The Article Of Youth And Society-Urban Graffiti: Crime, Control And Resistance?

Many citizens and government officials believe that those with disregard for the law and private property strictly do graffiti. In a New York Times article published in 2006 a senior police officer stated in an appearance to the committee of the metropolitan transportation authority on graffiti, stating that, “This is an underworld, a segment of society that doesn’t see this as a crime.” (P B5) Gang members write names

By definition, graffiti is illegal. It is also considered vandalism because public or private property is intentionally destroyed, but in Alex Boyd’s blog “In Defense of Graffiti”, he clearly conveys his argument about how graffiti shows qualities of value and shouldn’t be criticized on impulse. Even though many people have seen graffiti as something to be condoned, punishable, and terrorizing, it is actually just another form of expression, communication, art, and point of view.

This movie took place after graffiti had been so staunchly looked down upon. Craig Castleman supports this in his article “The Politics of Graffiti”, when he goes through

Is it a work of art; or a piece of scrawl sprayed across some bare surface?

Societies tend to view the youth as the future and hope of a nation. To a certain extent, societies observe the behaviours and potential of the young people to ‘estimate’ the political and socio-economic future of a nation. When there is what societies view as a deviance from the norm when in it comes to young people – often there is what is viewed as a ‘moral panic’. I will be looking at the ‘moral panic’ of youth crime or juvenile delinquency, the role of its ‘moral

The role of theory in contemporary youth justice practice is crucial in shaping and conceptualising relationships between youth and crime. It provides a structure for how youth justice is practiced and helps make sense of today’s issues surrounding the topic.

A 1977 Time cover story about the “youth crime plague” contended that “A new remorseless mutant juvenile seems to have been born, and there is no more terrifying figure in America today… Youthful crisis prey on the most defenseless victims.” A prime example of monster youth comes in Willie Bosket, a 15 year old arrested for the murder of two New York subway passengers. He starting committing crimes, such as violent robbery, at age 9 and was the perfect illustration of permissive youth culture justifying the intense paranoia of the time period. This view also made youth culture seem like spoiled infants, meaning that any qualms they took during student protests in the 60s and 70s were simply tantrums holding no real bearing.

Gangs are becoming prevalent in today’s society and within our schools. More and more young people are turning to gangs in an attempt to escape their everyday lives and the future, which they perceive as dismal and bleak. They are initially attracted to the prestige and cash flow, which is glamorized by the street gang. Many gangs are actively involved in criminal misconduct, such as drug and gun trafficking, burglaries and homicides. However, street gangs are not just a criminal justice issue, but a social problem, which is triggered by poverty, peer pressure, boredom, despair and lacking a sense of belonging.

By the author comparing graffiti to a common trend appeals to the generation of the present. That causes the reader to think more personal about the situation.

This journal talks about the up to date political rhetoric and societies opinion on the topic of youth crime. In the article it states two critical societal gauges, the first being social order,” a society based on a persuasive and binding morality”, therefore the most important threat is disorder (Hartnagel, 2004, pp. 358). Next in order is justice; “a society based on a fair and equitable distribution of power, wealth, prestige and privilege minority (Hartnagel, 2004, pp.358). These two dialogues vary with whether order with justice or justice with order should be the controlling guideline. The journal talked about a murder case that had a negative impact on the public and a few politicians requested a change in the Youth Offenders Act (Hartnagel,

The 2011 London riots had many implications for society especially for young people; this essay seeks to analytically and critically discuss young offenders involved, using social exclusion and social justice as the main focus. This piece of work will briefly look at the historical context of social exclusion and social justice to create a platform, it will then move on to theoretical principles which offer an understanding of social exclusion and social justice. The implications of social exclusion and social justice for the young offenders involved in the 2011 London riots, such as an increased number of young people out of education, increase in youth unemployment and increase in the number of benefit recipients and the demand on the

The graffiti scene in Connecticut is growing as more walls are being sprayed painted with graffiti art and tags.

Elaborating on this week’s readings, Bombing Modernism: Graffiti and its Relationships to the (built) Environment, it is understood that the relationship between the built environment and graffiti has been a part of urban planning in development of the design of urban cities. Graffiti artist and art in general has long been factors for contributing to the gentrification of city neighborhoods and the displacement of lower income residents. Gentrification is the process of improving or renovating deteriorated urban areas so that they confirm to the middle class. With the increase of development in central cities around the globe, the interaction of art within neighborhoods has become a big topic in this process. It seems as though the developers are following the artist; case in point Miami’s Wynwood community, over a short period of time Wynwood has transformed from the city’s oldest Puerto Rican community to an art haven, with many new art galleries, studios, clubs and restaurants.

In addition, as Foucault (1983, in Kelly, 2000, p.466) believed, ‘not everything is bad but everything is dangerous… if everything is dangerous then we always have something to do’ and since youth-at-risk are considered particularly dangerous, adults have taken it upon themselves to keep these ‘dangerous risks’ at a minimum by keeping young people under surveillance in any way possible. The method of stop and searches has unfortunately resulted in more disputes and complaint from the youth of the community targeted at constables rather than coalition between the two (Kelly, 2000). As Kelly (2000) points out, the idea of ‘youth-at-risk’ surrounds all activities and behaviour involving young people and Ogden and Germinario (1988 in Kelly, 2000) go a step further and claim ‘all children are at times students-at-risk’. Unfortunately, this mentality about young people has not only increased surveillance around them, but it has, as a result, increased the conflict between young people and adults (Kelly, 2000).

However, graffiti doesn’t solely belong to gangs and gang members that need to communicate and speak through that. For instance taggers are artists, or lets say many of them think of themselves artists. Their graffiti is usually very clever and artful. Their art may still be associated with the act of vandalism (since they typically post their art on public belongings, public property, on the floor, on buses and trains, on the window of commercial businesses, walls and etc.). Some art museums are known to show tagger art in special exhibits. The foremost basic sort of graffiti is tagging within which the creator writes his or her name in his/her own distinctive style. This is style was really popular throughout the 1980's. The more advanced sort of graffiti called a piece or masterpiece that typically depicts a scene or well-known characters with some sort of expression. I significantly found this sort of graffiti extraordinarily political. This way of graffiti typically breaks the present taboos within the society. These types of graffiti art are most frequently found on subways or trains or sometimes even in tunnels in New York City.