's Journey in The Da Vinci Code Essay

A hero is universally seen as a selfless individual who puts the needs of others before themselves. Heroes usually hold the same values; honor, nobility, integrity, and strength. Now what happens when a person does not hold those heroic values? What if their motivations did not have good intentions? These are the questions that will be answered using the deconstruction critical lenses. “Today, it is much harder to detach the concept of heroism from morality; we only call heroes those whom we admire and wish to emulate.” (Lebarge web) The Greek myth of Theseus and the Minotaur has evolved into the modern trilogy of Batman which, when deconstructed, reveals how the selfish motivations of

The concept of a hero has been around for many generations, and the meaning of a hero is defined in ways people grasp its idea. A hero can be a person who has a superpower and is willing to make a personal sacrifice for the benefit of others or can be an ordinary everyday person who just wants to help people out of his or her own heart. Linda Seger’s article, “Creating the Myth,” tackles the idea of a “Hero 's Myth,” and shows the ten steps of how heroes are transformed from an ordinary person to the Savior. On the other hand, Robert B. Ray piece titled, “The Thematic Paradigm,” emphasizes that in modern films, it is either having an “Outlaw Hero or an Official Hero,” which he uses three stages to demonstrates how they are different each other in the way they perform in the society. Further, the article, “Out of Character: Wonder Woman’s Strength Is Her Compassion - What Happened?” by Stevie St. John, explains how Wonder Woman was viewed as a compassionate woman in the 1940s and 1950s, and in the 2000s she changes into a more violent person. In this essay, I argue that a hero is subjective, and is defined by the villain or event that they had to adapt to suddenly.

Throughout history the traditional heroic elements have changed because of our society. Although elements of a hero have changed there are also certain characteristics of a hero that stays the same, such as a hero’s character and courage. This can be seen through Beowulf , “ The Epic and the Epic Hero,”and the movie “The 13th Warrior.”

There are a number of many different archetypes found in works of fiction and nonfiction that bestow upon the hero his true role in a work of literature. In the Middle English, chivalric romance Sir Gawain and the Green Knight, Gawain’s role as the hero emboldens as the story describes more and more archetypes of the quest. The monomyth can be described as the three step process that the hero takes in completing the quest motif. The basic template is supported by “separation, initiation, and return: which might be named the nuclear unit of the monomyth” (Campbell 28). Each of these three categories contain other subcategories, which help understand the different archetypical situation within the work itself. An understanding of three key archetypes -the magic weapon, the boon, and the unhealable wound- reveal the essence of Gawain’s role within the archetypal quest motif.

Small or big, everything we do in life is part of our journey. Reg Harris’ “The Hero’s Journey” describes the voyage one takes throughout life to grow and change as a person. He breaks the journey down into eight steps leading to the return. It starts out as a goal that isn’t always easy to reach, one goes through hardship and personal doubts only to succeed and become a better person. An example of this journey can be found in the movie, Troy through the character Achilles. Achilles is a strong fearless warrior in the movie, Troy who goes through “The Hero’s Journey” and ends up with a change of heart.

Life is a precious gift, as you only get one chance to become your best self. In life everyone has hopes and dreams to find their calling to potentially make a difference in the world. In literature we are presented with an abundance of epic hero stories, referring to fictional or non-fictional characters that have made a difference in their world. These characters grant the reader with entertaining stories pertaining to historical or fictional events that reflect the hero’s journey to making a triumphant change. Joseph Campbell’s theory that every hero has a similar journey to becoming their best self commences with a call to an adventure. The call to adventure is the first and most important step in Joseph Campbell’s hero monomyth, “A hero with a Thousand Faces.”

Society is moulded into its existence through history. The events, the people, the laws, and the beliefs encapsulate the atmosphere of a society and further its expansion of new ideas aimed towards success. Each society embraces different morals and function in ways applicable to what they aspire and to what history has manufactured. Society often influences the behaviours of those within it and encourage confidence in their leader and his or her commandments. However, there are those who refuse to comply with society’s rules, recognizing its faults and believing that a change must occur in order to live happily. In a world composed of the supreme, of watchful eyes, and of laws so extreme that even an immoral thought could have you arrested, one may find themselves struggling to live and attempting to test the rules by rebelling against their almighty sovereign. A character departing on such a journey can be defined as the archetypal hero. The archetypal hero described by Joseph Campbell is “someone who has given his or her life to something bigger than oneself.” The hero is typically the protagonist of a novel, and when analyzed deeply, possess great self-courage against his or her enemy. He or she will inspire various emotions within the reader and take them on an adventure, conveying significant universal truths.

Usually, when people think of the word ‘hero’, their mind conjures up several images of Superman, Batman, or Spiderman. Most people think of a hero as a steroid-riddled man in a tight suit and a cape, capable of flying, shooting lasers out of their eyes, or using some other kind of superhuman abilities. But a hero in a classic story is a completely different kind of archetype. Archetypal heroes are far from perfect – receiving supernatural help and making fatal flaws. A hero also embarks on an epic journey in which they face many issues, and are often honored after their death.

It was a clear tranquil London evening, warmer than you would expect in mid fall. At this late hour these streets were completely vacant, with only the street lamps and occasional shop window illuminating the road. The only sound was the pounding of sneakers frantically hitting the pavement. With every step the noise grew louder, bringing the woman closer to the street and,she prayed, safety.

Leonardo da Vinci was a painter, sculptor, architect, inventor, and military engineer which is the perfect example of a “Renaissance man.” With a curious mind, da Vinci studied the laws of science and nature, which greatly informed his work. His ideas and body of work have influenced countless artists and made da Vinci a great influence of the Italian Renaissance.

Screams filled the air. Only then did Jessie Grant realize they were his. He had been having this dream for some time, his dad’s and mom’s death. Before they boarded a cruiser when he was seventeen, his parents were his best friends, now he had nothing.

In Milton's Paradise Lost, he writes the story of the fall of Satan, his followers, and mankind. Many critics often view Satan as the unlikely or tragic hero of the epic poem. Satan is, obviously, the main character throughout most of the poem, but not necessarily the hero. Satan's main purpose is to fight G-d, and try to be on the same level as Him. The important thing is to realize that Satan is sin, and being humans, who are all born into sin, we can easily relate to a sinful character. G-d is holy and perfect. This is something which we, being fallible humans, cannot begin to comprehend. Satan does, at the beginning, follow many of the attributes which coincide with Aristotle's definition of a tragic hero; however, after the

In The Hero with a Thousand Faces, Joseph Campbell delineated the essential features found in myths and stories of heroes and heroic journeys. His purpose in doing so was partly to elucidate the notion that we are all heroes on the course of our own adventures. Looking at contemporary works of fiction through the lens of the heroic monomyth, we are able to make connections between our own heroes and ourselves. Jax

The classical hero is a timeless description of human beings all around the world. Not only is it part of some human’s nature; it is used as a source of entertainment for people as well. The classical hero is seen both in the Iliad, as we have discussed, and in today’s world every day and in most cases everywhere. Heroes are seen today in TV shows, novels, movies, sports, in politics, and on the news, etc. As an audience, we love to study the classical hero whether we’re watching something or reading a novel or story about one. It always seems to be exhilarating because it’s part of our nature. The story of the hero motivates individuals to want to be like that person and strive to help

The hero archetype has prevailed throughout literature and media for thousands of years. This quixotic character completes a quest or expedition with little to no faults. In recent times, the ideal hero archetype is challenged by the untoward anti-hero archetype. Today, the anti-hero is largely represented and featured in recent film and society. The hero archetype is losing prevalence in modern fiction stories due to the increasing demand of the anti-hero.