The At The Charlotte Fine Art Gallery

The more I observe, the more I understand who I am. I come from a small town in a very cold part of the world, where very few exciting events occur. This means, I have to work extra hard to become an artist. I remember having my neighbor say, “You aren’t an artist until I buy a painting from you,” and she did. I never wanted the money, but I did enjoy the satisfaction of knowing that what I create makes others happy. So many people in town encourage me and support me with my dreams, and all I do in return is help them back in return. When people need a little sunshine on gray, winter days, I am there to lend them my happiness. That is why I am able to succeed. When failure strikes his wrath upon me, I learn from the mistakes rather be held back –being optimistic allows me to grow much quicker than if I were to be

The Carleton University Art Gallery’s current exhibition We Are Continually Exposed to the Flashbulb of Death: The Photographs of Allen Ginsberg (1953-1996), is a linear timeline of the lives, romances, and works of the American Beat generation. The exhibition, curated by Barbara Fischer and John Shoesmith, is a survey of Allen Ginsberg’s photographs, which capture the freedom, artistic creations, and the open sexuality of this group. The organization of the exhibit, along with the added captions below each photograph, create a narrative of a past generation, both capturing and reflecting on an era.

On September 19, 2015 I visited the Blanton Museum of Art at the University of Texas in Austin, where I observed The Raising of Lazarus by Joachim Wtewael in the European Old Masters gallery. The piece recreates the biblical narrative of Lazarus’ resurrection and demonstrates the exorbitant style of Mannerism popular during the 16th century. Wtewael establishes the significance of the Christ with his application of form through the use of unrealistic contortions of the people, the lines following the exaggerated limbs of the congregation, and the abundant use of the color red on almost every article of clothing.

The Virginia Museum of Fine Arts in Richmond at a glance is a modern metropolitan building that displays a vibrant exhibition of Byzantine art found in the Medieval and Byzantine wing. They are grouped together because they share a progression of time occurring in the heart of Europe roughly from the 1300s until the fall of Constantinople in 1453. The exhibit begins with displays of medieval art of Western Europe. It further progresses to Byzantine art arranged in broad categories ranging from pre-Christian art, liturgical material, secular material and a display of coptic textiles. Although small scale, a few art pieces prominently featuring the human figure stood out in particular.

On November 7, 1883, an exhibition organized by “May Wright Sewell, her husband Theodore, and a small group of art-minded citizens” (History, 2017) began what would one day become the establishment now known as the Indianapolis Museum of Art. Since that first exhibition, the IMA has gone through several identity changes. They were first named, the Art Association of Indianapolis. Their next identity was as the John Herron Art Institute, which opened a whole new chapter, as they became “a campus featuring both a museum and an art school.” (History, 2017) Today, the IMA is one of the largest encyclopedic art museums in the nation. The IMA has had various leadership and staff over the years that have lent to how the museum operates today.

The North Carolina Museum of Art (NCMA) holds many works of art from all types of cultures from around the world. The Torso of an Emperor in the Guise of Jupiter from Roman culture and the Torso of Aphrodite from Greek culture, are but two of them. It is unknown who the artist was for either of them, but the work has lived on for centuries. During the time period the gods were known for their perfection- like body and extraordinary looks. Since the sculptures highlight only the torso of the body it represents that only image matters and the brain does not.

As Edgar Degas once said, “ Art is not what you see, but what others make you see”. The St. Louis Art Museum is a place for artist to display their art and give spectators the option to see art from a new perspective. This was the case for me. As we walked up to the beautifully structured building that stood so tall and wide, my expectations were extremely high. At first glance I notice the bronze statue of King Louis IX of France riding high on his horse. From this statue alone, my expectations of the art museum grew stronger. I have never been to an art museum before, so I wasn’t sure of what to expect. My first expectation was to see huge detailed sculptures right as I walked through the door. That expectation didn’t come true.

For this project, I chose the Tampa Museum of Art. My daughter Annabelle, who is eleven, accompanied me. She is an aspiring young artist who loves to paint and assemble collages. This paper will describe our trip, the museum’s activities, and what was on exhibit. After which, I will choose two works of art and preform an analysis on them. I will employ the formal elements and the principles of design to engage the first piece, “The Great Journey”. With my second choice “A Group of Cubans who left Manzanillo are Rescued at Sea”, I will discuss how applying an alternative contextual analysis would help in understanding the meaning behind the painting more.

The Carnegie Museum of Art was a museum created to focus on the art of tomorrow rather than already popular art and artists of today. A necessary part for that dream of Andrew Carnegie to become a reality is having a place to house these art pieces. While of course he could have just found an empty warehouse and placed all the art there that would neither have given the pieces of art justice nor would anyone want there personal collection to be placed on display there. Instead, in order to have a successful art museum you have to house the art in a place that does it justice. Museums heavily rely on their architecture to accurately portray and supplement the showpieces within the museum. Carnegie’s art museum

My best friend, Chelsea and I went to the Dallas Museum of Art today. It was a long drive but we had finally got there. When we arrived at the entrance I was immediately entranced with the artwork that was on the concrete wall. It had a blue background with this robot lady shooting out a rainbow with the top half of her body, and a giant red hand that is bringing life to the plants that is in the ground. When we got in to the museum the first thing that I saw was the café. I was curious to what kind of food they sell but we did not go inside because we were on a mission. So, we immediately went over to the information desk to see which art galleries were free and if flash photography was allowed. We left there to take a picture by this marble sculpture of this woman sitting in a dress with her legs crossed. Then we wondered around until we got to the creative gallery. I attempted doing a sketch of the artwork that was displayed, but it just looked an intermediate

The Virginia Museum of Fine Arts is an art museum in Richmond, Virginia and was built on March 27, 1934. The Virginia Fine Arts Museum is one of the top art museums in the United States. They have a vast collection of exhibits including American, African, East Asian, Ancient, 21st century and many more. My favorite exhibit is The McGlothlin Collection of American Art. This exhibit caught my eye as soon as I walked in the door. There were many astonishing paintings that had a lot of emotion, but one stood out from all the others. The artist, Beauford Delaney, painted Marian Anderson.

The art exhibit I plan on attending is the Gibbes Museum of Art in Charleston, SC. Gibbes is one of Charleston most historic museums and house and displays not only modern art but many pieces of art that show the show history of Charleston. Gibbes opened in 1905. I chose Gibbes Museum of art because of its location and the rich history of Charleston that influences the art reflection the culture that Charleston has been for the last 112 years. The museum not only displays many local pieces of art and sculptures, it also has on display art from around the world. Currently the museum has many visiting artists but also has a permanent collection that is on display. Of the permanent collections, the most interesting to me is the 18th and 19th Century

Art has been my passion since childhood. Spending three years within the teaching environment was where I thought I belonged. Before receiving my Bachelor of Fine Art in painting from Metropolitan State University of Denver a personal experience that connects to my reservation and adoption into the Clinical Mental Health program was one of tragic loss. On January 9, 2002, my son’s life abruptly ended and during the grieving process I started expressing myself through painting. In searching for serenity, individual counseling became enhance. Finding a therapist with a background in marriage and family/art therapy became a visual depiction, a self-portrait symbolizing my external realities and internal emotions immediately following his suicide. Driven to face an extremely irritating and stressful paradox to the best of my ability while trying to keep the constitutional need to endure my life as fully as possible.

Additionally, I can be partial to the situation by not analyzing where my position may end up after the decision is made. I want to be sure that I do not inherently prosper or devalue myself in the process. Now that I have removed myself and accounted for those involved, it is time to inspect the actual situation.

After getting over my initial reluctance, I got butterflies in my stomach. This was only the 2nd time I’d been to an art museum, so I wanted to make the most of it. When we first arrived, we looked around at some paintings. I visited an exclusive temporary exhibit of Edvard Munch which included a surprising amount of paintings of naked women. Nothing caught my eye in the first few galleries, but then I stumbled on an exhibit called “In Character” by Nam June Paik. As soon as I walked in, I got embarrassingly excited. I constantly had to stop myself from running around the museum like a madman. All the TV sculptures and simple, childlike drawings had been just so incredible to me. The piece that I really enjoyed the most was a sculpture called “Self-Portrait.”