The Art Of Jackson Pollock's White Light Painting

Jackson Pollock was not known for painting images, that's because he didn't use a brush He believed the brush would interfere with the dripping of the paint. Instead Jackson used a stick to pour paint onto the canvas. He would change the color, type of paint, and the thickness of the paint as the work progressed. Therefore, the painting would reflect the movements of his arm and body as he applied the paint. The activity of the painting would become part of the painting itself. That style of painting is called action painting. Jackson Pollock was the first "all-over" action painted just like Cernuschi stated on page 67 in his book Meaning and Significance, "He painted no image, just action." It looked like Pollock almost imitated a dance. Pollock dripped paint all over the canvas, but always had total control of where the splash of paint would be. That is how he got his nickname "Jack the

The tone used in Vincent’s painting were a mixed of warm and cool colours to convey his emotions. In order to achieve the dramatic mood of this painting, Vincent used white and yellow oil paints, which marries well with the blue and green to create the night sky.

The medium used for this work of art is oil. In this technique the oil acts as a binder and causes a quick drying layer that can built upon. The formal elements of a painting include line, color, space, light, texture and pattern. The line appears to be an implied line in which the work creates directional movements from top to bottom. But also forces the viewer to see how the figures stand out and there importance in the painting. The color shows a subtle spectrum with a detailed background from the skies to the mountains to the artist table canvas. The light is somewhat even throughout the painting showing emphasis on every figure holding something in their hands; and more so the final product of the artist that are being captured on the canvas. The visual texture of the painting appears to be smooth and the pattern is decorative and somewhat vibrant. The principle of unity and variety are evident in this painting, the design itself shows a sense of community of important figures throughout African American history. I was drawn to this piece because it embodied the heritage of African American art through history. This painting by Hale Woodruff displays many of the significant contributions that African Americans made to the world of Art. Not necessarily “picture art” but all realms of life art: cooking, liberal arts, politics, labor, law and many more through his vibrant

It is a painting using the swirling turmoil of line to make up the piece. You can tell this is a painting by the different styles of line and color.

Jackson Pollock was a legendary, novel, abstract expressionist who has created numerous paintings through his drip-style, action painting technique (Goodnough, 2012). Theosophical influence arose from Phillip Guston and Thomas Hart Benton, while in the early stages of the artist’s life. Muralists, such as Jose Clemente Orozco and Diego Rivera were also admired and studied by Pollock. He was captivated by the unorthodox techniques of David Alfaro Siqueiros which contributed to the abstract style of Jackson Pollock (Solomon, 1987).

The technique that Jackson Pollock adopted was referred to by many as ‘drip’ painting. This technique can be seen in his works of art from 1937 and on. The way in which Pollock created his ‘drip’ paintings would be by taking ordinary house paint and either pouring, drizzling, or flicking it across a canvas. To many critics and other artists, his technique appeared odd, especially since he was known for not using any ordinary artist’s tools. He removed himself from the confines of what an artist was expected to use by getting rid of his easel and paintbrushes. “Pollock succeeded by eliminating the brushstroke as a mark of gestural energy, in getting his labyrinth of colours to emerge in a more or less autonomous way on

While serving in the Air Force, White was both stimulated and inspired by the cultures he was exposed to during his world travels. White's global experience manifests in much of his art, with paintings, that are a mixture of various media that construct abstracted visual landscapes.

Upon entering the museum I was bombarded by this 12 x 45 ft. architectural painting. Almost resembling the museum building itself. With sharp horizontal and verticals lines, this multi colored piece reminded me of our last piece from project 8. Using a variety of colors with no obvious correlation, the clash of colors instantly made me reflect on how I could improve future and previous projects alike. The amount of straight lines in different lengths and widths, also reminded me of our piece from project 1. With no curves and lines going every which way, its amazing how a piece made entirely of lines with no figures could be so captivating.

Autumn Rhythm (Number 30) is Jackson Pollock’s most famous piece that shows action painting, a defining technique of Abstract Expressionism, and his innovative drip painting technique he developed in 1940. Pollock created his piece by placing the canvas on the floor, then he used brushes, or even his hands and started to drip the paint on the surface. His distinct technique of painting makes him absorbed in the creation of his art piece without being aware of what he is doing. Therefore, Pollock is free from realism and from his own self through painting because it relieves his anxiety now that he is focused only on his art. Pollock’s work is classified as non-objective because Autumn Rhythm (Number 30) cannot be related to any recognizable object from real life, so he is not constraint by reality, but goes outside the box as if liberated to soar free and paint from his

We can also see the use of black shades to create a hole at the bottom part of the rock. With his excellent use of colors, we can identify the good, healthy and green grass from the bad, unhealthy, brown grasses. Looking beyond the main focus of the painting, he uses colors to separate the sky from the land in the background creating a solid form of perspective on the painting. He also uses colors to create water forms as seen behind the young character. Now, for the sky, he uses shades of white to magnificently differentiate the thick clouds from the light ones. He also uses this to create a source to light to the whole area. All these put together creates a splendid, realistic and familiar atmosphere for the viewers to relate with.

In order for a work of public art to be considered effective, it must have an element of complexity, provoking the thought of the

The dominant figure that steered the course of the Abstract Expressionist movement was the infamous painter Jackson Pollock. He was born Paul Jackson Pollock in Cody, Wyoming on January 28, 1912. He was the fifth and youngest son and grew up in Arizona and California after his family left him when he was a little over one year old. Pollock's artistic journey began at the Manual Arts School in Los Angeles, California where he joined two of his brothers. From there, he went on to New York to attend the Art Students' League after being convinced by one of his brothers whom also attended the school.

Taking following extreme cases of abstraction, when speaking of Pollock’s work such as his ”Autumn Rhythm” (1950), we realize how the visual formed is fully based on science and gravity that permits the dripping and pouring of the paint on the horizontal canvas. But, by walking around/on the canvas we can argue Greenberg’s analysis and suppose that the painter possibly connects with it, he gets drowned in the act and merges inside the painting while mechanically pouring paint on the canvas. This means that even though the painter tries to focus on the flatness of the painting rather than the content and is physically detached from the canvas, this focus cannot erase an emotional

White light delivers a visually stunning and sensory rich evocation of what art should emanate. The work is energetic and passionately wild. When one looks at the painting it is clear to see all the emotions Pollock holds inside and the desire to keep the pain, torment and other sentiments at bay in order to continue being productive and have some semblance of peace. White Light is a visual representation of this fact and even though the artist tries

This masterpiece was painted by Van Gogh in 1889 while he was receiving treatment in Saint-Paul-de-Mausole, a mental asylum. The beautiful painting that many people have come to love today was never appreciated during its own time. Various art critics thought that the large brush strokes Van Gogh had made in Starry Night seemed “messy” and “childlike”. The strokes also convinced people that Van Gogh was truly crazy and that he was not as talented as other artists. Yet the pencil thick lines are what made the painting look hyper-realistic and eye-catching. They have a calming, consistent effect on people whose eyes want to follow the swirls and lines. The brush strokes that Van Gogh added more texture, detail, and blended the colors easily to one another in Starry Night. The realistic details make it feel as if the painting is trying to get a message across to the public. With every line that Vincent van Gogh had made he put as much feelings into them as he did with effort.