Essay about The Awakening by Edna Pontellier

She leaves the care of her children to her grandmother, abandoning them and her husband when she leaves to live in the pigeon-house. To her, leaving her old home with Léonce is very important to her freedom. Almost everything in their house belonged to him, so even if he were to leave, she would still feel surrounded by his possessions. She never fully becomes free of him until she physically leaves the house. That way, Edna has no ties whatsoever to that man. Furthermore, Edna indulges in more humanistic things such as art and music. She listens to Mademoiselle Reisz’s playing of the piano and feels the music resonate throughout her body and soul, and uses it as a form of escapism from the world. Based on these instances, Edna acts almost like a very young child, completely disregarding consequences and thinking only about what they want to do experience most at that moment. However, to the reader this does not necessarily appear “bad”, but rather it is seen from the perspective of a person who has been controlled by others their entire life and wishes to break free from their grasp. In a way, she is enacting a childlike and subconscious form of revenge by disobeying all known social constructs of how a woman should talk, walk, act, and interact with others.

Edna’s children are different from other children, if one of her boys fell “…he was not apt to rush crying to his mother’s arms for comfort; he would more likely pick himself up, wipe the water out of his eyes and the sand out of his mouth, and go on playing”. Edna is not a typical Creole “mother-woman” who “idolized her children (and) worshipped her husband” (8) and at times that results in her husband’s claims that she neglects her children. Edna’s children leave her attached to her husband, and even if she is somehow able to escape the relationship with her husband she will never be able to escape her children. She realizes this and whether consciously or not, doesn’t care for her children the way this is expected of a woman in her time period. When Adele Ratignolle reminds her to, “Think of the children!…Oh think of the children! Remember them!” Edna finally realizes her decisions affect her and her children. Instead of accepting her responsibility as a mother Edna decides to give up, and does so by committing suicide.

Edna's awakening begins with her vacation to the beach. There, she meets Robert Lebrun and develops an intense infatuation for him, an infatuation similar to those which she

The story, The Awakening, is about Edna Pontellier’s internal conflict between her desire for independence and her need to remain a high-class member of society. When away on summer vacation Edna has the realization that she has control of her own life and begins to focus on her self and not what others think. During her awakening, Edna is faced with much resilience from her husband and friends and instead of becoming someone she is not, Edna Pontellier ends her own life as she sees it is her only option. The author, Kate Chopin, uses many characters to exemplify the conflicting ideals emerging in Edna; particularly Madame Ratignolle acts as a foil to Edna’s newfound persona, instead symbolizing the conservation of a traditional

Ranging from caged parrots to the meadow in Kentucky, symbols and settings in The Awakening are prominent and provide a deeper meaning than the text does alone. Throughout The Awakening by Kate Chopin, symbols and setting recur representing Edna’s current progress in her awakening. The reader can interpret these and see a timeline of Edna’s changes and turmoil as she undergoes her changes and awakening.

There are certain ideals that need to be met while being in a relationship; they play concrete roles in the stability of the partnership. The idea of Edna being confined in a marriage with Mr. Pontellier who doesn’t

Although The Awakening may be seen as a tragic love story to some, it is truly a novel that displays the turning point for a woman’s role in the 1900’s. The main character, Edna Pontellier, is the epitome of the new working woman. The story centers around Edna’s discovery of her beliefs which are found through a series of awakenings and contrasted with the social norms of the time.

Edna’s suicide was victory of self-expression. Edna undergoes a gradual awakening process in which portrays not to only her newly established independence from the constraints of her husband, but also her ability to go against the social norms of society in order to individually express herself. Her suicide encompases the question and critique of living life through the perspective of society such as being responsible for taking care of the kids, cleaning the house, and entertaining any guests that the husband may have over anytime. In the first couple of capters, the novel is quick to emphasize the gerneralized roles kthat are placed onto females, making it apparent that fe,ales are expected to successfully fulfil these roles. For example, Leonce enters home after being out and stated one of the kids had a fever. Edna was certain the child had no fever but Leonce belittles her capability as a mother for indifference with him. “If it was not a mother’s place to look after the children, whose on earth was it?” (27capac).

