The Art Style Of Art Nouveau, By Alphonse Mucha

In the 1920's Art Deco was a popular form of art. It also influenced architecture, fashion, and furniture. Art Deco used bold geometric shapes and strong colors. It used concrete, smooth stone, and terracotta as materials. Art Deco represented modernism and a bright future.

The artwork during this time was influenced by Art Nouveau which included “curvilinear shapes, illegible hand-drawn type, and intense optical color vibration inspired by the pop art movement” (Psychedelic 60s). Pieces included abstracts swirls, intense colors, and bending

Painters, musicians, and novelists could easily flourish during this time. American artists experimented with their craft and tried out different techniques that weren’t as popular in the 1900s and 1910s. In painting, artists created a new style called Art Deco was being created (Scott). Art Deco is a decorative art that largely affects architecture, and variety of interesting materials can be used in Art Deco, such as aluminum, stainless steel, lacquer, inlaid wood, sharkskin, and zebra skin. Art Deco also incorporates zigzag patterns, steps, sweeping curves, chevron patters, and sunburst. Well known American painters from the 1920s of Art Deco are Max Parrish and Cole Phillips (Scott). Another art form popularized in the 1920s was surrealism. It began to catch fire after the end of WWI and utilized techniques such as automatic drawing, automatic painting, decalcomania, frottage, fumage, grattage, and parsemage. Many surrealist paintings were made with the intention of looking dream-like and shocking audiences. Some pieces contained violence, nudity, and decay (1920s Art). Another type of art in the 1920s was modernism. Modernists, such as Georgia O’Keefe, broke away from traditional ideas. O’Keefe’s paintings were mainly influenced by the city scene and south west landscapes, such as “Ram’s Head with Hollyshock and Little Hills”

Art Nouveau, 1890-1914, explores a new style in the visual arts and architecture that developed in Europe and North America at the end of the nineteenth century. The exhibition is divided into three sections: the first focuses on the 1900 World's Fair in Paris, where Art Nouveau was established as the first new decorative style of the twentieth century; the second examines the sources that influenced the style; and the third looks at its development and fruition in major cities in Europe and North

known in the industry by his advertising and illustrations. A lot of attention was given to

His early paintings had an unconventional, unique, and unfinished look about them. The images were known to everyone in everyday life.

Image 2-1 is a color lithographic poster for Job cigarette papers produced in French by Czech Art Nouveau painter and decorative artist Alphonse Mucha. Image 2-2 is also a color lithographic poster for The Scottish Musical Review produced in Scotland by Glasgow Art Nouveau artist and architect Charles Rennie Mackintosh. Both were made in 1896-98 and both posters characterize the Art nouveau. Poster 2-1 establishes the iconic image of the “Mucha woman” with her exotic, sensuous posture and also with her swirls of exaggeratedly abundant hair. It’s

Beaux Arts style emphasized the classical forms and features by showing elaborate details while having heavy masonry, and massive plans. The Beaux Arts displayed elaborate details by integrating sculpture that was influenced by the Baroque and Rococo styles. It also had classical details such as pilasters, balustrades, and garlands. It was highly ornamented to the point that an elaborately decorated surface with little areas left unornamented became the hallmark for the Beaux Arts style (Architectural style of America, n.d.). Also, the Beaux Arts style is symmetrical because it was influenced by the ancient Greek revival. Columns, arches, vaults, and domes were all elements of the Beaux Arts. They used all of these elements and characteristics to try and imitate the European Aristocracy houses.

The period of Impressionism and Post Impressionism embarks from ca. 1860 to 1910 CE. For the Impressionists artists the main focus were the upper middle class, the city and restful activities. They emphasized in the outdoors, parks, sky, star, sun etc. in hope to obtain directly the effects of light and the atmosphere, this method was known as en plein air. This technique was influenced by the Japanese art and photography. They used strokes and touches of pure colors mostly white, almost never black. They were able to record or attain the shifting play of light on the surface of the object they were working on. This method allowed the artist to record the effect light had on the eyes of the spectator without concern for the physical aspect

2. How the human form was represented has changed drastically throughout history. Some of the the ways in which the representation of the human body in sculpture evolved over time are evident in comparing works of art such as Menkaure and his Queen Kah-merer-nebti II, Doryphoros, the Farnese Hercules, and Prima Porta Augustus.

The Abstract Expressionism brought a new form of art in the 1940s and 1950s where any artist had anything in common of their artwork in this discipline. However, the important characteristic about abstract has been the expression of the artist self to communicate feelings and emotions. Likewise, this art style brought the union of artists who become an inspiration for the young artist generation, and the creation of the Museum of Modern Art

Art nouveau is a style of art from 1892- that marries the aesthetics of nature with design. One of the artists that almost every single Art Nouveau gives credit too is William Morris; which truly fuses the arts and crafts with the power of nature. Morris was truly inspired by medieval manuscripts which had compelling designs throughout their pages. Assuming that Art Nouveau is inspired by this illuminated manuscript is not a wrong answer. Another artist that was a foundation to this movement was Dante Gabriel Rossetti; he explored the fascinating characteristics of nature, and how they could be applied to art. The female figure has been used by artists throughout the century to show the true emotions of the human body. This can be seen

He continued to develop his own form of Art Nouveau, focusing on harmoniously uniting practical function with organic design. Although his early career was successful, his true breakthrough didn't come until 1900, when he was selected by the Paris Metropolitan Railway Company to design the architecture of multiple gates advertising the métro. (Waldman)

By the turn of the century, a new movement emerged known as Art Deco. This movement along with the world was halted by the development of the first World War. It was around this time that the second Industrial Revolution began which lead to the develop of machines that is highly used today. From the Art Story, John Glennon says, “That crafted quality was emblematic of a kind of elitism in opposition to Art Deco's more egalitarian aim: to make aesthetically appealing, machine-made objects that were available to everyone.” This was apparent with London as it was traditionalist and elitist view when it came to architecture. This result them not to follow the initial movement as they were opposing this movement for Art Nouveau. Later, London would

When one considers the term “Art Nouveau,” what comes to mind most immediately is “images of a European-wide invasion [characterized] by the restless dynamism of organic form”(Silverman 1). For me it is usually the work of Alphonse Mucha– his mysterious women surrounded by the beauties of nature. Often my Art Nouveau fantasies take shape in the odd fungal-shaped stained-glass lamps of Tiffany. Or sometimes they surface as the romantic Parisian posters I’ve seen at Pier One, advertising champagne or cats noir or bicycles or the like. But no matter what ones notion may be of what Art Nouveau looks like, there is a feeling that accompanies it that is at the heart of the style’s appeal. It is difficult to define or describe what