The Assault by Harry Mulisch, The Remains of the Day by Kazuo Ishiguro and 1984 by George Orwell

Human life is precious in the sense that it is all about survival. There are qualities found in humans that make survival possible. In the book Hiroshima, by John Hersey, readers experience the core of humanity found in the six survivors during the days, months, and years following the atomic bomb. Through inspiration, perseverance, and a sense of community, the Japanese people demonstrated the strength of the human spirit.

In Fahrenheit 451, Bradbury tells the story of a dystopic world where books are burned by firemen because they are prohibited. By presenting this, he makes a point on how books are essential and at the same time warning readers. He was trying to say,” If this happens, then this will happen.” He visualized this society in this book, based on his society, which is parallel to our society now. In the dystopic Fahrenheit 451, Bradbury examines his society at the time, and he admonishes readers about possible aspects of future societies, especially mass media, technological advancement, and peoples’ mental health.

According to Karl Marx, a famous German philosopher, came up with the theory that the higher class, known as the bourgeoisie, enslaved and exploit the working class, known as proletariat. This theory relates to the two novels A Brave New World by Aldous Huxley and Legend by Marie Lu. There are many similarities that take place between these dystopian novels and it is evident that everything is predetermined and controlled by the state, causing conflict and chaos. This is demonstrated by the caste system, abuse of drugs and power within the government.

Fahrenheit 451 is a very interesting book that shows its many themes in different ways. Through a compare and contrast between the our world now and the world presented in Fahrenheit 451 we will be able to see the different themes and the factors that influence them. The four main factors that influence the story are the controlling government, terrible social conditions, advances technology and censorship. Although, some a play a bigger part than others, without all the them the book 's final outcome could have changed in a drastic way.

Have you ever wondered what a perfect world would be like? To you it could mean no more war, no more poverty, every person of every race and gender being treated exactly the same. However, to someone else their idea of a perfect world could be the complete opposite of what you would want. In Looking Backward by Edward Bellamy, and Fahrenheit 451 by Ray Bradbury the idea of a perfect world is not just an idea anymore, it becomes reality. Nevertheless, both books “perfect world” are completely different from one another. The theme of both books is to try and find that perfect world, and maintain it. While there are many may differences between the two, the underlying truth still remains the same.

Nineteen Eighty-Four written by George Orwell and Gattaca directed by Andrew Niccol are prophetic social commentaries which explore the broad social wrong of a totalitarian government. Both texts depict a futuristic, dystopian society in which individuality is destroyed in favour of faceless conformity. Niccol and Orwell through the experiences of their protagonists reflect the impact isolation from society has on individuals. The authors of both texts also use their protagonists Winston, who cannot understand the rhetoric of the government party and Vincent, who is trapped, unable to achieve his dreams because of his imperfect genome, to demonstrate individual rebellion against society and explore the significant social injustices of a

Writing was something Orwell knew he was exceptional at. He went to school on a partial scholarship, he had noticed that the school treated the richer students better than the poorer ones, and he wasn't popular with his peers (bio.com). Orwell was an outcast during his school years. He only started to fit in was when he started to become famous off of his books. Winston was also an outcast in his society. He did not believe in Big Brother like the rest of the community. He was alone most of the time, until he had met Julia. Big Brother did not promote sex for pleasure and if they were caught, they would be taken, but they did it anyways. Julia and Winston did not fit in much with what society or Big Brother wanted them to be. Towards the end,

In an interview, Duff Brennan said something along the lines of "All literature shows us the power of emotion. It is emotion, not reason, that motivates characters in literature." Duff Brennan is communicating that a story is constructed and carried out by the emotions of the characters. In real life, we're ordinarily guided by reason. Most people usually have to stop and contemplate about how doing something will affect them, they don't just act based on how they're feeling. Individuals typically do what is fair, not let their emotions take control of them and drive them to make regretable decisions. In literature, the characters follow their hearts, despite their consciousness trying to reason with them. Even when the characters are not following their hearts, they are ruled by emotions. In most books, characters don't instantly follow their hearts so that the book becomes one where the character is internally struggling over reason and their emotions. Books have to be this way to keep the readers interested. Otherwise, it would just be a book about people going about their normal life, doing what they should do, what's right to do, not what they want to do. 1984 by George Orwell and The Fault in Our Stars by John Green both support this quote and show how this quote is valid.

A comparative literary study of the effect of mental illness on the central characters is the semi-autobiographical novels The Bell Jar by Sylvia Plath and Girl, Interrupted by Susanna Kaysen. Comparing two women trying to deal with mental illness and are trying to cope with the mental pressures they put on themselves and by other people. Although the differences between these two novels are The Bell Jar shows Esther’s life before she descends into mental illness whereas Susanna’s story is about her time in a mental institution and experiencing other patients who are in similar situations.

In the novel Fahrenheit 451 written by Ray Bradbury and the film V for Vendetta by James McTeigue, there are a different range of features of their text type which explore the common theme of individuality against oppression. A fascist government occupies London after a world war in V for Vendetta. Where V uses terrorist tactics to fight the dictators, after saving Evey from the secret police, he now discovers an ally in the battle against England’s corrupt government. Fahrenheit 451, set in the futuristic 24th century, tells the story of Guy Montag and his struggle with the censored society. Burning books as a living, he begins to question his occupation and joins an underground network of intellectuals to rebuild a literate and cultural

Ray Bradbury’s Fahrenheit 451 and Markus Zusak’s The Book Thief are similar in multiple ways. One example being that they both end rather realistically.

A Clockwork Orange by Anthony Burgess and Brave New World by Aldous Huxley are both novels that deal with the theme of dystopia. Both novels depict societies in which mind control is used to create social stability. There are also individuals who rebel against this loss of freedom and identity. However, these individuals lose their fight for freedom because of unsuccessful escape methods, acts of violence and effective conditioning.

1984 is a cautionary tale, where Orwell is warning the society of possible government takeover. This novel caution people to keep in mind the actions that government is taking. The reason behind this novel was World War II. It’s not a secret that post world war era looked very socialist in order to avoid future wars. Nations like Soviet Union and different European Nations practiced socialism to avoid future uprisings against the government. To some extent his warnings actually turned out to be the truth in the example of totalitarian socialist North Korea.

Slaughterhouse-Five by Kurt Vonnegut and Catch-22 by Joseph Heller both have a striking resemblance in the themes of anti-war and of free will. Both don’t come into full force right in the beginning but eventually become more evident. Both novels focus on one character throughout the entire novel, and each protagonist is affected by all the events around them. It changes their perspective and how they view life as a whole. Both Billy in Slaughterhouse Five and Yossarian in Catch -22, dislike war and are known as anti-war heroes. They also believe in the idea that they have free will and that their actions can be controlled. What makes these two novels so different from other war novels is that both protagonists don’t die for their

Confessions of a Mask, by Yukio Mishima, was written in 1958 and contains the story about Kochan’s journey of discovering his real sexual identity by unraveling behind the “mask” that he portrays. This “mask” that Kochan wears is due to his conflict of emotions throughout the entire novel that results in feelings of isolation, confusion, and a loss of identity. One main event that greatly impacted Kochan’s life was his feelings of “love” for Omi. This “love” for Omi eventually led Kochan to discover new life experiences and accept his real identity.