Leonce Pontellier, the husband of Edna, is the story 's antagonist. He is materialistic, due to him being a wealthy businessman, and also forty years old. His high status came at a cost; he is very concerned with appearance and how others view him."The way to become rich is to make money, my dear Edna, not to save it," he said. He regretted that she did not feel inclined to go with him and select new fixtures. He kissed her goodbye, and told her she was not looking well and must take care of herself. She was unusually pale and very quiet” (18). He also treats Edna as mere property "You are burnt beyond recognition," he added, looking at his wife as one

She pales in comparison as a mother when set next to the other Creole women on Grand Isle. When the children of the other mothers need comfort, they run to their mother. However this is not the case for Mrs. Pontellier. When Edna’s children fall, rather than seeking comfort from their mother, they are more likely to instead get up and carry on playing (567). Try as she might, Edna is simply “not a mother-woman”, and finds no satisfaction in attempting to be one (567).

When Edna returns home later that day, she finds out that Robert is leaving for Mexico. She is rather upset with this news and afterwards leaves to go home. "She went directly to her room. The little cottage was close and stuffy after leaving the outer air. But she did not mind; there appeared to be a hundred different things demanding her attention indoors." (42) She tries to ignore that his leaving and not telling her affects her so much. Yet she declines an invitation from Madame Lebrun to go and sit with them until Robert leaves. When Edna sees him leave it tears her up inside that her companion, the one person that she felt understood her, is leaving: "Edna bit her handkerchief convulsively, striving to hold back and to hide, even from herself as she would have hidden from another, the emotion which was troubling - tearing- her. Her eyes were brimming with tears." (44) Edna's life is not complete when Robert leaves:

She strays away from her own marriage, which opens new possibilities for relationships with other men. Leonce asks Robert to join him at Klein’s Hotel for the night. However, he responds, “that he preferred to stay where he was and talk to Mrs. Pontellier” (Chopin 4). His decision to remain with Edna throughout the night displays her desire for a not-committed marriage. She does not make any effort in convincing her husband to stay and instead, lets him leave. The progression of awakening continues further while Edna spends time with Robert. While talking with Robert, Edna’s actions generate the essence of her awakening, “Her glance wandered away from his face toward the gulf, whose sonorous murmur reached her like a loving but imperative entreaty” (13). Looking towards the sea implies that Edna is seeing through a new perspective. This description of the gulf as an imperative entreaty gives the sense that water is beckoning her to explore life and live freely. Edna and Robert take a day trip to a small island close by Grand Isle. She falls asleep on the island and Robert takes her to a friend’s house. After waking up from the nap she walks outside, “She went softly out the doors, and plucking an orange from the low-hanging bough of a tree, threw it at Robert” (37). The scene depicted symbolizes the Garden of Eden and forbidden fruit. Picking fruit from the tree resembles Edna stepping outside of her boundaries and

She was pressured to marry Leonce by her father and older sister. Along with marriage came the pressure to have children. She is forced into these roles but never actually succumbs to them. Edna not only has Madame Ratignolle's friendship and her marriage to wake her up to her dreams and emotions, her affairs wake up to her desires. The way the different male characters treat her reminds her that she will never happily fit into the role of a wife and mother, therefore awakening her.

The Awakening begins in Grand Isle, while Edna and her husband are on vacation from New Orleans. The society of the time dictated that Edna was tied to her husband, her children and her home. Many of the rules of New Orleans society are relaxed in Grand Isle and Edna is free to explore many new things. The simple act of learning to swim becomes liberating for Edna. When she is swimming, she feels as though she is completely free of the oppressive circumstances of her life. Edna’s relationship with Mademoiselle Reisz further helps her learn new things and empower herself. Mademoiselle teaches her basic artistry skills which allow her to fully explore her talent and creativity. This artistic freedom is part of the culmination of Edna’s freedom within society. The harsh constraints placed upon women in the society which Edna lives make total freedom and independence almost unattainable. Edna’s inability to escape her husband and her attachment to her children led her to her ultimate downfall. Having no place to turn or escape to, Edna commits suicide, which appeared to be the only possible means for achieving freedom and liberation.

Edna realizes that the patriarchal society is quick to condemn particularly a freedom-seeking woman who neglects her children since she is “intended by nature” to take care of them (Dyer 126). She is "uneven and impulsive" in her affections for her children. When they leave to visit their grandmother, she is relieved because she is not suited to the responsibilities of motherhood. Edna’s mind was at rest concerning the present material needs of her children: