Essay The Art Cowboy

Jackson Pollock was not known for painting images, that's because he didn't use a brush He believed the brush would interfere with the dripping of the paint. Instead Jackson used a stick to pour paint onto the canvas. He would change the color, type of paint, and the thickness of the paint as the work progressed. Therefore, the painting would reflect the movements of his arm and body as he applied the paint. The activity of the painting would become part of the painting itself. That style of painting is called action painting. Jackson Pollock was the first "all-over" action painted just like Cernuschi stated on page 67 in his book Meaning and Significance, "He painted no image, just action." It looked like Pollock almost imitated a dance. Pollock dripped paint all over the canvas, but always had total control of where the splash of paint would be. That is how he got his nickname "Jack the

Jackson Pollock was a legendary, novel, abstract expressionist who has created numerous paintings through his drip-style, action painting technique (Goodnough, 2012). Theosophical influence arose from Phillip Guston and Thomas Hart Benton, while in the early stages of the artist’s life. Muralists, such as Jose Clemente Orozco and Diego Rivera were also admired and studied by Pollock. He was captivated by the unorthodox techniques of David Alfaro Siqueiros which contributed to the abstract style of Jackson Pollock (Solomon, 1987).

The technique that Jackson Pollock adopted was referred to by many as ‘drip’ painting. This technique can be seen in his works of art from 1937 and on. The way in which Pollock created his ‘drip’ paintings would be by taking ordinary house paint and either pouring, drizzling, or flicking it across a canvas. To many critics and other artists, his technique appeared odd, especially since he was known for not using any ordinary artist’s tools. He removed himself from the confines of what an artist was expected to use by getting rid of his easel and paintbrushes. “Pollock succeeded by eliminating the brushstroke as a mark of gestural energy, in getting his labyrinth of colours to emerge in a more or less autonomous way on

Rathnasambhava, the Transcendent Buddha of the South and Madonna Enthroned are very similar images that were produced by very different cultures. Both images were produced during the 13th Century. The image of Rathnasambhava, the Transcendent Buddha of the South was produced in Tibet during an interesting period of the country’s religious history. The branch of Tibetan Buddhism is led by a religious and sometimes political leader called the Dalai Lama. It was during the 13th Century during the reign of Kublai Khan, around the time of the production of this painting, that Tibet experienced the first incarnation of the Dalai Lama. One has to wonder if this painting is somehow related to that occurrence. According to

Hayden believed in the benefits and effects of a progressive country, seeking to change the world in which many are part of. Along with Hayden came landscape artist William Jackson, who was motivated to share remarkable scenery and the truthfulness of western nature. During this period many people were curious to learn more and more about the changes occurring in society, such as industrial. Jacksons painting were set to be a combination between nature and upcoming technology, such as railroads. However, after research was composed by comparing the art of others, some aspects of his painting were put into question. In theis article, Anderson argues that the viewer only gets a glimpse of what is on the painting, but none of how it was composed. To prove Andersons argument, she mentions that many artist such as Jackson combined their observations (photographs, elements, and techniques) and the ones of other artist and fabricated one whole image out of that information. Many artist promised truthfulness, but the final work showed otherwise. Unlike landscape painting, photography assured accurate changes like nature, villages and the constructions of

The artist I researched is Cindy Sherman. She is a American Photographer born on January 19, 1954 in Glen Ridge, New jersey. Her parents had five children and Cindy was the youngest of them all. Her parents were not quit interested in art. Her dad was a engineer and her mom was a teacher. In the early 1970s, Cindy enrolled at State University of New York to study art. There, Cindy discovered that painting was not her gift. Cindy stated, "I didn't want to make 'high' art, I had no interest in using paint, I wanted to find something that anyone could relate to without knowing about contemporary art. I wasn't thinking in terms of precious prints or archival quality; I didn't want the work to seem like a commodity." She could not express her artwork through panting. Instead, she began to take photos.

