The Awareness Of Maori Culture Essay

Trask is able to use logos to prove how tourism has affected the Hawaiian culture. Trask refers to Hawaii as a “She” who “Rubs off” on the visitor with her magical presence. The beauty of Hawaii is used as an escape from “Rawness and violence” for most Americans though, Trask mentions that the land has a “Western sexual sickness” (Trask 1993). “Of course, all this hype is necessary to hide the truth about tourism, the awful exploitative truth that the industry is the major cause of environmental degradation, low wages, land dispossession, and the highest cost of living in the United States” (Trask 1993). Trask says that the areas of Hawaii which were “sacred” to the Hawaiian’s have now been turned into top of the line hotels. The beaches that were once full of fishermen and their nets are used for recreational activities like surfing getting a tan and jet skiing. On most of the beaches owned by resorts, the beaches are reserved for hotel residences only. In the essay, Trask gives the readers logos as to how tourism is changing the land. For example, thirty years ago the ratio of Hawaiians outnumbered the tourist 2:1. Today,

The word Tattoo is believed to have originally come from the Samoan word “Tatau”. “The Samoan word for tattoo came from the Polynesian language, and the word tatau originates from the tapping sounds of the tool made during tattooing” (U.S National Park). The origins of the Samoan tatau have been passed down orally through

Tattoos have recently become increasingly popular in youth, due to the hidden meanings and symbolism that they are endowed with. Helen Day’s opinionative blog entry, The Power of Ink, asserts that the significance of tattoos have diminished due to the fashionable aesthetics that tattoos project. A highly casual, yet acknowledging tone characterises her blog entry, which is predominantly catered to young Australian readers who are interested in receiving a tattoo. Accompanying her blog entry is a number of comments which both support and criticise the new phenomenon of tattoos. Poignantly complementing her article is an image of Ta Mako tattoos, a Maori form of body art, and the front cover of the written work “No tattoos before you’re

My senior project was over the History of Tattooing, I chose this as my topic because Tattoos really interest me with all the different styles and meanings behind them. Some things I already knew about Tattooing is a lot of tribes used tattoos to symbolize things, but I didn’t know what.

Throughout Australian history, Aboriginal people have been displaced and mistreated through the course of time, through the separation from their from kinship groups, land and the stolen generation. This has resulted in the connection to their dreaming lost, misconnection and loss of their sacred sites and traditional food from their land. As a consequence of the stolen generation, many aboriginal children were deprived of their parents, families, spirituality, language from their land and their cultural identity. All of these aspects contribute to the continuing effect of dispossession on Aboriginal spiritualities.

It seemed like a normal day at the time, the sun was shining, the waves crashed on the shore, steady and reassuring. I did a lot of thinking that day. I thought of my future, of what I wanted to accomplish in life.Only now I realize that it wasn’t a normal day at all. It was the day I decided to graduate early.

Similar to that idea, not all Polynesian tattoos have the same flow and shape as others. Along with that, there are also different meanings for different designs. In the Maori culture, tattoos are not always based on the life a person is living but also on milestones that they’ve reached. “For the Maori these tattoos symbolize spiritual rituals related to specific events in a person's life. The Maori men were only allowed to receive their first tattoo upon reaching adolescence.” (Laura du Toit). There was also a process that went along with receiving a Maori tattoo that one would have to partake in order to receive a tribal tattoo. “Before receiving a Maori tattoo the person would have to fast. The entire lwi would be present at the ceremony itself and this would be celebrated with music and dancing.” (Laura du Toit). In Samoan cultures, tattoos were also very sacred due to the meaning it held. “It means that a soga’imiti (traditional Samoan male tattoo) has a higher social status in his community than others, and is given more opportunities to learn correct protocol, history, oratory skills and other intricacies of the Fa’asamoa.”

Tattoos have been around throughout our history, from Egyptian times to the present day. Many people may say they know the history of tattoos, and where they originate from, but do they really? Does one know that there were reasons that some people had tattoos? There may be people who know the actual history of tattoos and body art and why one would decide to get one; however there are people who do not. To be able to understand the idea of tattoos, one should educate themselves to the history of tattoos. Although tattoos have been considered taboo and a stereotype, history reveals that this particular form of body art has been used for self expression, status and

Media representations are the ways in which the media portrays particular groups, communities, experience, ideas, or topics from a particular ideological or value perspective. They shape our perceptions of experience and can influence our beliefs. The Media representations of the Maori Culture shape a perception and give New Zealand Maori a negative perception of who they are and how they act. These representations also transfer to the rest of the world giving them a perception of what the Maori Culture is supposedly like. The "Bloody legend" advertisements, New Zealand show "Police Ten 7" and the NZ filmed and directed movie "BOY". All present a varied negative representation of the Maori Culture in New Zealand.

Tattooing was also popular amongst Maori men of New Zealand, who covered their buttocks, thighs, and faces. Maori men had their faces tattooed by a “moko“ artist, a technique that is unique to the Maori. The pattern was slowly carved into the skin with a chisel, much in the same way a design might be carved into a plank wood. Ink was then be placed in the fresh wounds to create the tattoo. The process, which was extremely painful, was typically done in stages,

Aborigines are believed to have lived in Australia for between 60,000 and 40,000 years, their early ancestors coming from South-East Asia. Precise population details for the period before European colonisation are unavailable, but it is estimated that there were between 300,000 and 1,000,000 Aborigines in Australia when European settlers first arrived in 1788.

Douglas, G. (2010) Social and Cultural Meanings of Tolerance: Immigration, Incorporation and Identity in Aotearoa, New Zealand. Journal of Ethnic and Migration Studies, Vol. 36, No. 1, pp. 125-148.

There is a long list of cultures that utilised tattoos as a form of decoration and communication (Swami, 2011). That said, within some western societies, that historical connection to the tattoo is not that strong. However the art of tattooing has seen a steady growth of its popularity and acceptance, and since the early 1990s, that growth has accelerated dramatically (Caplan, 2000; Cash, 2011; DeMello, 2000; Swami, 2011). The current estimated incidence of tattooing amongst the populations of North America and Europe is approximately 25 percent (Laumann & Derick, 2006; Swami, 2011), with one researcher suggesting those rates could continue to increase to as much as 40 percent of the population (Anderson, 2006).

The following paper examines the history and religion of the ancient Maori people. It is my belief that exploration of traditional belief systems and ritualistic practices will lead to a greater understanding of the Maori culture in present-day New Zealand. The objective of the paper is to illustrate the Maoris’ unique perception and spiritual connection with their natural environment.

“From the 1970s, a major cultural shift known as the ‘Maori Renaissance’ created a context for the emergence of a Maori perspective in New Zealand filmmaking.” The New Zealand feature film, Ngati is considered to be a product of the ‘Maori Renaissance’ and it remains a noteworthy film today for being the first film directed a Maori, namely Barry Barclay. This essay seeks to examine the racial representations of Maori and Pakeha, the historical context of the late 1940s and the Maori identity in Ngati. Barclay’s film is unlike previous films such as The Romance of Hinemoa, The Te Kooti Trial and Rewi’s Last Stand which was based on a dominating Pakeha perspective. The release of Ngati signalled a turn of tables in favour of Maori as they were able to present Maori and Pakeha representations, the historical context of the late 1940s and Maori identity from their perspective.