The As A Progressive Series Of Our Time

It is often said that the media and the arts are an accurate reflection of any given community. This is especially true in American pop-culture, where television shows depict the various stereotypes attributed to men and women and the roles they play in society. House, a highly popular medical drama that revolves around Dr. Gregory House and his diagnostic team, is a particularly good example as it represents the true state of the traditional gender roles in American culture today by, both, redefining and reinforcing them over the course of the show.

Kathleen Joan Reichs, or Kathy Reichs for short, is an American author and forensic anthropologist(“Kathy Reichs | Biography.”). She is the author of many books, her main independent series being BONES and a collaborative series VIRALS with her son(“About Kathy”). Kathy Reichs is also very well known for the successful TV adaptation of her BONES books,following the life of a forensic anthropologist much like herself who uses her skills to solve murders. Kathy Reichs is an interesting person in that she is a successful author, a professor of Anthropology at the University of North Carolina-Charlotte, one of only eighty-two forensic anthropologists, and one of the producers for the television series based off her books.(“About Kathy”).

In a world where showing a bit too much shoulder was forbidden, came Susan Glaspell. Glaspell was an American playwright, born in the cruel times of oppression. This influenced women’s opinions on certain subjects which caused them to be silenced by fear of rejection from society. “A Jury of Her Peers” was based on an era where women felt as though it was unreasonable to speak up if they felt it was not absolutely dire. Harboring these pent up feelings could cause a person to act antagonistic. Minnie Wright was an example of this. She killed her husband and was subjected to the judgement of her peers. As the group investigated Mr. Wright’s death, there were two stories unraveling. The in depth explanation that the women figured out and the simplistic version the men had seemed to pick up (Glaspell). People would benefit from reading this story to begin to understand the struggle of what this and other women had gone through. Penn Manor American Literature students would benefit from having Susan Glaspell’s story “A Jury of Her Peers” in their curriculum because of how she expressed feminism through her writing at a time when it was new and discouraged; her ability to emphasize the themes with her settings and characters; and her literature that follows a protagonist that navigates through a sexist world.

However, it can be observed and said that they have always lived up to the image of “housewife” material or as a constant collaborator of a male role, instead of being the main character. According to Elasmar, M., Hasegawa, K., & Brain, M, on their essay the portrayal of women in the US prime television, “TV has portrayed females in many ways, studies have shown that women have been underrepresented and stereotyped in TV programs.” Women have been living under that invisible stereotype that has cornered them and does not allow them to grow professionally or socially. TV has been the master-mind behind a stereotype that has left women without the chance of demanding equality or credibility on shows, a stereotype that will always be mentioned and enforce if TV shows do not start producing real-world programs based on true stories or true qualities of

Booth had deceptive control over his murderous plan, as well as the conspirators he persuaded to help him. Each person had

Television networks are continually expanding their programming slates, and many in the past have switched to a year-round programming schedule that makes the phrase “summer return” basically absolute. On every channel, in every magazine, every darken theater, we see the way pop culture limits women’s role- girlfriends, victims, hookers, corpses, sex bombs, and “teases,” but why? Television, for most women, was the first place where they were able to visually see themselves represented. And for quite a while, they didn’t see much besides the loving wife, the dutiful daughter, gossiping girlfriends, fashion models, and the occasional maid, granny, or nanny. In Where the Girls Are: Growing Up

In the past few decades, a new stream of research has emerged in American crime and criminality. It entails the study of sensationalized murder stories. Such an inquiry is critical to understand Americans past in crime and criminality. Case studies such as the murder of Jewett are riveting thus creating a nuanced portrait of a historical moment. Such study paints a picture on important changes in American culture and society over time. With this in mind, the paper details the sensational murder of Helen Jewett. A cursory glance at the argument shows that Jewett personality and lifestyle shatters the common ideas particularly in popular minds about prostitutes as pathetic and broken persons living impoverished lives. However, understanding Jewett murder demand a closer look at the 1830s and 1840s prostitution.

