Essay on The Artwork of William Hogarth

Gilbert Stuart’s portrait of George Washington is called the “Lansdowne” painted in the 1800, it is located in the American Wing; room Anthony W. and Lulu C. Wang Galleries of Eighteen–century American Art. It is an oil canvas painting displayed upright against the wall near the corridor, dimension are 48 x 37 in. This painting was lent to the museum by Mr. and Mrs. Michael Stienhardt in 2008. Alongside the George Washington portrait there are other portraits by Gilbert Stuart’s, such as “Matilda Stoughton de Jaudenes” and “Jaudenes y Nebot.” From a curator’s point of view, I felt like the artwork around the “George Washington” portrait was ideal because they all represented people in politics. The painting “Matilda Stoughton de Jaudenes”

This paper is a formal analysis of the Marble grave stele with a family group relief sculpture. It is a pentelic marble style relief standing at 171.1cm tall carved by a master. It is from the Late Classical period of Greek, Attic which was completed around ca.360 B.C. . I chose to analyze this piece as apposed to the others because I’m mainly attracted to art and sculptures from the Greek era. The overall color used in this relief is ivory with a few cracks and pieces broken off. There is some discoloration which causes the color to come off as slightly light brown for most of the relief. The sculpture appears larger compared to the other sculptures in the art room. It represents a family which includes a man, his wife, and their

While most of the primary characters in the American Gothic cannon are members of the aristocracy, their societally dominant position does not guarantee them satisfying lives. The focus of this analysis will be the portrayal of the individual as it relates to his or her economic status: does having wealth mean that upper class characters are more likely to lead fulfilling lives than middle/lower class characters? Through a close reading of Edgar Allen Poe’s “The Fall of the House of Usher,” Nathaniel Hawthorne’s The House of the Seven Gables, Kate Chopin’s “Désirée’s Baby,” and Edith Wharton’s Ethan Frome, readers can clearly see a pattern of social commentary in which the members of the aristocracy are—in general—the most restricted,

The slave is compositionally arranged in front of the Mistress in a predominant position, however as noted in our text this week, most of the slaves placed in the foreground of a painting in this era were done so in humor, to tease or to make them look immature (Pohl 278). As the title suggests, this slave has been dressed up by her Mistress in her Mistress’s clothing as a way for the Mistress to make fun of the slave, teasing her with a taste of wealth and upper class. Cany Peale’s previous career in fancy-goods gave her the understanding of what was in fashion

The 1920s were a time of great prosperity and revitalization. This decade gave way to many great social milestones for every class of people. From the limits for immigration to the boom of the auto industry American society was drastically altered. Issues such as foreign immigration,prohibition, the Ku Klux Klan ,evolution, women’s roles, and race were the focus of the populus and drove politics within the nation. Art played a major role in how the black community expressed their new found sense of culture. Painting has always been a way for someone to portrait their ideas.

Throughout the sixteenth century Satire was used as a method of both exposing and correcting vice. Isabella Whitney, the first known woman in England to publish a volume of poetry, wrote several satirical works. Throughout the duration of this course, although on the syllabus, satire was never discussed. Whitney used satire to write her two final poems “A Communication Which the Author had to London Before She Made Her Will” and “The Manner of Her Will, and What She Left to London and to All Those in It at Her Departing” which were published as the final two poems in her second volume, A Sweet Nosegay. They were written as a critique of modern London at the time. Although very little is known about the life of Isabella Whitney it is very possible to assume that her works, including these two, are autobiographical. These two works, regarding Isabella Whitney’s “last will and testament” to London should be included in L309 because of the different perspective that could be gained through; reading a work in which the speaker is portrayed by the poet, acquiring a female perspective, hearing the view of a member of the lower class, and the additional perspective it could add to the discussion regarding satire, or start the discussion in the case of this semester.

