The Awakening Personality Traits

Illogical, submissive, and sensual are some of the words used to describe the view of women during the nineteenth century. In the novel The Awakening, Kate Chopin tells the controversial story of a woman, Edna Pontellier, and her spiritual growing. Throughout the story, Edna constantly battles between her heart’s desires and society’s standard. The novel shows how two women’s lives influence Edna throughout the novel. Mademoiselle Reisz and Madame Ratignolle are both in their own way strong, motherly influences in Edna’s life. Mademoiselle Reisz is Edna the mother who wants Edna to pursue her heart’s desires. Madame Ratignolle however, is the type of mother to Edna who wants Edna to do what is socially right. The way the two live

The story, The Awakening, is about Edna Pontellier’s internal conflict between her desire for independence and her need to remain a high-class member of society. When away on summer vacation Edna has the realization that she has control of her own life and begins to focus on her self and not what others think. During her awakening, Edna is faced with much resilience from her husband and friends and instead of becoming someone she is not, Edna Pontellier ends her own life as she sees it is her only option. The author, Kate Chopin, uses many characters to exemplify the conflicting ideals emerging in Edna; particularly Madame Ratignolle acts as a foil to Edna’s newfound persona, instead symbolizing the conservation of a traditional

First let us start with Edna Pontellier from Kate Chopin’s great novel, The Awakening. As the novel begins we meet the Pontellier’s family and most importantly Edna. We see through the exposition that Edna is a twenty-eight-year-old wife of a New Orleans businessman who see’s her as a mere possession that is the most fragile and important possession to have, but still just as a possession. Based on the culture around her we see her servility to her husband and her everlasting devotion that her life is to be controlled by whoever she marries(1878–1899: Lifestyles). This becomes very clear when reading on page two. In this situation we see Mr.

Kate Chopin’s aspiration to deliver The Awakening was to convey to the early 20th century public her position of women’s roles, rights, and independence in a time of strict gender roles. Chopin conveys to readers the oppression of women during her time. Edna Pontellier is Chopin’s protagonist in the novel, and she finds herself unhappy and contempt of her role as a republican mother, which characterizes the idea of women’s work, and Edna identifies indirectly with the women at the Seneca Falls convention. Throughout the book Edna’s husband, Leónce Pontellier, continually scolds her for not being an attentive and loving mother and Edna compares herself with Madame Ratignolle, who is the epitome of motherhood

Kate Chopin’s The Awakening controversial protagonist - Edna Pontellier - lives a personally unsatisfying life with her idealistically perfect husband; a marriage that exists solely on the satisfaction of the Creole society they live in. In the beginning of the novel, she starts to struggle with the dominance of her outer identity that consists of how everyone sees her as the beautiful wife to a perfect, rich husband. But, when she is alone or with Robert, she begins to self-reflect on her inner identity that consists of how she sees herself and the new, rebellious freedoms that she desires. In The Awakening, the frequent symbolization of birds and the manner with how Edna interacts with music and the different men in her life illustrates

Over the course of time the male species has always been the gender to attain the more favorable conditions. Numerous cultures heed to the belief that the man is the provider and head of his family. This machismo nature can condition the mind to believe that a man should feel superior to a woman. The continuous cycle of male superiority flows down from father to son subconsciously. Do to this unceasing sequence of behavior women fall subject to repression and control at the hands of mentally undeveloped men. Kate Chopin’s The Awakening, illustrated this particular topic in a way that not only appealed to the readers’ sense of pathos but, the readers’ likeliness to be able to relate to the aforementioned as well. Chopin stylistically renders the struggle of the protagonist Edna Pontellier, a strong willed woman who finds herself imprisoned to the concept of trans-temporal existence, as she seeks refuge to her true being, Edna experiments relationships with multiple men that unintentionally repress her existence. Between Leonce Pontellier, Robert Lebrun, Alcee Arobin and The Colonel effect of Edna’s life they catalyze her awakening and ultimately lead her suicide.

During the late nineteenth century, the time of protagonist Edna Pontellier, a woman's place in society was confined to worshipping her children and submitting to her husband. Kate Chopin's novel, The Awakening, encompasses the frustrations and the triumphs in a woman's life as she attempts to cope with these strict cultural demands. Defying the stereotype of a "mother-woman," Edna battles the pressures of 1899 that command her to be a subdued and devoted housewife. Although Edna's ultimate suicide is a waste of her struggles against an oppressive society, The Awakening supports and encourages feminism as a way for women to obtain sexual freedom, financial independence, and individual identity.