Jackson Pollock (1912-1956) is one of the most famous American abstract expressionist painters from the 1940s and 1950s. He 's also known as the "Jack the Dripper" for his unique style of drip painting. The "Sea Change" was created in 1947 and was one of a small series of his paintings that displayed at the Betty Parsons Gallery in New York in 1948. It is a five feet tall and four feet wide painting. The work was donated to the SAM by Peggy Guggenheim, a wealthy art collector. She was also the person who opened the Art of this Century Gallery, and helped launch careers of many abstract expressionists, including Pollock.

Pollock began doing all of his works in a completely abstract manner in the mid 1940s. But, after 1947 is when Pollock's most recognizable abstract works would be produced. This is when he began placing large canvases on the floor and creating his famous abstract works. On these large canvases, he started to use his "drip" technique, which was first shown to him by Siqueiro. These drip paintings were first shown in 1948. They are said to reflect both ecstasy and anxiety. After they were introduced to the world, a critic actually characterized Pollock as "Jack the Dripper". These works captivated and scared his future wife, Lee Krasner, a painter herself.

Jackson Pollock’s “Number 1” was created in New York City in a barn­turned­studio next to the small house he owned on the East End of Long Island. His property led directly to Accabonac Creek, where he gathered inspiration from the watery light and the eelgrass

Art has always been a safe place for me. I had struggled with acne since 2nd grade and was extra self-conscious about it. In art, it's you, a pencil, and some paintbrushes. It was an obvious choice for me to select art as my 6th grade elective. What I didn't know was that a large quantity kids had signed up for theater, that some of them were placed into art, and elective that they hadn't picked for themselves. Of course, all of the annoying boys that didn't get into theater were forced into my art class. One of them, an especially irritating 6th grader named Harry, was on the verge of forcing me pull my hair out.

Taking following extreme cases of abstraction, when speaking of Pollock’s work such as his ”Autumn Rhythm” (1950), we realize how the visual formed is fully based on science and gravity that permits the dripping and pouring of the paint on the horizontal canvas. But, by walking around/on the canvas we can argue Greenberg’s analysis and suppose that the painter possibly connects with it, he gets drowned in the act and merges inside the painting while mechanically pouring paint on the canvas. This means that even though the painter tries to focus on the flatness of the painting rather than the content and is physically detached from the canvas, this focus cannot erase an emotional

White Light has numerous colors and one can estimate that there are seven colors seen with the naked eye red, yellow, blue, green, grey, white, and black, although tint and shade vary, some of the colors are darker or lighter in value due to the fact that they have been blended into one another. Determining the colors requires a person to look not only on the surface but analyze each layer to arrive at a conclusion of color usage. Pollock dripped paint onto the canvas straight from the tubes which the originated from. Those tubes were also used to create soft peaks and layers to make the artists’ work texturally as intriguing as the color choices. He also used a stick instead of a paintbrush to cast the mediums onto the canvas. Another interesting fact is that Pollock painted with his canvas on the floor to feel a direct connection with his art.

Performed on canvas laid flat on the floor, Pollock makes no physical contact with the canvas whilst painting. The canvas seems to convey a telling of Pollock’s vigorous working methods and turbulent life to the audience, as the work consists of glass shards and footprints embedded into the canvas. Pollock’s boundary breaking manipulation of surface ultimately encourages artists to imitate his new and non-traditional methodologies within art making.

Jackson Pollock succeeded in developing a new artistic technique to depict the world by accepting culture’s initial reactions understandingly and remaining confident in himself. Pollock broadly describes the origin of his use of abstract expressionism in a 1949 interview with William Wright. He explains how he practiced many of the great historical art techniques in school, but felt that “the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture”

The history of art dates back to ancient times. Artwork can be, and was, found around the world. What makes art interesting is that it can be created in any way, shape or form with any materials. It seems that the artwork can also tell us a lot about the artist. Art seems to be simply, a direct, visual reflection of the artist’s life. Therefore, one can assume that an artist’s life experiences and beliefs directly influence their art. If we look at examples from different periods of art we will be able to see the connection between the artist and the art.