During the late 19th and 20th centuries Blacks in America were debating on the proper way to define and present the Negro to America. Leaders such as Alain Lock, W.E.B. Dubois, Marcus Garvey, and Tuskegee University founder Booker T. Washington all had ideas of a New Negros who was intellectually smart, politically astute, and contributors to society in trade work. All four influential leaders wrote essays to this point of the new Negro and their representations in art and life. In “Art or Propaganda”, Locke pleas not for corrupt or overly cultured art but for art free to serve its own ends, free to choose either "group expression" or "individualistic expression.” (National Humanities Center) In W.E.B. Du Bois speech "Criteria for Negro

The Whitney Museum of American Art has often been referred to a citadel of American Art, partially due to the museums façade, a striking granite building (Figure 1), designed by Bauhaus trained architect Marcel Breuer. The museum perpetuates this reference through its biennial review of contemporary American Art, which the Whitney has become most famous for. The biennial has become since its inception a measure of the state of contemporary art in America today.

Robert Burns wrote the poem “To a Louse” in 1786, in Scotland, that emphasizes the social constructs of man and as well as man’s vanity. Burns then goes on in further detail to explain the artificial concept of social class and perspective of the individual in society. He does this by describing one day sitting in church where he is behind gorgeous young noble woman while a louse is crawling upon her silken bonnet. The lady is completely oblivious to the fact that the louse is upon her bonnet while everyone sitting in the pews nearby point and wink with one another at the appearance of the louse. Through this ridiculous and humorous poem Burns is highlighting the vanity of human nature and the artificial construct of social class through his own eyes that he is seeing in eighteenth century Scotland.

Pablo Picasso was considered the greatest artist of the 20th century because of his unique styles and techniques. Pablo Ruiz y Picasso was born in Malaga, Spain on October 25, 1881 to a professor of art named Jose Ruiz Blanco and his wife Maria Picasso Lopez. Because of his fathers’ occupation, Picasso’s talent was quickly noticed and appreciated. Don Jose, an art teacher, moved Picasso and his family to La Coruna and then to Barcelona where he was Picasso’s instructor at the fine arts academy. At the age of 10 Picasso made his first paintings, and performed brilliantly on the entrance exams to Barcelona’s School Of Fine Arts. From there he went to the academy of San Fernando Madrid, and returned to Barcelona in 1900. In

Everyone has been created unique and there is no other that is the like anyone else. People think different, dress different and like and dislike certain things. This is similar to the artists of the nineteenth century including Pierre Etienne Theodore Rousseau and Joseph Mallord William Turner. They are both artists during the nineteenth century and were painted at the same time; however, there is a difference between their styles, their point of view, and the scenery. However there are similarities between the two paintings. The paintings that will be compared and contrasted are “Under the Birches, Evening” and “The Campo Santo, Venice.”

In the small town of Charleston, an older, lonely man sits at the bar in a Diner. A young couple sat at the other end drinking coffee. The woman was dressed nice in a pretty red dress and the man looking dapper with his blue suit and hat. The older man is a regular at this diner. He arrives at the same time, sits on the same stool, and is always dressed nice as if he were about to meet someone. He never did though. The waiter knows the older man by name and says, "Hey Hopper, anything new today or just the same old, same old?" whenever he would walk in. Hopper would just shrug his shoulders as usual and sit on his stool. He looks at the couple at the end of the bar and nods, while waiting for the waiter to get him his

When the new upper class movement, Renaissance, occurred in Italy around the 14th century, a revival of the classical forms originally developed by the ancient Greeks and Romans, an intensified concern with secular life, and interest in humanism and assertion of the importance of the individual began. Thus, artists such as Mosaccio and Giotto depicted art that unlike the Middle Ages, showed emotions, feelings, and bright colors, thus demonstrating the deep concern for naturalism in the society. Other artists during the Italian Renaissance period such as Giovanni Bellini began to express their art through secular and religious themes and ideas that were exhibited through landscapes and portraits. As new styles of

"A picture can paint a thousand words." I found the one picture in my mind that does paint a thousand words and more. It was a couple of weeks ago when I saw this picture in the writing center; the writing center is part of State College. The beautiful colors caught my eye. I was so enchanted by the painting, I lost the group I was with. When I heard about the observation essay, where we have to write about a person or thing in the city that catches your eye. I knew right away that I wanted to write about the painting. I don’t know why, but I felt that the painting was describing the way I felt at that moment.

His soul had arisen from the grave of boyhood, spurning her grave-clothes. Yes! Yes! Yes! He would create proudly out of the freedom and power of his soul, as the great artificer whose name he bore, a living thing, new and soaring and beautiful, impalpable, imperishable