The Art Scene in New York City in the 60's and Early 70s'

A primary objective in measuring productivity is to improve operations either by using fewer inputs to produce the same output, or to produce:

My favorite era is the Contemporary Era. In history, the Contemporary Era is a time that had profound changes the modernized the identity of the development of many new cities. In the early modern era, people and cities grew through the spirit of modernism throughout all over the world. People were going away with cultural traditions and starting a new civilization future for the twentieth century. The founding on new discoveries cause new foundation trends to be expressed with a new understanding in believing and living.

As we know, the result of “Art is” is “Art is” which returned in an ephemeral form at the Studio Museum. All forty photographs are on display on the basement level of the galleries, which are supposedly reserved for pieces in their permanent collection. The room just outside, whether coincidentally or not, is filled with photos of students - reflecting personal memories. How the museum decides to play with this, is by missing them with old-timer photos of Harlem from the

The 1920s were a time of great prosperity and revitalization. This decade gave way to many great social milestones for every class of people. From the limits for immigration to the boom of the auto industry American society was drastically altered. Issues such as foreign immigration,prohibition, the Ku Klux Klan ,evolution, women’s roles, and race were the focus of the populus and drove politics within the nation. Art played a major role in how the black community expressed their new found sense of culture. Painting has always been a way for someone to portrait their ideas.

America finally had the war behind it. The country was booming and the majority had a carefree attitude. People were accustom to their lives and were not prepared for what was about to happen in 1929. The new decade would be a time of great change for everyone – art included. The 1920’s would bring a rollercoaster of events to America.

The entire interview was intended to a specific audience – artists. Thus, ethos was a vital technique to establish the speakers’ credibility in their commentary about the art industry. Both Wiley and M.I.A are recognized artists in their particular fields. At the onset, their credibility as artists and thus, critics of the industry are well established throughout the interview. By narrating a wealth of experience in working with different artists from different countries, their thesis about the death of art in New York is strengthened. By reputation, both artists are multi-awarded. Wiley is a Yale educated portrait painter whose work has been cited for its unique fusion-style rendering of African-American men in heroic poses. He is recipient of the Artist of the Year Award from

It is believable that John Vanderlyn, in his painting Landing of Columbus, was trying to portray the success of Columbus and his crew. Columbus heroic stance and elegant expression are made all the more impressive in comparison to the native people who witness the event. The Native Americans are naked, fearful or subservient, bowing down before the explorer in awe and reverence. The symbols of empire are shown in the heroic explorer with his Christian crosses and steel swords symbolizing the significance in the power of civilization. In 1836 of June, Congress had commissioned John Vanderlyn to paint the Landing of Columbus. About eleven years later the painting was

When driving or walking anywhere in Los Angeles there is graffiti or street art all around. Some say vandalism and I say ART. There is so many types of street art, like tagging, stickers, characters, murals, and more. Places in Los Angeles are mostly covered with beautiful murals. When street artists create murals they create a voice for everyone in that community without saying a word.

Street art is progressively increasing as a forbidding magnet to charm tourists to the Bronx. People are taking benefit of the worldwide interest in street art and its strong origins as a Bronx art form, and expecting that this overpowers what Maruri named the “world-wide problem” of a bad image that the area still fights with.

Jan van Eyck was active since 1422 and died in 1441. He was the most celebrated painter of the fifteen-century in Europe. One of his famous works is “The Last Judgment”. At first sight this work immediately attracted my attention. The painting’s stunning colors and the fact that it reminded me of a previous similar work I have seen, triggered in my mind. The material that is used is oil on canvas, transferred from wood. The size of this work is 22 1/4 *7 2/3 in. (56.5 * 19.7cm).

Positioned alongside Central Park within the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museums, especially one as influential as the Met, inherently predisposes its visitors to a set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within a museum. By analyzing two separate works on exhibit at the Met, I will pose the argument that museums offer a unique expression of a world view that is dictated through every element of its construction.

The Museum of Modern Art in New York City is the world’s leading modern art. Its exhibits have been a major influence in creating and stimulating popular awareness of modern art and its accompanying diversity of its styles and movements. The museum’s outstanding collections of modern painting, sculpture, drawings, and prints range from Impressionisms to current movements. Moreover, there are exhibits of modern architecture, industrial design, sculpture, photography, prints and electronic media. The museum presently has a modern art library of 300,000 books and impressive collections of films that are shown regularly. The Museum is said to be the complementary of the Metropolitan Museum

Near the end of Woody Allen's 1977 film Annie Hall, Diane Keaton's role as Annie says to Allen's character Alvy Singer, "You're just like New York City. You're an island!" However, the link between Alvy Singer and New York City is not simply a fictional creation. Nor is the connection between Allen's character Isaac Davis and New York in his 1979 film Manhattan fictional adoration. Woody Allen loves New York. It is through the various characters he portrays and through a camera lens that he shows New York in the most majestic and beautiful way that he can. However, both films do so in very different ways. In Woody Allen's Annie Hall and Manhattan, Allen uses the camera lens to convey how big and majestic the city can be. This is done in

Art is all around us. There are many different forms of art. It can be something created, captured, or it can be already existent. Not a single person is to say what makes something art because there is a different definition for everyone. However, there are a couple factors that come into mind whenever someone decides to declare something as art. In this essay I will be comparing and contrasting four different pieces of art. I will be discussing each art piece’s form, time period of creation, intention or purpose, and value. These four pieces of art are Michelangelo’s Pieta, Fountain by Marcel Duchamp, Mark Rothko’s No.61, and the “Oyster Dress” by Alexander McQueen. These works of art come in all different shapes and sizes but they are valued

“Painting today is pure intuition and luck and taking advantage of what happens when you splash the stuff down. “- Francis Bacon. However when I learnt more about history of art and the way each movement and happenings in the world inspired artist to make new works, I was able to see much more than just a canvas with random paints and sketches. The interesting part about this concept is that each piece of art could be interpreted in many different ways. In contemporary art there isn’t right and wrong, each of us view and find different meanings and connections with artworks.