The media plays a massive role in the construction of crime, this includes the reporting of crime, the sensationalisation of stories, over-representation of different social groups and age of offenders. Construction of crime is also through stereotyping both ethnicity and gender. It is sometimes argued that the media is an ideological tool that is used to distort reality from its viewers. Female killers are often considered as ‘oxymoronic’, as they are seen as contradictory. Females are generally seen as caring beings but once they commit violent crimes, they are judged based individual circumstances and it is not taken into consideration that they could just as violent as male offenders in their own right. In this essay, I will be focusing on the gender stereotypes in media, specifically focusing on female killers.

On September 20, 1984 a show aired that changed the way we view gender roles on television. Television still perpetuates traditional gender stereotypes and in reflecting them TV reinforces them by presenting them as the norm (Chandler, 1). The Cosby Show, challenged the typical gender stereotyping of television, daring to go against the dominant social values of its time period. In its challenge of the dominant social view, the show redefined the portrayal of male and female roles in television. It redefined the gender role in the work place, in social expectations, and in household responsibilities. The Cosby Show supported Freidan in her view of “castigating the phony happy housewife heroine of the

On September 20, 1984 a show aired that changed the way we view gender roles on television. Television still perpetuates traditional gender stereotypes and in reflecting them TV reinforces them by presenting them as the norm (Chandler, 1). The Cosby Show, challenged the typical gender stereotyping of television, daring to go against the dominant social values of its time period. In its challenge of the dominant social view, the show redefined the portrayal of male and female roles in television. It redefined the gender role in the work place, in social expectations, and in household responsibilities. The Cosby Show supported Freidan in her view of "castigating the phony happy housewife heroine of the women's magazines" (Douglas 136).

Jesmyn Ward’s novel Salvage the Bones features an underprivileged African American family from Mississippi, highlighting different challenges and plights that they faced prior and during Hurricane Katrina. The family members endured different life challenges ranging from poverty, loss of parents, neglect, violence, and sexual abuse. The story is set in a town known as Bois Savage within a locality named the pit deep in the woods, a family property, to signify its isolation from other and the low economic status. Throughout the story one character, the narrator, Esch stands out as she tries to navigate through life in a patriarchy world or rather surrounded by men. This paper analyzes the character of Esch Batiste, highlighting her struggles and transformation from the beginning of the novel to the end.

The media today, is highly selective in their constructions of offences, offenders and victims. Media representations of crime are moulded and women are portrayed in a way that is entertainment driven and is appealing to the audience. Despite the fact that women seldom stalk, murder outsiders or commit sequential murders- in fact they are rarely vehement, “accounting for only ten percent of convicted violent offenders- those who do so are highly newsworthy because of their novelty” (Jewkes 2011, p. 123) Present day media admits that because fierce women are comparatively uncommon, they are all the more appealing and diabolical to the audience as a result. The essay shall discuss the reason and presentation in the media of female offenders, female victims and women specific crimes.

The implicit ideological theory or perhaps theme in lovely bones about murder is inadequate to such modern environment, this would probably be my thought about this book five years earlier, but as I channel through a world of corruption, famine, but mostly murder, I finally reorganized my process of thinking. This story is about a girl been raped, and murder by her neighbor, and her family started to get confuse of this unexpected situation, and after few day Susie disappeared they are trying to solve the case by connected the puzzle together.

What happens when two opposing forces meet? The answer; an American crime procedural drama that showcases the reversal of gender roles. In Bones, Dr. Temperance Brennan, a highly accomplished forensic anthropologist, and Special Agent Seeley Booth, a local FBI agent, take on the hardest cases to crack. However, the hard part about these cases is that all they have for evidence is the structure of the human body, the bones. During these outlandish cases the duo has to work with other scientists, usually to provide comic relief between the seriousness of the two, and find out who murdered the victim. The show sets a good example for stereotypes pertaining to gender. Bones shows the audience how the reversal of gender roles in everyday settings

Books, plays, and movies that depict culture and social life often make statements about social issues such as gender roles, racism, and class distinction. Stories set up a context in which characters relate, often representing “stock” characters chosen from society and placed in situations where their stereotypical behaviors—and sometimes their breaking of these stereotypes—are highlighted. As feminism became a popular movement in Western countries in general and the United States in particular, female voices were naturally heard through fictional characters. Social and political issues commonly fuel entertainment; feminism, racism, and classism—recurring themes in entertainment through the 20th Century and into the modern day—have