The Argument That Rossetti 's Confidence

In the opening, she shares her childhood encounters with women in prose with the children’s rhyme “a little girl who had a curl”. This personal anecdote introduces the topic of the portrayal of women in literature, as well as establishes a connection with her audience.

Within ‘A Doll’s House’ Nora Helmer has a strong appetite for knowledge. This is particularly evident in her voracious longing for independence: “But it was great fun, though, sitting there working and earning money. It was almost like being a man”. This knowledge of “being a man”, and what that entails, would be unknown to many women during the Victorian era due to the fiercely patriarchal society that was perpetuated. The desire for knowledge and its inaccessible nature is particularly evident in the lack of further education for women. In fact, in the United Kingdom the first widespread report of female further education was the Edinburgh Seven in 1869. Whilst that instance of knowledge was not destructive, in the case of Nora and ‘A Doll’s House’ her appetite for knowledge is ultimately catastrophic for the Victorian female ideal due to the secrecy she creates around it: “My husband must never know of this”. As a result of this concealment and Nora’s appetite for knowledge, the Victorian ideal unravels and ultimately becomes destructive. Likewise, in Rossetti’s ‘Goblin Market’ an appetite for knowledge is ultimately destructive for the characters within the poem. After tasting the “fruit” of the “Goblin Men” and becoming knowledgeable of the taste and effects of it Laura “knew not was it night or day”. This confusion of time and geographical

The poem ‘Maude Clare’ highlights the good and bad, humble and hubris through the characters Maude Clare and Nell. Rossetti uses similes to show the qualities of the two women, Maude being the tempter of sin and pride, ‘like a queen’, and Nell being that which is of purity and humility, ‘like a village maid’. The religious references are very apparent with the washing of hands, ‘I wash my hands thereof’, referring to the purifying of Christ

REVIEW Edgar Rossi has exceptional skills, but because of his behavior and association with alcohol he is affecting those he works with and costing the company money in lost production time. Over the last six months I have witnessed Rossi’s behavior become more erratic and I have smelled liquor on his breath more than once. With my coworkers and I covering for his lack of work, none of the managers have not noticed Rossi’s inconsistent behavior as of yet.

Robert Browning provides a critical view of gender and power relations in his dramatic monologues “Porphyria’s Lover” and “My Last Duchess.” The dramatic monologue, as S.S. Curry has written, "reveals the struggle in the depths of the soul” (11). Browning delves into the minds of characters to show their conceptions of women and ideas of power. He explores the mental processes of the characters, and invites readers to question societal ideas of power and gender. The mental pathologies of the speakers is emphasized, which forces readers to examine the sanity of their own notions of gender dynamics.

Contrasting her positive thoughts of living life to the full, Rossetti also releases her inner emotions regarding her own experience of not being successful in love and consequently was unable to enjoy life like others do. Through ‘song’, “Who look upon them hand in hand”, Rossetti realises how nicer the world could be if she was able to share it with someone special. “Two doves upon the self same branch”, using the recurring motif of ‘innocence and purity’, Rossetti attempts to see life as others do who take time to observe the beauty that surrounds them, and wishes that she could be as content, “Oh happy they who look on them”. Aware that she looks at herself and her life in bleak terms Rossetti affirms, “Who look upon them hand in hand/ and never give a thought to night” as she constantly refers to

Despite the achievements of women in many different fields, society still attempts to limit women to certain roles. Furthermore, in the poem, women “… are defined […] by what [they] never will be,” (lines 19 - 21); once again, the author claims that women are defined by what they are unable to do because of gender bias. Instead of being given the chance to be influential, they are continually limited to staying at home or doing jobs “meant for women.” Finally, Boland tells the tutor that women “…were never on the scene of crime,” (lines 27 - 28). This serves as a metaphor for how women are never allowed to do important jobs; instead, they are left at the sidelines due to the repeatedly ignored restrictions placed on women by our gender-biased society.

As a senior revising and expanding this essay, I realized how much I have grown as a writer and a student of literature. When I began revising, I realized that the focus of the paper needed to be narrowed and focused more on the play Arcadia, in which Thomasina is the exception to the types of women characters stereotypically

Rossetti capitalizes on the appearance of a beautiful woman to address the vain pursuit of beauty in place of love. In the poem, Rossetti writes, “And one there sang who soft and smooth as snow / Bloomed like a tinted hyacinth at a show” (4-5). A graceful singer has always been considered an emblem of beauty to the world. In addition, fairer complexions, similar to the color of snow, characterize delicate and attractive women. Rossetti also uses the brilliant colors of hyacinth flowers to further describe the woman’s alluring nature. Because the woman has such an appealing appearance, she most likely attracts a lot of male attention, so it should not be surprising to readers that out of the three women, the beautiful one seeks love through marriage. Rossetti states, “one temperately / Grew gross in soulless love, a sluggish wife” (9-10). Since the man only married the woman for her beauty, he neglects her when she grows old and unattractive. The woman dwells in soulless love because the man’s love for her was only skin deep and did not involve her heart.

while or was it all just a game to him? He used her and made her

of Woolbridge’s actions for the sake of her reputation. The poem has a major theme of Women

Although the structure of the poem contributes to its emotiveness the language is also essential to exhibit Rossetti's "passion". The natural imagery in the last three lines of each stanza contrast Rossetti to the natural world, they demonstrate how she feels left out of natural cycles by having no mate. There appears to be a longing to bear children in the last stanza, possibly Rossetti wishes not for the love of a partner but for the love of a child. Nature is usually associated with the idea of mating for

Every author, poet, playwright has a subtle message that they would like present to their audience. It may be a lifelong struggle that they have put into words, or a multiple page book that took a lifetime to write. A poet by the name of Anne Sexton sought out to challenge society’s views of women by writing “Her Kind”. A poet, a playwright, and an author of children’s books, Anne Sexton writes about the conflicts of a social outcast living in modern times. She voices the hardships she faces through three different speakers in her poem. At the end of the poem, the woman is not ashamed nor afraid of whom she is and is ready to die in peace. In Anne Sexton’s poem “Her Kind”, the main idea the speaker is depicting is the multiple stereotypes placed on a woman, by society. Sexton’s vivid use of imagery paints a picture of the witch, house wife, and mother cliché, while also implying the poem is autobiographical as Sexton went through her own personal struggles during her life.

The Victorian society in which this novel takes place sets us idealized versions of the woman that Edna Pontellier should be. (Madame Ratignolle, Ms. Reisz, the lovers, the woman in black.)

Ironically, Rossetti’s portrayal of seduction is in stark contrast to accepted notions of the Victorian period in that the male characters signify dangerous temptation, not the troubled females. The goblin men confirm this contradiction by representing the venomous effects that experienced seductive men have on innocent naive women. Rossetti’s ironic gender split exemplifies her progressive attitude of feminist thought while also serving as a depiction on the principles of Victorian society.