Edna realizes that "she had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves. They had never taken the form of struggles" (96). In the novel the struggle begins and it is against the demands of her husband and children. As she walks into the ocean at the end of the novel to escape her life she thinks, "they need not have thought that they could possess her, body and soul" (176). Emily Toth claims, "an escape from confinement is the overriding theme of The Awakening" (242). The primary means for this emotional confinement is the societal expectation, held over from the early Republican era of America, that "'the best way of a married woman to carry her points is to yield sometimes.'" Jan Lewis says that in early America "it was the wife who had to bend" (712). This remained true at the middle of the century when William Alcott declared "the balance of concession devolves on the wife. Whether the husband concede or not, she must" (32). Edna comes to understand that earlier in her life she followed this dictate without even thinking; she conceded in all cases, "not with any sense of submission or obedience to his compelling wishes, but unthinkingly, as we walk, move, sit, stand or go through the daily treadmill of the life which has been portioned out to us" (78). But she now realizes that this pattern was a mere treadmill whose path was always determined by

Edna’s awakening was the beginning to her suicide. As Edna realized her capacity to be honest with herself, the old Edna began to die. Edna slowly started to realize she did not want to be like other women, whom “idolized their children, worshiped their

In Kate Chopin’s novel, The Awakening a wife and a mother of two, Edna Pontellier, discovers her desires as a woman to live life to the fullest extent and to find her true self. Eventually, her discovery leads to friction between friends, family, and the dominant values of society. Through Chopin's use of Author’s craft and literary elements, the readers have a clear comprehension as to what the author is conveying.

The Awakening begins in Grand Isle, while Edna and her husband are on vacation from New Orleans. The society of the time dictated that Edna was tied to her husband, her children and her home. Many of the rules of New Orleans society are relaxed in Grand Isle and Edna is free to explore many new things. The simple act of learning to swim becomes liberating for Edna. When she is swimming, she feels as though she is completely free of the oppressive circumstances of her life. Edna’s relationship with Mademoiselle Reisz further helps her learn new things and empower herself. Mademoiselle teaches her basic artistry skills which allow her to fully explore her talent and creativity. This artistic freedom is part of the culmination of Edna’s freedom within society. The harsh constraints placed upon women in the society which Edna lives make total freedom and independence almost unattainable. Edna’s inability to escape her husband and her attachment to her children led her to her ultimate downfall. Having no place to turn or escape to, Edna commits suicide, which appeared to be the only possible means for achieving freedom and liberation.

Throughout “The Awakening”, Edna is immersed in a constant clash with society over the significance of the difference between her life and her self. To Edna, the question of whether or not she would die for her children is somewhat simple. Edna attempts to explain this concept to her good friend, Adele Ratignolle, but to no avail, “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself” (Chopin 62). Not only does Edna consider her life unessential, she categorizes it as equal with material objects such as money. The idea of self, on the other hand, lies on a completely different level in Edna’s mind. The most important goal to Edna in her life is the journey to discover her true character. The idea that her inner self is more essential than life or even her children causes Edna to stray farther from the social constraints of the typical domestic woman. Kathleen M. Streater weighs in on Edna’s situation and placement in

Chopin tells of this younger woman with an older husband who runs with her intuition in search of her own mind. Another presentation of Romanticism in The Awakening is described during Edna's search for individualism when she says of her that "...no longer was she content to 'feed upon opinion' when her own soul had invited her" (124). Edna Pontellier has a desire to be her own person in her own world when she is placed in a setting that refuses to permit such an action.

In Kate Chopin’s novel, The Awakening, the constant boundaries and restrictions placed on Edna Pontellier by society will lead to her struggle for freedom and her ultimate suicide. Her husband Leonce Pontellier, the current women of society, and the Grand Isle make it evident that Edna is trapped in a patriarchal society. Despite these people, Edna has a need to be free and she is able to escape from the society that she despises. The sea, Robert Lebrun, and Mademoiselle Reisz serve as Edna’s outlets from conformity. “Edna's journey for personal independence involves finding the words to express herself. She commits suicide rather than sacrificing her independent,

In the novel The Awakening, Kate Chopin (2005) uses deep symbolism to show how the main character, Edna Pontellier, discovers her own independence in the society in which she lived. Edna was a traditional mother and wife seeking freedom and independence throughout her adult life. Chopin portrays Edna as being a rebel against her own life. The story takes place in the 1960s when women were to follow certain rules made by the society they lived in. Chopin also foreshadows the things that occur in Edna’s life through nature and death itself. Based on the many ways Chopin uses symbolic meanings through the novel, we can see the events of Edna’s life as one that rebels against society. Throughout this novel, Chopin proves that Edna’s actions